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Showing posts with label Vinyl. Show all posts
Showing posts with label Vinyl. Show all posts

Saturday, September 15, 2012

Turbo Fruits Talk New Album, Strange Influences and Vinyl

Matt Hearn, Dave McCowen, Kingsley Brock and Jonas Stein of Turbo Fruits pose for a portrait at the 2011 Bruise Cruise Festival on February 28th, 2011 at sea.

Lil Wayne, ‘70s soul and Enya: this is the "weird shit" Jonas Stein of Turbo Fruits was listening to while writing and recording Butter, their forthcoming record and the latest release on Serpents and Snakes, the label founded and maintained by Kings of Leon.

"Rock and roll is our first love," says Stein, "but I was trying to listen to stuff that was still getting me off. I wanted to hear something that was totally unattached. It made me feel really weird, so I went back to Enya’s greatest hits with a fresh pair of ears and turned it up really loud."

Whatever it was about rap or Celtic crooning, the weirdness worked, as the wall of noise Butter delivers is a roughly 34-minute barrage of furious riffs and driving anthems that come together in a solid, straightforward body of sound. Produced by Jim Eno of Spoon and with the endorsement of the aforementioned Followill family of Kings of Leon, Butter serves as a coming out album of sorts for the Nashville rock quartet – a debut Stein’s been waiting for since the inception of the band six years ago.

"It took three years for me to find a permanent lineup, and in the three years since then we’ve really grown together," says Stein. "The dynamic solidified. I’d say this third record was a bit more of a communal writing experience than the first two – more people chimed in on this one. We were just way more prepared. I’ve never been more prepared for recording a record in my life. We had a no-mess, non-stop work ethic. The first song on the album, 'Where The Stars Don’t Shine,' was recorded live with no overdubs. We were just like, no bullshit, no fuckin’ around, this is the way we’re starting off the record."

With plans to do a run of Butter on vinyl as well – pressed on butter-colored wax, naturally – Stein’s thrilled that the album’s going to be Serpents and Snakes’ #001. "It’s an evolved type of record label – where everyone’s really in it together – and I’m just excited to be at the beginning of [the label]," he says. "I don’t care if people want to listen to it on mono, or digital, or steal it, whatever: I just want it to be pumping through their stereo system. It’s very important to me that the vinyl is there for people who do want the vinyl."

So, does he have "Orinoco Flow" on wax?

"Ohhhh. No. But I should. That has to exist."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, September 14, 2012

Turbo Fruits Talk New Album, Strange Influences and Vinyl

Matt Hearn, Dave McCowen, Kingsley Brock and Jonas Stein of Turbo Fruits pose for a portrait at the 2011 Bruise Cruise Festival on February 28th, 2011 at sea.

Lil Wayne, ‘70s soul and Enya: this is the "weird shit" Jonas Stein of Turbo Fruits was listening to while writing and recording Butter, their forthcoming record and the latest release on Serpents and Snakes, the label founded and maintained by Kings of Leon.

"Rock and roll is our first love," says Stein, "but I was trying to listen to stuff that was still getting me off. I wanted to hear something that was totally unattached. It made me feel really weird, so I went back to Enya’s greatest hits with a fresh pair of ears and turned it up really loud."

Whatever it was about rap or Celtic crooning, the weirdness worked, as the wall of noise Butter delivers is a roughly 34-minute barrage of furious riffs and driving anthems that come together in a solid, straightforward body of sound. Produced by Jim Eno of Spoon and with the endorsement of the aforementioned Followill family of Kings of Leon, Butter serves as a coming out album of sorts for the Nashville rock quartet – a debut Stein’s been waiting for since the inception of the band six years ago.

"It took three years for me to find a permanent lineup, and in the three years since then we’ve really grown together," says Stein. "The dynamic solidified. I’d say this third record was a bit more of a communal writing experience than the first two – more people chimed in on this one. We were just way more prepared. I’ve never been more prepared for recording a record in my life. We had a no-mess, non-stop work ethic. The first song on the album, 'Where The Stars Don’t Shine,' was recorded live with no overdubs. We were just like, no bullshit, no fuckin’ around, this is the way we’re starting off the record."

With plans to do a run of Butter on vinyl as well – pressed on butter-colored wax, naturally – Stein’s thrilled that the album’s going to be Serpents and Snakes’ #001. "It’s an evolved type of record label – where everyone’s really in it together – and I’m just excited to be at the beginning of [the label]," he says. "I don’t care if people want to listen to it on mono, or digital, or steal it, whatever: I just want it to be pumping through their stereo system. It’s very important to me that the vinyl is there for people who do want the vinyl."

So, does he have "Orinoco Flow" on wax?

"Ohhhh. No. But I should. That has to exist."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Thursday, September 13, 2012

'A Case For Vinyl' by Tim Burgess - Free MP3

Daily Download: Tim Burgess, 'A Case For Vinyl'

Artist: Tim Burgess
Song: "A Case For Vinyl"
Album: Oh No I Love You

"'A Case for Vinyl' kind of looks at a relationship like a record collection – whatever happens, the records are kind of there as you left them but the order they're in can give away what's happening emotionally," Tim Burgess explains to Rolling Stone.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, March 4, 2012

Phish Announce Summer Tour, 'Junta' Vinyl Reissue

Jon Fishman of Phish performs at Super Ball IX in Watkins Glen, New York.Griffin Lotz for RollingStone.com

After taking the spring off to pursue various solo endeavors, Phish announced that they will return to the road this summer with a tour that includes a special three-night stand in Atlantic City (June 15th - 17th) at Bader Field – the site of Metallica’s upcoming festival – as well as a headlining spot at this year’s Bonnaroo in Manchester, Tennessee (June 10th).

Phish unveiled this latest round of dates by way of a comedic video short featuring drummer Jon Fishman. In the video, a sleepy Fishman walks into Phish’s "secret training facility somewhere in Vermont" and picks up his drumsticks, seemingly for the first time in awhile. Then he does what Phish is most well known for – he jams. In the montage that follows, he undertakes spring training by lifting weights, running, making vegetable juice, sewing his stage dress back together and, of course, getting his famous vacuum cleaner – which he uses as an instrument – all tuned up and in tip-top shape. 

The tour kicks off with a double-header in Worcester, Massachusetts on June 7th and 8th and snakes around the Northeast and Midwest before wrapping up in Saratoga Springs, New York for a three-night tour closer beginning on July 6th.  Tickets will go on sale to the general public beginning Friday, March 16th. 

Phish fans, who rarely only catch one concert by the band per tour, will be happy to note that additional tour dates will be announced later this spring. Phish will also reissue their debut album, Junta, as a special limited-edition 3-LP vinyl set for Record Store Day on April 21st.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Saturday, March 3, 2012

Phish Announce Summer Tour, 'Junta' Vinyl Reissue

Jon Fishman of Phish performs at Super Ball IX in Watkins Glen, New York.Griffin Lotz for RollingStone.com

After taking the spring off to pursue various solo endeavors, Phish announced that they will return to the road this summer with a tour that includes a special three-night stand in Atlantic City (June 15th - 17th) at Bader Field – the site of Metallica’s upcoming festival – as well as a headlining spot at this year’s Bonnaroo in Manchester, Tennessee (June 10th).

Phish unveiled this latest round of dates by way of a comedic video short featuring drummer Jon Fishman. In the video, a sleepy Fishman walks into Phish’s "secret training facility somewhere in Vermont" and picks up his drumsticks, seemingly for the first time in awhile. Then he does what Phish is most well known for – he jams. In the montage that follows, he undertakes spring training by lifting weights, running, making vegetable juice, sewing his stage dress back together and, of course, getting his famous vacuum cleaner – which he uses as an instrument – all tuned up and in tip-top shape. 

The tour kicks off with a double-header in Worcester, Massachusetts on June 7th and 8th and snakes around the Northeast and Midwest before wrapping up in Saratoga Springs, New York for a three-night tour closer beginning on July 6th.  Tickets will go on sale to the general public beginning Friday, March 16th. 

Phish fans, who rarely only catch one concert by the band per tour, will be happy to note that additional tour dates will be announced later this spring. Phish will also reissue their debut album, Junta, as a special limited-edition 3-LP vinyl set for Record Store Day on April 21st.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Thursday, February 2, 2012

Neil Young: Steve Jobs Would've Preserved Vinyl

neil young Neil Young at the premiere of 'Neil Young Journeys' in Park City, Utah.

Neil Young wants to preserve the sound quality of current rock recordings – and he believes he had an ally in the late Steve Jobs.

"My goal is to try and rescue the art form that I've been practicing for the past 50 years," Young said during a panel discussion at this week's D: Dive Into Media conference in Southern California. "We live in the digital age and, unfortunately, it's degrading our music, not improving it."

Young explained that "some rich guy" would ultimately offer a solution by creating new hardware to preserve more audio content in digital formats, and heralded Jobs as a like-minded soul. "Steve Jobs [was] a pioneer of digital music, and his legacy is tremendous," Young said. "But when he went home, he listened to vinyl. And you've got to believe that if he'd lived long enough, he would have done what I'm trying to do."

The musician also decried the lessened sound quality of MP3s and other digital media formats, while noting their added convenience. "It's not that digital is bad or inferior, it's that the way it's being used isn't doing justice to the art . . . The convenience of the digital age has forced people to choose between quality and convenience, but they shouldn't have to make that choice," he explained.

Surprisingly, Young revealed that he has no apprehension about illegal fire-sharing, currently a hot-button issue in the wake of Megaupload's closure. "Piracy is the new radio," he said. "That's how music gets around."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Neil Young: Steve Jobs Would've Preserved Vinyl

neil young Neil Young at the premiere of 'Neil Young Journeys' in Park City, Utah.

Neil Young wants to preserve the sound quality of current rock recordings – and he believes he had an ally in the late Steve Jobs.

"My goal is to try and rescue the art form that I've been practicing for the past 50 years," Young said during a panel discussion at this week's D: Dive Into Media conference in Southern California. "We live in the digital age and, unfortunately, it's degrading our music, not improving it."

Young explained that "some rich guy" would ultimately offer a solution by creating new hardware to preserve more audio content in digital formats, and heralded Jobs as a like-minded soul. "Steve Jobs [was] a pioneer of digital music, and his legacy is tremendous," Young said. "But when he went home, he listened to vinyl. And you've got to believe that if he'd lived long enough, he would have done what I'm trying to do."

The musician also decried the lessened sound quality of MP3s and other digital media formats, while noting their added convenience. "It's not that digital is bad or inferior, it's that the way it's being used isn't doing justice to the art . . . The convenience of the digital age has forced people to choose between quality and convenience, but they shouldn't have to make that choice," he explained.

Surprisingly, Young revealed that he has no apprehension about illegal fire-sharing, currently a hot-button issue in the wake of Megaupload's closure. "Piracy is the new radio," he said. "That's how music gets around."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

 
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