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Showing posts with label Games. Show all posts
Showing posts with label Games. Show all posts

Sunday, August 26, 2012

Sam Claflin Joins 'Hunger Games: Catching Fire'

Sam Claflin has joined the cast of The Hunger Games: Catching Fire as Finnick Odair. The star of Snow White and the Huntsman and Pirates of the Caribbean: On Stranger Tides will play the former Hunger Games champion in the upcoming second movie in the series.

Philip Seymour Hoffman recently joined the cast as new Gamekeeper Plutarch Heavensbee. The first installment of the franchise, released in March and starring Jennifer Lawrence, has grossed more than $400 million in the United States so far. Catching Fire is scheduled to premiere November 22nd, 2013.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Saturday, March 31, 2012

On the Charts: Sales Are in 'The Hunger Games' Favor

hunger games soundtrack 'The Hunger Games: Songs from District 12 and Beyond'

WINNER OF THE WEEK: The soundtrack on fire, The Hunger Games. The Billboard 200 chart is no stranger to dystopias, having been something of a barren wasteland itself in 2011 sales, but it is marking huge returns for the soundtrack of the most anticipated movie of the season. The theatrical adaptation to Suzanne Collins' novel corralled Taylor Swift, the Arcade Fire, Miranda Lambert and other prominent artists for its soundtrack, which enters the charts this week at Number One. Swift's "Eyes Open" also landed fourth on the singles chart.

The Hunger Games is only the sixteenth soundtrack ever to debut at the peak of the Billboard 200. (The last was Michael Jackon's This Is It in November 2009.) The most recent multi-artist effort to reach a comparable showing was The Twilight Saga: New Moon in 2009, though its sonorous odes to bestiality/necrophilia actually entered Billboard at Number Two. If anyone's surprised by Team Katniss' victory this week, they must've had their eyes and ears shut tight: the film netted over $150 million in its opening weekend. 

LOSER OF THE WEEK: One Direction, the British heartthrobs that could. Earlier this month, we posited that this could be a new golden age for boy bands, and that seemed vindicated last week when the U.K. singing sensations topped the charts with 176,000 sales of Up All Night. A bit inconceivably, the feat made them the first British group to ever reach Number One in the U.S. with a debut album. This week, however, One Direction took a precipitous 69 percent decline in sales, slipping to fourth with a tally of 55,000. What could account for this worrisome drop-off? We could shake our canes and pin it on the fickle nature of the group's tweenage demographic (kids today, rabble rabble, etc.), but it's probably more closely linked to that scamp Justin Bieber and the hype surrounding his newly released single, "Boyfriend." At any rate, don't discount One Direction just yet; their track "What Makes You Beautiful" gained one spot to number seven on the Ultimate Chart, which measures online trends, so their viral presence remains strong.

THE FUN. DON'T STOP: This week, "We Are Young" by Fun. featuring Janelle Monae became the best-selling song of the year, with a sixth week at Number One on the singles charts and 387,000 sold (up 11 percent from last week). They've moved 2.39 million copies/downloads of it to date and remain atop the Ultimate Chart this week, too – and the buzz means that their ubiquity as a band should outlast their current iTunes streak. Glee can take a lot of credit for this – they covered "We Are Young" in the past season – but its accountants must be frantic right now.

LAST WEEK: One Direction's Big Debut, Springsteen's Slide

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, March 30, 2012

On the Charts: Sales Are in 'The Hunger Games' Favor

hunger games soundtrack 'The Hunger Games: Songs from District 12 and Beyond'

WINNER OF THE WEEK: The soundtrack on fire, The Hunger Games. The Billboard 200 chart is no stranger to dystopias, having been something of a barren wasteland itself in 2011 sales, but it is marking huge returns for the soundtrack of the most anticipated movie of the season. The theatrical adaptation to Suzanne Collins' novel corralled Taylor Swift, the Arcade Fire, Miranda Lambert and other prominent artists for its soundtrack, which enters the charts this week at Number One. Swift's "Eyes Open" also landed fourth on the singles chart.

The Hunger Games is only the sixteenth soundtrack ever to debut at the peak of the Billboard 200. (The last was Michael Jackon's This Is It in November 2009.) The most recent multi-artist effort to reach a comparable showing was The Twilight Saga: New Moon in 2009, though its sonorous odes to bestiality/necrophilia actually entered Billboard at Number Two. If anyone's surprised by Team Katniss' victory this week, they must've had their eyes and ears shut tight: the film netted over $150 million in its opening weekend. 

LOSER OF THE WEEK: One Direction, the British heartthrobs that could. Earlier this month, we posited that this could be a new golden age for boy bands, and that seemed vindicated last week when the U.K. singing sensations topped the charts with 176,000 sales of Up All Night. A bit inconceivably, the feat made them the first British group to ever reach Number One in the U.S. with a debut album. This week, however, One Direction took a precipitous 69 percent decline in sales, slipping to fourth with a tally of 55,000. What could account for this worrisome drop-off? We could shake our canes and pin it on the fickle nature of the group's tweenage demographic (kids today, rabble rabble, etc.), but it's probably more closely linked to that scamp Justin Bieber and the hype surrounding his newly released single, "Boyfriend." At any rate, don't discount One Direction just yet; their track "What Makes You Beautiful" gained one spot to number seven on the Ultimate Chart, which measures online trends, so their viral presence remains strong.

THE FUN. DON'T STOP: This week, "We Are Young" by Fun. featuring Janelle Monae became the best-selling song of the year, with a sixth week at Number One on the singles charts and 387,000 sold (up 11 percent from last week). They've moved 2.39 million copies/downloads of it to date and remain atop the Ultimate Chart this week, too – and the buzz means that their ubiquity as a band should outlast their current iTunes streak. Glee can take a lot of credit for this – they covered "We Are Young" in the past season – but its accountants must be frantic right now.

LAST WEEK: One Direction's Big Debut, Springsteen's Slide

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, March 28, 2012

'Hunger Games' Expected to Bring in More Than $300 Million Profit

Lenny Kravitz as Cinna, Woody Harrelson as Haymitch Abernathy and Josh Hutcherson as Peeta Mellark in 'The Hunger Games.'

After The Hunger Games posted a record-breaking opening weekend, netting an estimated $155 million, analysts predicted that number would ultimately total to more than $300 million in profit for independent studio Lionsgate, according to the Los Angeles Times.

JP Morgan media analyst Monica Dicenso predicted that the first Hunger Games film would yield $310 million in profit and the series as a whole will rake in $1.5 billion. James Marsh of Piper Jaffray said the totals could be even higher, with more than $400 million from the first movie and more than $2 billion for the entire series.

This would be a major success for the film company, which has posted net losses in its last four fiscal years. Although Lionsgate hit a few home runs with Saw and Precious, last year took a toll with big budget flops including Conan the Barbarian.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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'The Hunger Games' Breaks Box Office Records for Opening Weekend

Jennifer Lawrence as Katniss Everdeen and Liam Hemsworth as Gale Hawthorne in 'The Hunger Games.'

The Hunger Games was a massive hit at the box office on its opening weekend, grossing an estimated $155 million domestically, The Wall Street Journal reports.

The Lionsgate-produced film, based on first novel in the Y.A. trilogy by Suzanne Collins, settled easily into the top box office slot for the weekend, and set a few records along the way. Earning the third-highest opening weekend gross ever, beat only by Harry Potter and the Deathly Hallows Part 2 and The Dark Knight, The Hunger Games wins first place for the highest opening of non-sequel movie in history. It is also the biggest opening weekend for a non-summer release.

As Rolling Stone reported earlier this week, the film was hitting high marks even before it opened, selling out more than 2,000 showtimes before Friday's premiere to reach the highest advance ticket sales of any non-sequel movie. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, March 26, 2012

The Secret Sisters Break Out on 'Hunger Games' Soundtrack

Lydia Rogers and Laura Rogers of The Secret Sisters perform in Berlin.

Two years ago, Laura and Lydia Rogers had no expectations for a life as professional musicians . Then Laura floored a producer at a Nashville audition and they became the Secret Sisters, a bluegrass duo in vintage dresses out of Muscle Shoals, Alabama, who have recorded with T Bone Burnett and Jack White, toured the world, and last week walked the black carpet at the Los Angeles premiere of The Hunger Games, which includes their haunting folk ballad "Tomorrow Will Be Kinder."

The song was produced by Burnett for his soundtrack of soulful Americana and distopian rock for the highly anticipated film, which opens nationwide on March 23rd. "It was the first movie premiere that we had ever gone to, so we were like a deer in the headlights," Laura Rogers, 25, told Rolling Stone of the scene, which had the sisters mingling with actors Jennifer Lawrence and Donald Sutherland, and singers Miranda Lambert and Taylor Swift. "Of course the crowd weren’t screaming for us, but they were still screaming. We were like, Wow, what are they yelling about?"

The soundtrack album puts the Secret Sisters in the company of such established acts as Swift ("Safe & Sound"), Neko Case, the Decemberists, Arcade Fire and Kid Cudi. Their aching "Tomorrow Will Be Kinder" is a song of tragedy and hope, drawing on the Sisters’ Appalachian roots in bluegrass and folk, and was initially inspired by tornados that ripped through Alabama last April. They watched the disaster on television from tour in Australia.

"That song came from real life struggle, and not knowing if you’re going to be able to go on to the next day," said Laura, sitting with her sister for morning coffee at their Los Angeles hotel. "We feel like that songs needs to be in as many places as it can, because it’s our message of 'we’re pulling for you.' We still are. Alabama is still struggling from that."

The song was recorded in a New York City studio with Burnett, who burned balsa wood in the room for atmosphere, as the Sisters harmonized: "It’s true I’ve seen it before / a brighter day is coming my way / yes, tomorrow will be kinder."

"You feel safe around him," Laura said of Burnett, who also executive produced their debut album, The Secret Sisters, released in late 2010. "His presence is so comforting."

"Tomorrow Will Be Kinder" fits with the pure harmonies of bluegrass, folk, mid-Sixties pop and classic country on their debut. But once word got out of the new song’s association with The Hunger Games, based on Suzanne Collins' best-selling novel about teen gladiators in post-apocalyptic North America, a new demographic suddenly became intensely interested in the Secret Sisters. Live performances of the song soon appeared online.

"It’s given us an opportunity for us to reach a much younger crowd, because our music naturally attracts an older crowd," said Laura. "Whenever we play shows, there is a lot of white hair, mostly older people that love the older music that we play."

Days after the premiere at L.A.’s Nokia Theater, the Rogers sisters were still in Los Angeles for songwriting sessions with Dan Wilson – the Semisonic frontman and co-writer of three songs on Adele’s Grammy-winning 21. They said the next Secret Sisters album will show more influence of the Everly Brothers and the Delta blues.

"These are our stories this time – they’re not the stories told by George Jones or Hank Williams or Buck Owens," says Laura of the songs they are writing. "We obviously still love all of that, but it was really important to us to establish ourselves as actual songwriters. On the first record we weren’t really able to do that because it was so whirlwind."

After the debut album was finished last year, the Secret Sisters were invited by Jack White to his Nashville studio, where they recorded a roaring cover of Johnny Cash’s "Big River," released as a single on White’s Third Man label. The singers belted out the tune while White shredded on electric guitar. "We were standing in the vocal booth and we could see him playing guitar," recalled Lydia, 23. "There were moments when we would forget to sing while he was playing. We were so amazed the whole time."

The next album will be recorded in either Nashville or Los Angeles, and most likely will be produced by Burnett, who has been like a protective, favorite uncle to the sisters. "He’s not moving knobs and being bossy," Laura said of his presence in the studio. "He’s really encouraging. He makes you feel like you can’t do anything wrong."

They’ve already seen and learned a lot in the two years since becoming the Secret Sisters. "T Bone’s crowd is very different from Jack’s crowd. With Jack, we got to kick our shoes off and get our feet dirty a little bit. And with T Bone, it was a warm, good way to present our music. It’s been nice to have that kind spectrum," said Laura. "We could not have asked for a better education."

Listen to "Tomorrow Will Be Kinder" on Spotify.

Listen On Spotify

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, March 25, 2012

The Secret Sisters Break Out on 'Hunger Games' Soundtrack

Lydia Rogers and Laura Rogers of The Secret Sisters perform in Berlin.

Two years ago, Laura and Lydia Rogers had no expectations for a life as professional musicians . Then Laura floored a producer at a Nashville audition and they became the Secret Sisters, a bluegrass duo in vintage dresses out of Muscle Shoals, Alabama, who have recorded with T Bone Burnett and Jack White, toured the world, and last week walked the black carpet at the Los Angeles premiere of The Hunger Games, which includes their haunting folk ballad "Tomorrow Will Be Kinder."

The song was produced by Burnett for his soundtrack of soulful Americana and distopian rock for the highly anticipated film, which opens nationwide on March 23rd. "It was the first movie premiere that we had ever gone to, so we were like a deer in the headlights," Laura Rogers, 25, told Rolling Stone of the scene, which had the sisters mingling with actors Jennifer Lawrence and Donald Sutherland, and singers Miranda Lambert and Taylor Swift. "Of course the crowd weren’t screaming for us, but they were still screaming. We were like, Wow, what are they yelling about?"

The soundtrack album puts the Secret Sisters in the company of such established acts as Swift ("Safe & Sound"), Neko Case, the Decemberists, Arcade Fire and Kid Cudi. Their aching "Tomorrow Will Be Kinder" is a song of tragedy and hope, drawing on the Sisters’ Appalachian roots in bluegrass and folk, and was initially inspired by tornados that ripped through Alabama last April. They watched the disaster on television from tour in Australia.

"That song came from real life struggle, and not knowing if you’re going to be able to go on to the next day," said Laura, sitting with her sister for morning coffee at their Los Angeles hotel. "We feel like that songs needs to be in as many places as it can, because it’s our message of 'we’re pulling for you.' We still are. Alabama is still struggling from that."

The song was recorded in a New York City studio with Burnett, who burned balsa wood in the room for atmosphere, as the Sisters harmonized: "It’s true I’ve seen it before / a brighter day is coming my way / yes, tomorrow will be kinder."

"You feel safe around him," Laura said of Burnett, who also executive produced their debut album, The Secret Sisters, released in late 2010. "His presence is so comforting."

"Tomorrow Will Be Kinder" fits with the pure harmonies of bluegrass, folk, mid-Sixties pop and classic country on their debut. But once word got out of the new song’s association with The Hunger Games, based on Suzanne Collins' best-selling novel about teen gladiators in post-apocalyptic North America, a new demographic suddenly became intensely interested in the Secret Sisters. Live performances of the song soon appeared online.

"It’s given us an opportunity for us to reach a much younger crowd, because our music naturally attracts an older crowd," said Laura. "Whenever we play shows, there is a lot of white hair, mostly older people that love the older music that we play."

Days after the premiere at L.A.’s Nokia Theater, the Rogers sisters were still in Los Angeles for songwriting sessions with Dan Wilson – the Semisonic frontman and co-writer of three songs on Adele’s Grammy-winning 21. They said the next Secret Sisters album will show more influence of the Everly Brothers and the Delta blues.

"These are our stories this time – they’re not the stories told by George Jones or Hank Williams or Buck Owens," says Laura of the songs they are writing. "We obviously still love all of that, but it was really important to us to establish ourselves as actual songwriters. On the first record we weren’t really able to do that because it was so whirlwind."

After the debut album was finished last year, the Secret Sisters were invited by Jack White to his Nashville studio, where they recorded a roaring cover of Johnny Cash’s "Big River," released as a single on White’s Third Man label. The singers belted out the tune while White shredded on electric guitar. "We were standing in the vocal booth and we could see him playing guitar," recalled Lydia, 23. "There were moments when we would forget to sing while he was playing. We were so amazed the whole time."

The next album will be recorded in either Nashville or Los Angeles, and most likely will be produced by Burnett, who has been like a protective, favorite uncle to the sisters. "He’s not moving knobs and being bossy," Laura said of his presence in the studio. "He’s really encouraging. He makes you feel like you can’t do anything wrong."

They’ve already seen and learned a lot in the two years since becoming the Secret Sisters. "T Bone’s crowd is very different from Jack’s crowd. With Jack, we got to kick our shoes off and get our feet dirty a little bit. And with T Bone, it was a warm, good way to present our music. It’s been nice to have that kind spectrum," said Laura. "We could not have asked for a better education."

Listen to "Tomorrow Will Be Kinder" on Spotify.

Listen On Spotify

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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'Hunger Games' Sells More Advance Tickets Than Any Non-Sequel

Jennifer Lawrence as Katniss Everdeen and Liam Hemsworth as Gale Hawthorne in 'The Hunger Games'

The Hunger Games has sold more advance tickets than any other non-sequel movie, Entertainment Weekly reports. According to data from Fandango, the film adaptation of the hit novel has sold out over 2,000 showtimes in advance of its premiere on Friday, and tickets for the movie currently account for 92 percent of the ticketing site's daily sales.

Despite the movie's outstanding performance with advance tickets, it has not cracked Fandango's top five advance sales list, which includes The Twilight Saga: New Moon, Harry Potter and the Deathly Hallows – Part 2, The Twilight Saga: Breaking Dawn – Part 1, The Twilight Saga: Eclipse and Harry Potter and the Deathly Hallows – Part 1.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, March 19, 2012

Taylor Swift, Arcade Fire Talk 'Hunger Games'

hunger games The Hunger Games: Songs from District 12 and Beyond

Taylor Swift became famous with diary-entry-like songs about old exes and school bullies. But for her first new tunes since 2010, Swift is telling stories about a fictional character from the future – The Hunger Games' lead character, Katniss Everdeen, played by rising star Jennifer Lawrence in the new blockbuster movie – with a knack for hitting bull's-eyes and spotting poisonous berries. "Slipping into her mind was such a wonderful break," says Swift, who wrote "Safe & Sound" and "Eyes Open" for Hunger Games' T Bone Burnett-produced soundtrack. "It's pretty intense writing about my own life, my own struggles. It was almost like a vacation to get to write from someone else's perspective."

When Lionsgate tapped Burnett to record new songs for the movie last summer, he corralled a serious lineup of artists: Swift, Arcade Fire, the Decemberists, Miranda Lambert, Maroon 5, Kid Cudi and Neko Case all contribute original music to the film. Arcade Fire's track, "Abraham's Daughter," came together after Win Butler and Régine Chassagne met Burnett in October at Neil Young's Bridge School Benefit near San Francisco. "He's a great dude to talk with about music, and that was kind of the driving force," says Butler. "We're kind of taking a break right now, and it was a really fun little project to do with the band."

The Hunger Games centers around a group of kids living in a dystopian version of Appalachia. In the most twisted reality-TV concept of all time, a chosen few are forced to fight each other to the death while their friends and families watch at home. Swift's "Safe & Sound," the soundtrack's stark, alt-country-ish first single – which also features her Nashville buddies the Civil Wars – came to life during a spontaneous two-hour writing session at Burnett's home studio last fall.

"The Civil Wars had a show that night in L.A.," Swift says. "So they raced right over to T Bone's house. There's so many things he could've done production-wise to make that song bigger sonically than it is, but I think that would have possibly been a mistake. For him to have left the song as a lullaby is brilliant."

With box-office projections for The Hunger Games estimated at $200 million, and 23.5 million copies of the original book currently in print, the soundtrack is shaping up to be another Hollywood-inspired smash for Burnett, who won an Oscar for his work on Crazy Heart and helmed the Coen brothers' bluegrass-driven O Brother, Where Art Thou? At 8 million certified copies sold, the latter is tied with Grease as the eighth-best-selling soundtrack of all time (Whitney Houston's The Bodyguard is first, with 17 million copies).

Given The Hunger Games' sci-fi setting, the filmmakers might have gone with a more futuristic sound for the movie – a lot of Skrillex, say. But they chose Burnett because they wanted music that would tie in the characters' regional roots. "Katniss comes from District 12, and we know that would be where the Appalachian Mountains were," says Tracy Mc­Knight, Lionsgate's head of film music. "It takes place in the future, but it still has this organic sound."

Songwriter and producer Greg Wells, who worked with rapper-singer Kid Cudi on "The Ruler and the Killer," says Burnett gave him clear instructions. "He said, 'The one thing I caution you on is if the music does get big, it should never feel grand,'" Wells says. "It should be big in a darker, intense way, more like a threatening way rather than a Celine Dion way."

As album sales continue to slide, original soundtracks have become less of a priority for movie studios and labels. Aside from Burnett's projects and recent scores by Trent Reznor (The Social Network) and Daft Punk (Tron: Legacy), the biggest recent soundtracks have come from the Twilight franchise. But sales of those LPs have declined, too, from 2.7 million copies for the first installment, in 2008, to 476,000 for last year's Breaking Dawn.

So far, at least, Lionsgate and its label partner, Universal Republic, seem to have a major hit on their hands. The soundtrack's campaign kicked off with Swift, one of music's most reliable current hitmakers. "Safe & Sound" has sold 655,000 downloads since its premiere in December, according to SoundScan. But for the artists, getting to tap into their inner sci-fi geeks was the coolest part. "I'm really big into science fiction," says Butler. "I had a teacher in school, this old beatnik dude who showed me Blade Runner and Brazil when we had just read 1984. I saw these examples of how people used science fiction to talk about the present." Adds Swift, "The first thing I did was read the first book in about two days. I thought it would be an action-adventure type of thing, but it's so much more emotional than that. There's a huge amount of sadness."

This story is from the March 29th, 2012 issue of Rolling Stone.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, February 3, 2012

Exclusive Photo: Lenny Kravitz as Cinna in 'The Hunger Games'

Lenny Kravitz as Cinna and Jennifer Lawrence as Katniss Everdeen in 'The Hunger Games.' Lenny Kravitz as Cinna and Jennifer Lawrence as Katniss Everdeen in 'The Hunger Games.' Murray Close/© 2011 Lions Gate Films Inc

Lenny Kravitz chose a life of rock and soul a long time ago and until recently was never tempted by the movies. “In the last 22 years, while I was making my music, I was offered a lot of films,” Kravitz tells Rolling Stone. “I just didn’t find the roles very interesting – a lot of clichéd type of stuff and really obvious things. I didn’t want to make films because I can. There’s no point in that.”

That changed in a big way with his first feature-film role in the 2009 drama Precious, and now with a key role in next month’s The Hunger Games. Based on the hugely popular novel of the same name, the new film is set in post-apocalyptic North America, where teenage gladiators are chosen to battle to the death in annual televised games. Kravitz plays Cinna, stylist and confidant to the rebellious Katniss Everdeen (played by Jennifer Lawrence), the central figure in the book and movie.

“I always figured it would come back into my life,” Kravitz says of acting. “I was an actor when I was a kid. When I realized music was my thing, I just gave it up. I put blinders on, just focused on music. It’s come back now and I really am enjoying it.”

Kravitz took the role after meeting with director Gary Ross (Pleasantville) and reading the first book of the best-selling trilogy by Suzanne Collins. “I thought it was really good storytelling,“ Kravitz says. “I’m very much into stories. The character was interesting. I like Gary’s previous work. And I said, Yeah, let’s go.”

In The Hunger Games, his character creates a series of striking outfits for the young warrior, which isn’t exactly a stretch for the stylish rocker. “He’s very streamlined, he’s very quiet,” Kravitz says of Cinna. “He knows what he’s doing. He’s confident. He’s got a big heart. I just liked the way he moved – very smooth.”

As a musician, Kravitz is used to being in total control of his work – writing, performing and producing – and that control reflects on him as an artist. “It’s about me, as it should be,” he says. “But in this case, it’s got nothing to do with me. It’s about a director’s vision, a character, and I really like that.”

The film opens on March 23. Up next for Kravitz is Negrophilia, the funk album he interrupted to record last year’s Black and White America. Music remains his central concern, but he now also considers himself a working actor.

“I’m just waiting for the right roles to come in,” he says. “Thank god I have a day job.”

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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