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Showing posts with label Peter. Show all posts
Showing posts with label Peter. Show all posts

Friday, March 15, 2013

Peter Banks, Original Yes Guitarist, Dead at 65

Peter Banks, Tony Kaye, Chris Squire, Bill Bruford, and Jon Anderson of Yes

Peter Banks, best known as the original guitarist of Yes, died last Thursday in his London home from heart failure. He was 65. Banks was reportedly found after failing to show up for a recording session.

After playing with bassist Chris Squire in the Syn, Banks and Squire helped form Yes in 1968. Banks played with Yes through their first two albums, 1969's Yes and 1970's Time and a Word, but disagreements over the direction of Time and a Word led to Banks' dismissal from Yes before the album's release.

2012 In Memoriam: Musicians We Lost

After Yes, Banks formed Flash and released three studio albums with the group: 1972's Flash and In the Can and 1973's Out of Our Hands. He then formed Empire, releasing Mark I in 1973, Mark II in 1974 and Mark III in 1979. Banks also explored solo recordings, releasing his first solo album, Two Sides of Peter Banks, in 1973. He followed up with three more solo works in the Nineties with Instinct in 1994, Self-Contained in 1995 and Reduction in 1997. He was working on the live collection Flash – In Public at the time of his death.

Funeral plans have yet to be announced. A revamped Yes are currently touring behind three of their classic albums, playing Close to the Edge, Going for the One and The Yes Album in their entirety.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, February 27, 2013

Peter Travers: Damn You, Oscars 2013!

Peter Travers: Damn You, Oscars 2013!Rolling Stone's movie expert airs his grievances on the 85th Academy Awards $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); OO.ready(function() { OO.Player.create('ooyalaplayer', 'NhM2dtOTrI5OxGF04yWUkoodtmWi_nie', {'autoplay': true }); });

The 85th Annual Academy Awards are officially over, and Peter Travers is none too pleased. "You enjoyed three hours and 40 minutes of total boredom?" he quips. But Travers isn't even talking about the Academy's selections and snubs; he's focused on the Oscars show itself. Though Travers is a fan of host Seth MacFarlane, he rips the Ted and Family Guy creator for his performance. "He turned it into the Tony awards with musical numbers," fumes Travers, especially focusing on the William Shatner bit and numerous singing interludes. "It was so dull."

Peter Travers Makes His Oscars 2013 Predictions

Also, after waiting for years, Travers was excited for the 50th Anniversary James Bond tribute, only to find it a dud. "[After the hype], they show clips that you could've done at home on your iPhone," he says, enraged that not one Bond actor showed up during the segment.

There's plenty of beef for haters to stew on here, like failed gags and First Lady Michelle Obama's surprise remote appearance. "I'm fed up," seethes Travers. "I say, 'Damn you, Oscars show!'"


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Sunday, October 21, 2012

Peter Frampton Powers Through 'Show Me the Way' in Milwaukee – Premiere

Peter Frampton Powers Through 'Show Me the Way' in Milwaukee – PremiereGuitarist offers peek at upcoming 'FCA! 35 Tour' collection $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

Over the past year, Peter Frampton marked the 35th anniversary of his classic album Frampton Comes Alive! with a massive world tour. Now, taking footage from February 2012 tour stops at Milwaukee's Pabst Theater and New York's Beacon Theatre, Frampton is releasing a new two DVD/Blu-ray and three-CD set entitled FCA! 35 Tour: An Evening With Peter Frampton on November 13th. In this clip, Frampton rocks out with his talkbox on his 1975 single "Show Me the Way" in Milwaukee.

"I wrote 'Show Me the Way' in the morning and wrote 'Baby, I Love Your Way' in the afternoon of the same day," Frampton tells Rolling Stone. "I've been trying to figure out what I ate for breakfast that morning ever since!"


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Peter Frampton Powers Through 'Show Me the Way' in Milwaukee – Premiere

Peter Frampton Powers Through 'Show Me the Way' in Milwaukee – PremiereGuitarist offers peek at upcoming 'FCA! 35 Tour' collection $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

Over the past year, Peter Frampton marked the 35th anniversary of his classic album Frampton Comes Alive! with a massive world tour. Now, taking footage from February 2012 tour stops at Milwaukee's Pabst Theater and New York's Beacon Theatre, Frampton is releasing a new two DVD/Blu-ray and three-CD set entitled FCA! 35 Tour: An Evening With Peter Frampton on November 13th. In this clip, Frampton rocks out with his talkbox on his 1975 single "Show Me the Way" in Milwaukee.

"I wrote 'Show Me the Way' in the morning and wrote 'Baby, I Love Your Way' in the afternoon of the same day," Frampton tells Rolling Stone. "I've been trying to figure out what I ate for breakfast that morning ever since!"


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Saturday, June 16, 2012

Peter Travers: Tom Cruise Lets Loose in 'Rock of Ages'

Wednesday, March 21, 2012

Todd Rundgren Readies 'Musical Revival Camp' With Guest Peter Buck

Todd Rundgren performs at the Seminole Hard Rock Hotel and Casino. Todd Rundgren performs at the Seminole Hard Rock Hotel and Casino.

Todd Rundgren's second annual retreat, now called Musical Revival Camp, will take place July 23rd-27th at the Full Moon Resort in the Catskill Mountains in upstate New York, with guests including Peter Buck. After launching the event last year as "Survival Camp," Rundgren tells Rolling Stone he has recast the gathering as more of a "tent festival" than a convention. 

With fewer panel discussions than last year's event, the performer and producer said the camp will be more of an opportunity for fans to hang with Rundgren, Buck, Mark Volman of the Turtles and other special guests. Each night will feature a roadhouse jam, and the days will be reserved for Q&A sessions and pastimes: "We will have our barbecue by the poolside," said Rundgren. "We'll do our hikes and we'll play our volleyball, that sort of thing."

The idea grew out of a party Rundgren threw in Hawaii for a few hundred fans when he turned 60 three years ago. After building a house on the island of Kauai, he invited fans to come camp on the lot next door. Over ten days, people from as far away as Japan, South America and the Czech Republic held a loosely organized party with Rundgren as host. The events in upstate New York "are kind of like a small effort to recapture the grandeur that was what the fans began to refer to as 'Toddstock,' our big camp-out," Rundgren explained. 

Though inspired in part by Dweezil Zappa, who has hosted several rock & roll camps of his own, Rundgren said his is less about musical technique. "I'm pretty sure that my fans are not showing up to get guitar lessons," he said. An early pioneer in direct-to-fan marketing, the singer understood that fans often just want to rub elbows with their musical heroes. 

"For me, I've always been acutely aware of the fact that I wouldn't still be in the music business were it not for the devotion of my fans, particularly [the] core group that has stuck through all of the changes that I have gone through," he said. "So I freely acknowledge my debt to them . . . I feel like it's my obligation to sign their big fat stack of albums if they happen to have that, to make sure that I make time for them after the shows for pictures and such, and [now] to have an event where we can all kind of get together and reaffirm our commitment."   

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, March 19, 2012

Todd Rundgren Readies 'Musical Revival Camp' With Guest Peter Buck

Todd Rundgren performs at the Seminole Hard Rock Hotel and Casino. Todd Rundgren performs at the Seminole Hard Rock Hotel and Casino.

Todd Rundgren's second annual retreat, now called Musical Revival Camp, will take place July 23rd-27th at the Full Moon Resort in the Catskill Mountains in upstate New York, with guests including Peter Buck. After launching the event last year as "Survival Camp," Rundgren tells Rolling Stone he has recast the gathering as more of a "tent festival" than a convention. 

With fewer panel discussions than last year's event, the performer and producer said the camp will be more of an opportunity for fans to hang with Rundgren, Buck, Mark Volman of the Turtles and other special guests. Each night will feature a roadhouse jam, and the days will be reserved for Q&A sessions and pastimes: "We will have our barbecue by the poolside," said Rundgren. "We'll do our hikes and we'll play our volleyball, that sort of thing."

The idea grew out of a party Rundgren threw in Hawaii for a few hundred fans when he turned 60 three years ago. After building a house on the island of Kauai, he invited fans to come camp on the lot next door. Over ten days, people from as far away as Japan, South America and the Czech Republic held a loosely organized party with Rundgren as host. The events in upstate New York "are kind of like a small effort to recapture the grandeur that was what the fans began to refer to as 'Toddstock,' our big camp-out," Rundgren explained. 

Though inspired in part by Dweezil Zappa, who has hosted several rock & roll camps of his own, Rundgren said his is less about musical technique. "I'm pretty sure that my fans are not showing up to get guitar lessons," he said. An early pioneer in direct-to-fan marketing, the singer understood that fans often just want to rub elbows with their musical heroes. 

"For me, I've always been acutely aware of the fact that I wouldn't still be in the music business were it not for the devotion of my fans, particularly [the] core group that has stuck through all of the changes that I have gone through," he said. "So I freely acknowledge my debt to them . . . I feel like it's my obligation to sign their big fat stack of albums if they happen to have that, to make sure that I make time for them after the shows for pictures and such, and [now] to have an event where we can all kind of get together and reaffirm our commitment."   

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Saturday, March 17, 2012

R.E.M.'s Peter Buck Plans Solo Album

peter buck RUNE HELLESTAD/UPI Photo/Landov

R.E.M. guitarist Peter Buck has begun work on his first solo album. Scott McCaughey, longtime R.E.M. sideman and regular Buck collaborator in the Minus 5 and the Baseball Project, confirmed the news in an interview on the KIRO 97.3 radio show Seattle Sounds, noting that the guitarist's material was going to be pretty "out." McCaughey offered few details about the record, but said that it's possible Buck –who never sang on R.E.M. records – would sing on the album, if not in concert.

It's unclear when Buck will finish the record, much less release it, but McCaughey says the guitarist is considering putting the album out only on vinyl and declining to release it as a download.

Buck's solo album is likely to be the first record released by a member of R.E.M. since the band disbanded last year. Frontman Michael Stipe has made it clear he has no interest in recording new music, and multi-instrumentalist Mike Mills has not announced plans for a new project.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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R.E.M.'s Peter Buck Plans Solo Album

peter buck RUNE HELLESTAD/UPI Photo/Landov

R.E.M. guitarist Peter Buck has begun work on his first solo album. Scott McCaughey, longtime R.E.M. sideman and regular Buck collaborator in the Minus 5 and the Baseball Project, confirmed the news in an interview on the KIRO 97.3 radio show Seattle Sounds, noting that the guitarist's material was going to be pretty "out." McCaughey offered few details about the record, but said that it's possible Buck –who never sang on R.E.M. records – would sing on the album, if not in concert.

It's unclear when Buck will finish the record, much less release it, but McCaughey says the guitarist is considering putting the album out only on vinyl and declining to release it as a download.

Buck's solo album is likely to be the first record released by a member of R.E.M. since the band disbanded last year. Frontman Michael Stipe has made it clear he has no interest in recording new music, and multi-instrumentalist Mike Mills has not announced plans for a new project.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, March 12, 2012

Can Rush, Peter Gabriel Legally Order Limbaugh to Cease Using Their Songs?

Musicians including Peter Gabriel and the band Rush have demanded that Limbaugh stop playing their songs on his broadcast. Gustavo Caballero/Getty Images/UPI/Michael Bush /LANDOV

In the clamor over Rush Limbaugh's personal attacks on Georgetown law student Sandra Fluke, who recently testified at a Congressional hearing on contraception, musicians including Peter Gabriel and the band Rush have demanded that the conservative talk-show host stop playing their songs on his broadcast. Legally, the bands may not have a case, says attorney Larry Iser.

Iser has some experience with such disputes. In 2008, he went to court to stop the campaign of GOP presidential candidate John McCain from using "Running on Empty" in an ad attacking his opponent, Barack Obama. He also helped David Byrne force former Florida Governor Charlie Crist to stop running an attack ad using the Talking Heads song "Road to Nowhere."

Limbaugh's case is different, says the attorney. His clients sued for copyright infingement – their songs were used in audio-visual media, requiring licenses for the musical composition and the use of the recording under the terms of the Copyright Act. By contrast, radio networks are covered under blanket agreements for "public performance" of all songs in the publishing catalogs of ASCAP, BMI and, in the band Rush's case, SESAC, the Society of European Stage Authors & Composers. The fact that Limbaugh's show has a political agenda does not interfere with his right to play music, so long as it's paid for, says Iser.

"What he did is in fact the essence of what 'public performance' is," Iser says. Networks like Premiere, which syndicates The Rush Limbaugh Show, "all take public performance licenses for the performing societies . . . Artists who make money from public performance royalties don't have the right, typically, to control who plays their songs. Once they choose to add their songs to the public performance catalog, they're out there for anyone [with a licensing agreement] to use."

However, explains Iser, if a cease-and-desist order in such cases would not likely be upheld in court, the band that issues it is effectively working the court of public opinion. The Fabulous Thunderbirds' Kim Wilson is the latest performer to demand Limbaugh stop using his music. Yesterday he released a statement saying he would serve Limbaugh with a cease-and-desist; though Limbaugh has used the Thunderbirds' song "Tuff Enuff" for years, the incident with Sandra Fluke was the last straw, the singer said.

"I don't want people to think I'm affiliated in any way, shape or form with him," Wilson said. "The message he promotes is something I'm totally against."

That kind of public distancing is usually more than enough to shame the offending party into voluntarily dropping the song, says Iser. Just as Limbaugh ultimately has the right to say offensive things – and advertisers have the right, as dozens have done in the past few days, to withdraw their support of his show in consequence – artists can and should express their disapproval, he says. 

"The Constitution is the Constitution, and thank goodness for it," says Iser. "They do have a legal right to stand up and make as much noise as possible about how appalled they are." 

Despite appearances, Iser says, it is not only liberal songwriters balking at conservatives who use their songs. He points out that lawyers for Sam and Dave objcted when Obama used the soul duo's song "Hold On I'm Comin'" in 2008 – not for political reasons, but because the campaign had not asked permission. 

Ultimately, the solution is simple. "There are so many songs," says Iser. If the artist takes issue, "go find a different one."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Can Rush, Peter Gabriel Legally Order Limbaugh to Cease Using Their Songs?

Musicians including Peter Gabriel and the band Rush have demanded that Limbaugh stop playing their songs on his broadcast. Gustavo Caballero/Getty Images/UPI/Michael Bush /LANDOV

In the clamor over Rush Limbaugh's personal attacks on Georgetown law student Sandra Fluke, who recently testified at a Congressional hearing on contraception, musicians including Peter Gabriel and the band Rush have demanded that the conservative talk-show host stop playing their songs on his broadcast. Legally, the bands may not have a case, says attorney Larry Iser.

Iser has some experience with such disputes. In 2008, he went to court to stop the campaign of GOP presidential candidate John McCain from using "Running on Empty" in an ad attacking his opponent, Barack Obama. He also helped David Byrne force former Florida Governor Charlie Crist to stop running an attack ad using the Talking Heads song "Road to Nowhere."

Limbaugh's case is different, says the attorney. His clients sued for copyright infingement – their songs were used in audio-visual media, requiring licenses for the musical composition and the use of the recording under the terms of the Copyright Act. By contrast, radio networks are covered under blanket agreements for "public performance" of all songs in the publishing catalogs of ASCAP, BMI and, in the band Rush's case, SESAC, the Society of European Stage Authors & Composers. The fact that Limbaugh's show has a political agenda does not interfere with his right to play music, so long as it's paid for, says Iser.

"What he did is in fact the essence of what 'public performance' is," Iser says. Networks like Premiere, which syndicates The Rush Limbaugh Show, "all take public performance licenses for the performing societies . . . Artists who make money from public performance royalties don't have the right, typically, to control who plays their songs. Once they choose to add their songs to the public performance catalog, they're out there for anyone [with a licensing agreement] to use."

However, explains Iser, if a cease-and-desist order in such cases would not likely be upheld in court, the band that issues it is effectively working the court of public opinion. The Fabulous Thunderbirds' Kim Wilson is the latest performer to demand Limbaugh stop using his music. Yesterday he released a statement saying he would serve Limbaugh with a cease-and-desist; though Limbaugh has used the Thunderbirds' song "Tuff Enuff" for years, the incident with Sandra Fluke was the last straw, the singer said.

"I don't want people to think I'm affiliated in any way, shape or form with him," Wilson said. "The message he promotes is something I'm totally against."

That kind of public distancing is usually more than enough to shame the offending party into voluntarily dropping the song, says Iser. Just as Limbaugh ultimately has the right to say offensive things – and advertisers have the right, as dozens have done in the past few days, to withdraw their support of his show in consequence – artists can and should express their disapproval, he says. 

"The Constitution is the Constitution, and thank goodness for it," says Iser. "They do have a legal right to stand up and make as much noise as possible about how appalled they are." 

Despite appearances, Iser says, it is not only liberal songwriters balking at conservatives who use their songs. He points out that lawyers for Sam and Dave objcted when Obama used the soul duo's song "Hold On I'm Comin'" in 2008 – not for political reasons, but because the campaign had not asked permission. 

Ultimately, the solution is simple. "There are so many songs," says Iser. If the artist takes issue, "go find a different one."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, March 9, 2012

Peter Gabriel Pulls Music From 'Rush Limbaugh Show'

Peter Gabriel performs in Houston, Texas.

Peter Gabriel has demanded that his music be pulled from Rush Limbaugh's radio show after learning that his 1986 hit "Sledgehammer" was played while the host launched into a tirade against Georgetown law student Sandra Fluke on Wednesday.

"Peter was appalled to learn that his music was linked to Rush Limbaugh's extraordinary attack on Sandra Fluke," says a statement on Gabriel's Facebook page. "It is obvious from anyone that knows Peter's work that he would never approve such a use. He has asked his representatives to make sure his music is withdrawn and especially from these unfair aggressive and ignorant comments."

Limbaugh has come under fire for calling Fluke, who testified at a Congressional hearing on contraception, a "slut" and a "prostitute." The program has lost eight sponsors in the wake of Limbaugh's attack.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Peter Gabriel Pulls Music From 'Rush Limbaugh Show'

Peter Gabriel performs in Houston, Texas.

Peter Gabriel has demanded that his music be pulled from Rush Limbaugh's radio show after learning that his 1986 hit "Sledgehammer" was played while the host launched into a tirade against Georgetown law student Sandra Fluke on Wednesday.

"Peter was appalled to learn that his music was linked to Rush Limbaugh's extraordinary attack on Sandra Fluke," says a statement on Gabriel's Facebook page. "It is obvious from anyone that knows Peter's work that he would never approve such a use. He has asked his representatives to make sure his music is withdrawn and especially from these unfair aggressive and ignorant comments."

Limbaugh has come under fire for calling Fluke, who testified at a Congressional hearing on contraception, a "slut" and a "prostitute." The program has lost eight sponsors in the wake of Limbaugh's attack.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, February 1, 2012

Peter, Paul and Mary Bassist Dick Kniss Dies

Peter, Paul and Mary Michael Ochs Archives/Getty Images

Dick Kniss, the bass player for Peter, Paul and Mary, died on Wednesday of pulmonary disease in Kingston, NY. He was 74. 

Kniss had joined Peter, Paul and Mary in 1968, after playing jazz with Woody Herman’s band. His upright bass lines provided a distinctive backbone to the trio’s vocal harmonies throughout the group’s decades together.

"He had this capacity to weave countermelodies," Peter, Paul and Mary’s Noel Paul Stookey recently told the New York Times. "He was the master of when to answer. In folk music, we’re telling a story. The guitars would begin it, but Dick was an orchestrator, and his entry often signified a particular turning point in a song."

Kniss later became a member of John Denver’s band in the 1970s, during the period that Peter, Paul and Mary had temporarily disbanded. He co-wrote Denver’s hit "Sunshine on My Shoulders."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, January 31, 2012

Peter, Paul and Mary Bassist Dick Kniss Dies

Peter, Paul and Mary Michael Ochs Archives/Getty Images

Dick Kniss, the bass player for Peter, Paul and Mary, died on Wednesday of pulmonary disease in Kingston, NY. He was 74. 

Kniss had joined Peter, Paul and Mary in 1968, after playing jazz with Woody Herman’s band. His upright bass lines provided a distinctive backbone to the trio’s vocal harmonies throughout the group’s decades together.

"He had this capacity to weave countermelodies," Peter, Paul and Mary’s Noel Paul Stookey recently told the New York Times. "He was the master of when to answer. In folk music, we’re telling a story. The guitars would begin it, but Dick was an orchestrator, and his entry often signified a particular turning point in a song."

Kniss later became a member of John Denver’s band in the 1970s, during the period that Peter, Paul and Mary had temporarily disbanded. He co-wrote Denver’s hit "Sunshine on My Shoulders."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, January 29, 2012

Peter Hook: Disney's Joy Division Shirts 'Might Be the Thing' to Reunite the Band

peter hook Peter Hook performs in Sydney, Australia.

Peter Hook has a lot of witty one-liners about Disney's controversial Joy Division-inspired shirts that were yanked from shelves yesterday, including: "Because of the amount of money I’ve spent in Disneyland I think they owe me something without a shadow of a doubt."

Also: "I do wish I’d done the Joy Division oven gloves."

And when told the shirts are now selling on eBay for over $200, he cracks up.

It's a complicated situation for Hook. "The fact that Joy Division only existed for three years, from 1977 to 1980, and we can still make international headlines has to be more than a compliment," he says. "But it's an odd situation we find ourselves in as Joy Division and New Order, because when we originally started out, we didn’t believe in self-promotion of any kind – we never got involved with merchandise."

Still, he adds: "We’ve always been one of the most bootlegged bands in history, particularly Joy Division. But it’s a hell of a compliment to be bootlegged by someone like Disney."

This particular fashion bootleg isn't new to him, either. "I’m used to Mickey Mouse shirts – I see them outside of every gig we do. In England we call them Mickey Mouse when they’re bootlegged, so I am used to some horrendous ones," he says. As a result, they have a standard procedure for how to handle unauthorized merchandise. "Generally what we do in England is when somebody does something like this, and most people do it inadvertently, we just ask for a donation to an epilepsy charity or a children’s charity just to make good. So I’m sure Disney can stretch to a little gesture like that. "

That all of this comes up now is also bittersweet because of the circumstances he finds himself in with New Order. "We’re in the middle of legal proceedings at the moment about their use of the name New Order without me and it leaves it in a position where you can only communicate through lawyers," he says. "While the band members may feel justified in their insistence they are New Order without me, I don’t think they’re New Order without me."

He has had no contact about the shirts with Bernard Sumner and Stephen Morris, his former mates in both Joy Division and New Order. Still, he is very aware of what they accomplished together. "When I formed Joy Division in 1977, I never thought that I’d end up at the ripe old age of 55 still being able to play Joy Division music to people who generally are very grateful," he says. "So I’m very grateful to my co-band members, Bernard, Stephen, Ian [Curtis], for creating something that’s lasted for 34 years and shows no signs of abating."

And Hook, who has a book about his time in Joy Division coming out in September, says he is open to speaking to his former band mates. "Life is too short to be at loggerheads like this," he says. "And you never know, this might be just the thing that brings me, Bernard and Stephen together to have a laugh and a drink. And maybe Walt can achieve what no amount of people seem to be able to do in the world, and bring Joy Division back together."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Peter Hook: Disney's Joy Division Shirts 'Might Be the Thing' to Reunite the Band

peter hook Peter Hook performs in Sydney, Australia.

Peter Hook has a lot of witty one-liners about Disney's controversial Joy Division-inspired shirts that were yanked from shelves yesterday, including: "Because of the amount of money I’ve spent in Disneyland I think they owe me something without a shadow of a doubt."

Also: "I do wish I’d done the Joy Division oven gloves."

And when told the shirts are now selling on eBay for over $200, he cracks up.

It's a complicated situation for Hook. "The fact that Joy Division only existed for three years, from 1977 to 1980, and we can still make international headlines has to be more than a compliment," he says. "But it's an odd situation we find ourselves in as Joy Division and New Order, because when we originally started out, we didn’t believe in self-promotion of any kind – we never got involved with merchandise."

Still, he adds: "We’ve always been one of the most bootlegged bands in history, particularly Joy Division. But it’s a hell of a compliment to be bootlegged by someone like Disney."

This particular fashion bootleg isn't new to him, either. "I’m used to Mickey Mouse shirts – I see them outside of every gig we do. In England we call them Mickey Mouse when they’re bootlegged, so I am used to some horrendous ones," he says. As a result, they have a standard procedure for how to handle unauthorized merchandise. "Generally what we do in England is when somebody does something like this, and most people do it inadvertently, we just ask for a donation to an epilepsy charity or a children’s charity just to make good. So I’m sure Disney can stretch to a little gesture like that. "

That all of this comes up now is also bittersweet because of the circumstances he finds himself in with New Order. "We’re in the middle of legal proceedings at the moment about their use of the name New Order without me and it leaves it in a position where you can only communicate through lawyers," he says. "While the band members may feel justified in their insistence they are New Order without me, I don’t think they’re New Order without me."

He has had no contact about the shirts with Bernard Sumner and Stephen Morris, his former mates in both Joy Division and New Order. Still, he is very aware of what they accomplished together. "When I formed Joy Division in 1977, I never thought that I’d end up at the ripe old age of 55 still being able to play Joy Division music to people who generally are very grateful," he says. "So I’m very grateful to my co-band members, Bernard, Stephen, Ian [Curtis], for creating something that’s lasted for 34 years and shows no signs of abating."

And Hook, who has a book about his time in Joy Division coming out in September, says he is open to speaking to his former band mates. "Life is too short to be at loggerheads like this," he says. "And you never know, this might be just the thing that brings me, Bernard and Stephen together to have a laugh and a drink. And maybe Walt can achieve what no amount of people seem to be able to do in the world, and bring Joy Division back together."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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