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Showing posts with label Songwriter. Show all posts
Showing posts with label Songwriter. Show all posts

Tuesday, February 26, 2013

Songwriter Diane Lampert Dead at 88

Diane Lampert and Buster Keaton on the set of 'Ten Girls Ago.'AP Photo/Rainbow Music Corp., Curt Gunther

Diane Charlotte Lampert, a songwriter who contributed lyrics to a long catalog of pop and rockabilly hits along with the title songs for more than 20 movies, died on Friday in New York City at the age of 88, the Associated Press reports.

Lampert was born in the Bronx, New York in 1924. She made a career in the 1950s and 1960s co-writing songs that were performed by artists including Brenda Lee, Harry Nilsson, George Jones, the Seekers and the Letterman. Her movie credits include the title songs for the films The Snow Queen, I'll Take Sweden, Billie, and Silent Running, as well as songs for The Wild and the Innocent, and Trees Lounge.

2012 In Memoriam: Musicians We Lost

Along with Eddie Fontaine, Cirino Colacrai and John Gluck, Lampert wrote the rockabilly hit, "Nothin' Shakin' (But the Leaves on the Trees)," which the Beatles recorded for a BBC radio show in 1963. The track was released on the 1994 album Live at the BBC. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, September 14, 2012

Songwriter Accuses Muse of Copyright Theft

A songwriter has accused Muse of lifting his "cinematic science-fiction rock opera" idea for the "Exogenesis" song suite on their 2009 album Resistance, Courthouse News Service reports.

In a lawsuit filed in federal court in Manhattan, Charles Bollfrass seeks $3.5 million from Warner Music. Bollfrass contends he wrote a "cinematic science-fiction rock opera" called "Exogenesis" that he pitched to Muse and two other unnamed bands in 2005.

"The claim is complete nonsense, and is categorically denied," the band said in a statement from Warner. "It appears to be based on a 'screenplay' which the band never received or saw, produced by someone the band has never heard of. It speaks volumes that the album in question was released a full three years ago, and yet this is the first that has been heard of these groundless allegations."

Bollfrass claims his rock opera told the story of humanity's quest to save itself by exploring space as Earth breaks down. Muse's "Exogenesis" trilogy on Resistance "is the story of humanity coming to an end and everyone pinning their hopes on a group of astronauts who go out to explore space and spread humanity to another planet," according to the liner notes. Muse singer Matthew Bellamy is credited with writing "Exogenesis I," Exogenesis II" and "Exogenesis III."

Bollfrass also claims that Muse derived the cover image for Resistance from storyboards for his rock opera. His lawsuit against Warner, which released Resistance, alleges copyright infringement, unfair trade practices and unfair competition. Warner will "aggressively defend" the lawsuit, and the band "exploring what remedies may be available to them in the U.S. in relation to these untrue and baseless allegations."

Muse's new album, The 2nd Law, is due October 2nd.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, September 5, 2012

Songwriter Hal David Dead at 91

Hal David Hal David attends his Hollywood Walk Of Fame Induction Ceremony.

Hal David, the longtime songwriting partner of Burt Bacharach, died on Saturday morning at the age of 91, the Associated Press reports. His wife, Eunice David, said that he died at Cedar Sinai Medical Center in Los Angeles of complications from a stroke.

David was the lyricist in the partnership with Bacharach, and the pair racked up Grammys, Tonys and an Oscar for the songs they crafted together, including "Raindrops Keep Fallin' on My Head," and "Promises, Promises." David served for six years as president of the American Society of Composers, Authors and Publishers. He was also the head of the Songwriters Hall of Fame from 2001 to 2011, after which he became its Chairman Emeritus.

David was born in New York, where he studied Journalism at NYU before serving in the South Pacific during World War II. He met Burt Bacharach while working at the legendary Brill Building, and the pair began writing songs for Dionne Warwick in 1962, including "I Say a Little Prayer," "Do You Know the Way to San Jose," and "Always Something There to Remind Me." They also wrote hit songs for Dusty Springfield ("Wishin' and Hopin'"), Jackie DeShannon ("What the World Needs Now is Love") and Tom Jones ("What’s New, Pussycat") as well as other Top 40 hits, including "Close to You" and "That's What Friends Are For."

Last May, Bacharach and David were awarded the Library of Congress Gershwin Prize for Popular Song. At the White House tribute concert where the prize was presented, President Barack Obama praised the duo for their nearly six decades of work.

"Above all, they stayed true to themselves," Obama said. "And with an unmistakable authenticity, they captured the emotions of our daily lives – the good times, the bad times, and everything in between."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, September 4, 2012

Songwriter Hal David Dead at 91

Hal David Hal David attends his Hollywood Walk Of Fame Induction Ceremony.

Hal David, the longtime songwriting partner of Burt Bacharach, died on Saturday morning at the age of 91, the Associated Press reports. His wife, Eunice David, said that he died at Cedar Sinai Medical Center in Los Angeles of complications from a stroke.

David was the lyricist in the partnership with Bacharach, and the pair racked up Grammys, Tonys and an Oscar for the songs they crafted together, including "Raindrops Keep Fallin' on My Head," and "Promises, Promises." David served for six years as president of the American Society of Composers, Authors and Publishers. He was also the head of the Songwriters Hall of Fame from 2001 to 2011, after which he became its Chairman Emeritus.

David was born in New York, where he studied Journalism at NYU before serving in the South Pacific during World War II. He met Burt Bacharach while working at the legendary Brill Building, and the pair began writing songs for Dionne Warwick in 1962, including "I Say a Little Prayer," "Do You Know the Way to San Jose," and "Always Something There to Remind Me." They also wrote hit songs for Dusty Springfield ("Wishin' and Hopin'"), Jackie DeShannon ("What the World Needs Now is Love") and Tom Jones ("What’s New, Pussycat") as well as other Top 40 hits, including "Close to You" and "That's What Friends Are For."

Last May, Bacharach and David were awarded the Library of Congress Gershwin Prize for Popular Song. At the White House tribute concert where the prize was presented, President Barack Obama praised the duo for their nearly six decades of work.

"Above all, they stayed true to themselves," Obama said. "And with an unmistakable authenticity, they captured the emotions of our daily lives – the good times, the bad times, and everything in between."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Thursday, August 30, 2012

Aerosmith Balance 'Real Rockers' With Power Ballads on New LP, Says Songwriter

Marti Frederiksen

Think of any current radio-friendly rock act and chances are, songwriter-for-hire Marti Frederiksen has helped score them a hit. Recently, Frederiksen hooked up his old pals in Aerosmith once again; their upcoming album, Music From Another Dimension!, features five Frederiksen co-written tracks, including a tune that had been on the drawing board for years, "What Could Have Been Love."

"It's been a good seven years," Frederiksen tells Rolling Stone about the track. "The song came about because Steven [Tyler] really liked it and we worked it up. Someone else would have done the song, but we held it and held it, hoping that it worked for Aerosmith. It's a power ballad-y kind of song, maybe the typical song for Aerosmith. But it just had a good message and Steven was feeling it. So we held on to it and finally, it's seen the light of day."

Frederiksen also earned a producer credit on three of the album's songs, next to other tracks helmed by Jack Douglas, Steven Tyler and Joe Perry. "I think the ones that Jack produced are more 'band guy' songs.' I worked on a couple of other songs I didn't produce on the record, and one is a real rocker that came out of the same time as 'What Could Have Been Love' – [new single] 'Lover Alot.' I co-wrote that with the guys. A whole different beast, man – just rockin', loose and uptempo. That's the great thing about songwriting and being able to work with a band like this – you can do something old-school rock and then do a beautiful ballad. The good thing about all these songs is nothing is over-produced."

Music From Another Dimension! is not the only place where songs co-penned by Frederiksen and Tyler will turn up soon: the duo collaborated with Julian Lennon on a song titled "Someday." "It was kind of a last-minute thing," explains Frederiksen. "We were finishing up the Aerosmith stuff in L.A., and Steven was like, 'Julian's staying below where I'm staying, at the Sunset Marquis. We've got to go over and write a song with him – I've been telling him about you.'"

"Steven and I went over there, and Julian has a songwriting partner, Mark Spiro, and all four of us sat down and wrote a song. Literally, an hour and a half later, we had the song done – lyrics and everything. To be honest, it was the first time I'd written with Steven not for Aerosmith or himself," he adds. "It was like a different guy in the room for me, because he's so particular in what he would sing. He was still way into it, it was just a different guy." Frederiksen describes "Someday" as "midtempo. It's got really rhythmic beats in it. Different kind of grooves. It's not your typical production. Really India-kind of strings, and Steven did some backgrounds on it."

Frederiksen credits his own songwriting success to similar open-mindedness. "My big start was through Aerosmith, with [A&R executive] John Kalodner hooking me up with them. They started doing it back on their 'return' – writing with outside writers. They wanted to just get the best songs possible, and get different takes on ideas they may have, and go left instead of right," he says. "I feel like I'm more of a collaborator than a songwriter. I get in with an artist, and I really try to get what they want to get. I never try and steer them towards anything they don't want to do."

"I've been out in Nashville a little now and doing some writing out there, and there's so many great writers," he continues. "A lot of the country stuff, a lot of those guys aren't even concerned about writing the songs – they just want the best songs they can possibly sing, like the Elvis days. I look at it like that – artists would rather stay with their families rather than grind out songs and have to write 50 songs to find 10."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, August 29, 2012

Aerosmith Balance 'Real Rockers' With Power Ballads on New LP, Says Songwriter

Marti Frederiksen

Think of any current radio-friendly rock act and chances are, songwriter-for-hire Marti Frederiksen has helped score them a hit. Recently, Frederiksen hooked up his old pals in Aerosmith once again; their upcoming album, Music From Another Dimension!, features five Frederiksen co-written tracks, including a tune that had been on the drawing board for years, "What Could Have Been Love."

"It's been a good seven years," Frederiksen tells Rolling Stone about the track. "The song came about because Steven [Tyler] really liked it and we worked it up. Someone else would have done the song, but we held it and held it, hoping that it worked for Aerosmith. It's a power ballad-y kind of song, maybe the typical song for Aerosmith. But it just had a good message and Steven was feeling it. So we held on to it and finally, it's seen the light of day."

Frederiksen also earned a producer credit on three of the album's songs, next to other tracks helmed by Jack Douglas, Steven Tyler and Joe Perry. "I think the ones that Jack produced are more 'band guy' songs.' I worked on a couple of other songs I didn't produce on the record, and one is a real rocker that came out of the same time as 'What Could Have Been Love' – [new single] 'Lover Alot.' I co-wrote that with the guys. A whole different beast, man – just rockin', loose and uptempo. That's the great thing about songwriting and being able to work with a band like this – you can do something old-school rock and then do a beautiful ballad. The good thing about all these songs is nothing is over-produced."

Music From Another Dimension! is not the only place where songs co-penned by Frederiksen and Tyler will turn up soon: the duo collaborated with Julian Lennon on a song titled "Someday." "It was kind of a last-minute thing," explains Frederiksen. "We were finishing up the Aerosmith stuff in L.A., and Steven was like, 'Julian's staying below where I'm staying, at the Sunset Marquis. We've got to go over and write a song with him – I've been telling him about you.'"

"Steven and I went over there, and Julian has a songwriting partner, Mark Spiro, and all four of us sat down and wrote a song. Literally, an hour and a half later, we had the song done – lyrics and everything. To be honest, it was the first time I'd written with Steven not for Aerosmith or himself," he adds. "It was like a different guy in the room for me, because he's so particular in what he would sing. He was still way into it, it was just a different guy." Frederiksen describes "Someday" as "midtempo. It's got really rhythmic beats in it. Different kind of grooves. It's not your typical production. Really India-kind of strings, and Steven did some backgrounds on it."

Frederiksen credits his own songwriting success to similar open-mindedness. "My big start was through Aerosmith, with [A&R executive] John Kalodner hooking me up with them. They started doing it back on their 'return' – writing with outside writers. They wanted to just get the best songs possible, and get different takes on ideas they may have, and go left instead of right," he says. "I feel like I'm more of a collaborator than a songwriter. I get in with an artist, and I really try to get what they want to get. I never try and steer them towards anything they don't want to do."

"I've been out in Nashville a little now and doing some writing out there, and there's so many great writers," he continues. "A lot of the country stuff, a lot of those guys aren't even concerned about writing the songs – they just want the best songs they can possibly sing, like the Elvis days. I look at it like that – artists would rather stay with their families rather than grind out songs and have to write 50 songs to find 10."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

Sunday, March 11, 2012

Disney Songwriter Robert Sherman Dead at 86

Richard Sherman (left) and Robert Sherman, who gained fame from numerous Disney film scores pose outside of the Hilton theatre in New York with the original car used in the 1968 film 'Chitty Chitty Bang Bang'. UPI Photo/Ezio Petersen /Landov

Robert Sherman, a songwriter best known for his work for Disney films and attractions, died Monday at age 86. With his brother Richard, Sherman wrote many of Disney's most memorable tunes, including "It's a Small World (After All)" and songs for Mary Poppins (for which they won Academy Awards), The Jungle Book, Chitty Chitty Bang Bang, Charlotte's Web and many others. 

In addition to tongue-twisting show tunes like "Supercalifragilisticexpialidocious," the brothers also wrote pop songs, including Johnny Burnette's 1960 hit "You're Sixteen" (later a Number One hit by Ringo Starr). In 2008 the Sherman brothers received the National Medal of Arts from President George W. Bush. "A piece of our childhood has ben taken away," said film music historian Jon Burlingame. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Disney Songwriter Robert Sherman Dead at 86

Richard Sherman (left) and Robert Sherman, who gained fame from numerous Disney film scores pose outside of the Hilton theatre in New York with the original car used in the 1968 film 'Chitty Chitty Bang Bang'. UPI Photo/Ezio Petersen /Landov

Robert Sherman, a songwriter best known for his work for Disney films and attractions, died Monday at age 86. With his brother Richard, Sherman wrote many of Disney's most memorable tunes, including "It's a Small World (After All)" and songs for Mary Poppins (for which they won Academy Awards), The Jungle Book, Chitty Chitty Bang Bang, Charlotte's Web and many others. 

In addition to tongue-twisting show tunes like "Supercalifragilisticexpialidocious," the brothers also wrote pop songs, including Johnny Burnette's 1960 hit "You're Sixteen" (later a Number One hit by Ringo Starr). In 2008 the Sherman brothers received the National Medal of Arts from President George W. Bush. "A piece of our childhood has ben taken away," said film music historian Jon Burlingame. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

 
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