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Showing posts with label Exhibit. Show all posts
Showing posts with label Exhibit. Show all posts

Monday, March 11, 2013

Ringo Starr Exhibit to Open at Grammy Museum

Ringo Starr in Brisbane, Australia.

Ringo Starr's drumkit from the Beatles' performances on the The Ed Sullivan Show and the red jacket he wore at the band's final performance atop Abbey Road Studios are part of a new exhibit opening July 12th at the Grammy Museum in L.A., the Los Angeles Times reports.

The museum's third exhibit to focus on the life and career of a Beatle (John Lennon and George Harrison were the other two), "Ringo: Peace and Love" is being touted as both "the first major exhibition to explore the life of Ringo Starr," as well as the first in the U.S. to focus specifically on a rock drummer. The exhibit will run through November, while a tour through select cities will follow with dates to be announced later.

Photos: Heavy Hitters: Ringo Starr

The exhibit will include a slew of never-before-seen photos, correspondence and film footage, along with memorabilia from throughout his career, including his costume from the cover of Sgt. Pepper's Lonely Hearts Club Band.

The exhibit will also include an interactive feature that will allow visitors to pick up a few drumming tips from Starr himself.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Ringo Starr Exhibit to Open at Grammy Museum

Ringo Starr in Brisbane, Australia.

Ringo Starr's drumkit from the Beatles' performances on the The Ed Sullivan Show and the red jacket he wore at the band's final performance atop Abbey Road Studios are part of a new exhibit opening July 12th at the Grammy Museum in L.A., the Los Angeles Times reports.

The museum's third exhibit to focus on the life and career of a Beatle (John Lennon and George Harrison were the other two), "Ringo: Peace and Love" is being touted as both "the first major exhibition to explore the life of Ringo Starr," as well as the first in the U.S. to focus specifically on a rock drummer. The exhibit will run through November, while a tour through select cities will follow with dates to be announced later.

Photos: Heavy Hitters: Ringo Starr

The exhibit will include a slew of never-before-seen photos, correspondence and film footage, along with memorabilia from throughout his career, including his costume from the cover of Sgt. Pepper's Lonely Hearts Club Band.

The exhibit will also include an interactive feature that will allow visitors to pick up a few drumming tips from Starr himself.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, March 10, 2013

Ringo Starr Exhibit to Open at Grammy Museum

Ringo Starr in Brisbane, Australia.

Ringo Starr's drumkit from the Beatles' performances on the The Ed Sullivan Show and the red jacket he wore at the band's final performance atop Abbey Road Studios are part of a new exhibit opening July 12th at the Grammy Museum in L.A., the Los Angeles Times reports.

The museum's third exhibit to focus on the life and career of a Beatle (John Lennon and George Harrison were the other two), "Ringo: Peace and Love" is being touted as both "the first major exhibition to explore the life of Ringo Starr," as well as the first in the U.S. to focus specifically on a rock drummer. The exhibit will run through November, while a tour through select cities will follow with dates to be announced later.

Photos: Heavy Hitters: Ringo Starr

The exhibit will include a slew of never-before-seen photos, correspondence and film footage, along with memorabilia from throughout his career, including his costume from the cover of Sgt. Pepper's Lonely Hearts Club Band.

The exhibit will also include an interactive feature that will allow visitors to pick up a few drumming tips from Starr himself.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, January 6, 2013

West Memphis Three’s Damien Echols to Exhibit Art Made on Death Row

Damien Echols

When he wasn’t meditating for hours on end while imprisoned on Arkansas’ death row, Damien Echols scavenged for art supplies. For 18 years, he enshrined his cell with his creations, until a plea finally freed him and two others convicted in 1994 of murdering three boys in the city of West Memphis.

The drawings and collages that survived Echols’ prison stay will occupy a New York gallery beginning Saturday. The sold-out opening for "Moving Forward; Looking Back" at Sacred Gallery NYC in SoHo will offer an eye into the mind of the man prosecutors deemed the ringleader of the so-called West Memphis Three. Years of activism from filmmakers and musicians highlighted evidence of wrongful convictions of Echols, Jason Baldwin and Jessie Misskelley Jr., whom the state of Arkansas released – but stopped short of clearing – in August 2011 after new DNA evidence surfaced.

"There's a big difference, actually, between believing something and knowing something," Eddie Vedder recently told Rolling Stone of how he became fully convinced of Echols' innocence. "I asked him face to face. And I was completely satisfied."

How Rockers Helped Free the West Memphis Three

Tony Scalzo of Fastball recently took his daughter to a memoir reading Echols gave in Austin. "We were totally moved," he told Rolling Stone. Back in 2000, the HBO documentary Paradise Lost inspired him to contribute a song to the Free the West Memphis Three compilation, which also featured Eddie Vedder and Steve Earle. "A lot of the people involved in the case on the authority side became judges," Scalzo learned. "Juries became judges, judges became state senators, and all the motivations were just for advancing people’s careers."

"The DNA thing, that’s probably the first big change that's made a lot of these stories come to light, or helped get people out of prison who aren’t supposed to be there. That’s the biggest breakthrough in this century," Lucinda Williams told Rolling Stone in a phone interview. "There have been so many mistakes. Too many. One is too many."

Williams recorded a new, acoustic version of her 1998 song "Joy" for the album West of Memphis: Voices For Justice, which is due out on January 15th as a companion to the Peter Jackson-produced documentary West of Memphis. The collection also features Henry Rollins, Patti Smith and Marilyn Manson.

Echols, now 38, credits the Rinzai Zen tradition of Japanese Buddhism for inspiring his artwork. Organizers of the exhibition say part of the proceeds raised Saturday will benefit the Dharma Friends Prison Outreach Project, a division of the nonprofit Compassion Works for All, which distributes letters and dictionaries to inmates. The exhibition opens to the public on Sunday and lasts through January 31st.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Saturday, July 14, 2012

Rolling Stones Gather in London for 50th Anniversary Exhibit

Charlie Watts, Keith Richards, Ronnie Wood and Mick Jagger attend 'Rolling Stones: 50 - Private View' as the Rolling Stones celebrate their 50th anniversary with an exhibition at Somerset House in London.

The Rolling Stones celebrated their 50th anniversary in style last night by reuniting for the launch of a new photo exhibition celebrating the band's career.

Last seen in public together at the Shine A Light premiere in 2008, their appearance at London's Somerset House – 50 years to the day after their first gig at London's Marquee Club on July 12th, 1962 – is expected to be just the first in a series of events over the coming months to mark the band's Golden Jubilee.

On the red carpet, drummer Charlie Watts confirmed to Rolling Stone that the band had been practicing again, although he said it had "not yet" made any concrete plans for their live return.

"We've been playing, not rehearsing," he said with a smile.

Photos: Rare and Intimate Pictures of the Rolling Stones

"We had a good play in New York a few weeks ago," added guitarist Ronnie Wood. "We did 50 songs in five days. It was brilliant."

Meanwhile, frontman Mick Jagger said he was pleased the band had made it through 50 years together.

"It feels really good," he said, "if a little long . . . in the tooth! It's quite surprising. It does seem a long time, but I'm really happy about it."

Later, inside the exhibition, which showcases intimate pictures from throughout the band's career, Jagger reminisced about that first show at the now defunct Marquee, which the band had "reconstructed" for a photo shoot the previous day.

"I remember it because of the trouble we had finding a rhythm section," he laughed. Dick Taylor played bass that night, with the drummer either Tony Chapman or Mick Avory, depending on whose version of history you believe. The lineup was completed by Keith Richards and Brian Jones on guitar and Ian Stewart on piano. Former bass player Bill Wyman did not come on board until later that year, with Watts joining in 1963.

Jagger also noted that the band – then billed as the Rollin' Stones – only got that first gig because Alexis Korner's band Blues Incorporated, with whom Jagger had been singing, had been called up by the BBC to do a radio session. Jagger said his disappointment at not participating in the session (after the BBC said they would only pay for six musicians rather than seven) was tempered by having his new band fill Korner's usual Marquee residency slot.

Fifty years on, the band caused rather more of a buzz as they again spent the night together in central London. Despite heavy rain, dozens of fans lined the Victoria Embankment by the side of the River Thames to catch a glimpse of the band as they arrived for the exhibition.

The Stones turned up 20 minutes later than planned in a silver people carrier and immediately posed for photos. Smiling broadly, Jagger and Richards kept Wood between them as the band linked arms for the massed ranks of paparazzi. Jagger, wearing an electric blue suit, enthusiastically took direction from the photographers, telling his bandmates to shuffle to the left for a better angle.

Photos over, the band spent only the briefest of moments on the red carpet but, once inside the exhibition, all four members took the time to look at the photos and chat with party guests, who included former Stones Wyman and Mick Taylor, Simply Red's Mick Hucknall, lyricist Sir Tim Rice, crime writer Ian Rankin and Roxy Music guitarist Phil Manzanera.

For much of the evening, Jagger and Richards held court in separate areas of the party. Richards, wearing trademark hat and shades, looked at the photos with his son Marlon, chatted with Live Aid promoter Harvey Goldsmith and at one point doffed his hat to some passing fans who spotted him through an open window. Meanwhile, Jagger chatted with his glamorous daughters Lizzie and Georgia May near an open door on the other side of the exhibition.

But despite two years of apparent feuding since a row over Richards' autobiography Life, the pair seemed as happy and relaxed in each other's company as they did in many of the vintage photos on display. At one point, Richards whispered in Jagger's ear, seemingly sharing a private joke that made both of them laugh.

Indeed, togetherness seemed to be the order of the day, with Mick also spotted embracing former bass player Wyman and chatting at length with Wood. Whether this harmony will lead to either new recordings or another tour remains to be seen, although Jagger has hinted about at least one gig this year and Stones insiders expect further discussions to be held while the band are all together in London.
Watts, however, maintained that the reunion was really just business as usual.

"We've never been apart really," he said. "It's just they live in another part of the world – well, he [Wood] doesn't, but the other two do."

The exhibition runs at Somerset House until August 27th. It coincides with the release of a photographic book, Rolling Stones 50.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Rolling Stones Gather in London for 50th Anniversary Exhibit

Charlie Watts, Keith Richards, Ronnie Wood and Mick Jagger attend 'Rolling Stones: 50 - Private View' as the Rolling Stones celebrate their 50th anniversary with an exhibition at Somerset House in London.

The Rolling Stones celebrated their 50th anniversary in style last night by reuniting for the launch of a new photo exhibition celebrating the band's career.

Last seen in public together at the Shine A Light premiere in 2008, their appearance at London's Somerset House – 50 years to the day after their first gig at London's Marquee Club on July 12th, 1962 – is expected to be just the first in a series of events over the coming months to mark the band's Golden Jubilee.

On the red carpet, drummer Charlie Watts confirmed to Rolling Stone that the band had been practicing again, although he said it had "not yet" made any concrete plans for their live return.

"We've been playing, not rehearsing," he said with a smile.

Photos: Rare and Intimate Pictures of the Rolling Stones

"We had a good play in New York a few weeks ago," added guitarist Ronnie Wood. "We did 50 songs in five days. It was brilliant."

Meanwhile, frontman Mick Jagger said he was pleased the band had made it through 50 years together.

"It feels really good," he said, "if a little long . . . in the tooth! It's quite surprising. It does seem a long time, but I'm really happy about it."

Later, inside the exhibition, which showcases intimate pictures from throughout the band's career, Jagger reminisced about that first show at the now defunct Marquee, which the band had "reconstructed" for a photo shoot the previous day.

"I remember it because of the trouble we had finding a rhythm section," he laughed. Dick Taylor played bass that night, with the drummer either Tony Chapman or Mick Avory, depending on whose version of history you believe. The lineup was completed by Keith Richards and Brian Jones on guitar and Ian Stewart on piano. Former bass player Bill Wyman did not come on board until later that year, with Watts joining in 1963.

Jagger also noted that the band – then billed as the Rollin' Stones – only got that first gig because Alexis Korner's band Blues Incorporated, with whom Jagger had been singing, had been called up by the BBC to do a radio session. Jagger said his disappointment at not participating in the session (after the BBC said they would only pay for six musicians rather than seven) was tempered by having his new band fill Korner's usual Marquee residency slot.

Fifty years on, the band caused rather more of a buzz as they again spent the night together in central London. Despite heavy rain, dozens of fans lined the Victoria Embankment by the side of the River Thames to catch a glimpse of the band as they arrived for the exhibition.

The Stones turned up 20 minutes later than planned in a silver people carrier and immediately posed for photos. Smiling broadly, Jagger and Richards kept Wood between them as the band linked arms for the massed ranks of paparazzi. Jagger, wearing an electric blue suit, enthusiastically took direction from the photographers, telling his bandmates to shuffle to the left for a better angle.

Photos over, the band spent only the briefest of moments on the red carpet but, once inside the exhibition, all four members took the time to look at the photos and chat with party guests, who included former Stones Wyman and Mick Taylor, Simply Red's Mick Hucknall, lyricist Sir Tim Rice, crime writer Ian Rankin and Roxy Music guitarist Phil Manzanera.

For much of the evening, Jagger and Richards held court in separate areas of the party. Richards, wearing trademark hat and shades, looked at the photos with his son Marlon, chatted with Live Aid promoter Harvey Goldsmith and at one point doffed his hat to some passing fans who spotted him through an open window. Meanwhile, Jagger chatted with his glamorous daughters Lizzie and Georgia May near an open door on the other side of the exhibition.

But despite two years of apparent feuding since a row over Richards' autobiography Life, the pair seemed as happy and relaxed in each other's company as they did in many of the vintage photos on display. At one point, Richards whispered in Jagger's ear, seemingly sharing a private joke that made both of them laugh.

Indeed, togetherness seemed to be the order of the day, with Mick also spotted embracing former bass player Wyman and chatting at length with Wood. Whether this harmony will lead to either new recordings or another tour remains to be seen, although Jagger has hinted about at least one gig this year and Stones insiders expect further discussions to be held while the band are all together in London.
Watts, however, maintained that the reunion was really just business as usual.

"We've never been apart really," he said. "It's just they live in another part of the world – well, he [Wood] doesn't, but the other two do."

The exhibition runs at Somerset House until August 27th. It coincides with the release of a photographic book, Rolling Stones 50.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, January 23, 2012

Grateful Dead Exhibit Coming to Rock and Roll Hall of Fame

Grateful Dead Jerry Garcia, Phil Lesh, Bob Weir, Bill Kreutzmann and Mickey Hart in San Francisco in 1968.Michael Ochs Archives/Getty Images

A massive new exhibit chronicling the Grateful Dead's 30-year odyssey is coming to the Rock and Roll Hall of Fame and Museum. Grateful Dead: The Long, Strange Trip opens at the Cleveland museum on April 12th, two days before the Rock Hall's annual induction ceremony. The Mickey Hart Band will perform at the exhibit's opening event. "The band gave their full blessing to the project," says Howard Kramer, the Hall of Fame's Director of Curatorial Affairs. "They allowed me unfettered access to their warehouse and offered up items from their personal collection, which is how you want this process to work."

The exhibit will feature five Jerry Garcia guitars; handwritten lyrics to "Box of Rain," "Truckin'," Sugaree" and many other classics; Micky Hart's custom-painted drum kit; and artifacts from the band's longtime sound designer Owsley "Bear" Stanley, alongside many other objects from the group's long career. "Jerry Garcia's guitars carry a lot of emotional weight with the fans," says Kramer. "And the handwritten manuscripts, including a working version of 'Fire on the Mountain,' are stunning."

The artifacts will be presented in a non-linear manner, and will focus not only on the band – but on their hugely devoted fanbase as well. "The Grateful Dead created a culture around them that is a much richer story to tell than just the recounting of events that they were part of," says Kramer. "The story of the Grateful Dead is as much about the people around them as it is about the band themselves."

The exhibit is scheduled to close in December. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Grateful Dead Exhibit Coming to Rock and Roll Hall of Fame

Grateful Dead Jerry Garcia, Phil Lesh, Bob Weir, Bill Kreutzmann and Mickey Hart in San Francisco in 1968.Michael Ochs Archives/Getty Images

A massive new exhibit chronicling the Grateful Dead's 30-year odyssey is coming to the Rock and Roll Hall of Fame and Museum. Grateful Dead: The Long, Strange Trip opens at the Cleveland museum on April 12th, two days before the Rock Hall's annual induction ceremony. The Mickey Hart Band will perform at the exhibit's opening event. "The band gave their full blessing to the project," says Howard Kramer, the Hall of Fame's Director of Curatorial Affairs. "They allowed me unfettered access to their warehouse and offered up items from their personal collection, which is how you want this process to work."

The exhibit will feature five Jerry Garcia guitars; handwritten lyrics to "Box of Rain," "Truckin'," Sugaree" and many other classics; Micky Hart's custom-painted drum kit; and artifacts from the band's longtime sound designer Owsley "Bear" Stanley, alongside many other objects from the group's long career. "Jerry Garcia's guitars carry a lot of emotional weight with the fans," says Kramer. "And the handwritten manuscripts, including a working version of 'Fire on the Mountain,' are stunning."

The artifacts will be presented in a non-linear manner, and will focus not only on the band – but on their hugely devoted fanbase as well. "The Grateful Dead created a culture around them that is a much richer story to tell than just the recounting of events that they were part of," says Kramer. "The story of the Grateful Dead is as much about the people around them as it is about the band themselves."

The exhibit is scheduled to close in December. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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