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Showing posts with label Bells. Show all posts
Showing posts with label Bells. Show all posts

Wednesday, August 22, 2012

Eve Unveils New Material With Rock the Bells

Before Eve hit the stage at Rock the Bells in San Bernardino this past Saturday at the tour's kickoff, the rapper promised Rolling Stone she was there to make an impression. "If you weren't my fan, I'm gonna make you a fan once I leave the stage," she told us. "That, to me, is exciting."

She performed a few new songs, including "She Bad Bad," from her forthcoming Lip Lock album, her first since 2002's Eve-Olution, which at the time was her third straight top 10 album. After a decade's absence from recording, during which she focused on acting (including her own sitcom, Eve), she views this new album as a rejuvenation of her career.

"I've been telling people – and this is the truth – I almost feel like a new artist myself," she said. "I'm so excited about my new music. I love performing anyway, I feel comfortable on stage. It does feel like a rebirth."

She gave Rolling Stone a preview of some of the tracks and collaborators on Lip Lock, due next year. The album features Snoop Dogg on "Mama in the Kitchen," a song produced by Swizz Beatz ("Obviously I had to have Swizz on there," she said). And Cobra Starship's Gabe Saporta appears on "Make It Out of This Town."

"He sounds amazing on it," she said. "It's a very positive record – everyone can relate to it. It's just one of those records when you're down and out and you feel like you can make it, God is with you. You have that plan – just keep your eye to the sky. It's a very positive, uplifting record."

Another of her favorites is "Eve." "It's definitely left, it's a different kind of record," she said of the song that bears her name. "I remember that day clearly just because I was exhausted and I did not want to go to the studio. And as soon as the producer put the track on I was like, 'Oh, this is fucking ridiculous, I have to write for this record.' It's like a punch in the face, but in a good way."

 The fact that Eve is doing two dates with Rock the Bells – her debut on the bill – is a sign of her comeback for fans. "Obviously Rock the Bells has been around for a long time and it's a respected music festival to be on, so I definitely wanted to do it," she said. "I felt like it was the perfect time to reach my core audience."

On Saturday she performed both on her own and with longtime friend DMX, their first time onstage together in more than a decade, she guessed. For Eve, being around the mix of peers like Nas and newcomers like J. Cole was inspiring.

"The kind of artists that they pick are substantial, which makes for a great show," she said. "I'm just happy to see it all. And I do keep up with some of the newer artists that are out. I think Kendrick Lamar is amazing. He's really, really dope and doing the West Coast proud."

Though she has turned her attention back to music, she continues to do some acting, including a cameo on the NBC series Whitney. She also has a role in an upcoming independent film called Bouncy Killer. She laughed when asked about who else is in it with her. "I don't think you would know anyone who's in it," she said.

However, she was very impressed with the movie, which she described as Mad Max-esque: "It's kind of like how Mad Max was back in the day, with the makeup and all the cars. It's set in the desert, and I got to play queen of the gypsies. I had this elaborate makeup on," she said.

Most importantly, she got to "kick ass" on set, which she's never done. "I got to knife-fight, which I've never done in a movie, so that was fun," she said. "I absolutely thought that they were gonna use my double most of the time, because I didn't have any time to train. The girl who I fought had, like, three months of training, and I had two days. But because of the way the director shot they barely used my double, so I basically had to learn on set a lot of stuff. I was hurting at the end of that day, [but] it was fun. I love stuff like that."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, August 19, 2012

Relaxed DMX Discusses New Album, Rock the Bells Tour

DMX

DMX will join a who's who of hip hop, including Nas, Kendrick Lamar, Ice Cube, Kid Cudi, Wiz Khalifa, Common and dozens more, in San Bernardino this weekend for the kickoff of the Rock the Bells tour.

For DMX, it's his first time on the influential tour. Once he found out about the festival's history, he jumped at the chance to join RTB 2012.

"Not only did I come to the conclusion it's an honor to be a part of that, I'm just really grateful for the opportunity," he tells Rolling Stone. "It's credible emcees. It's not whoever's-hot-right-now type of shit – it's motherfuckers who paved the way and earned the respect of genuine fans."

After a six-year absence between albums, DMX, who will release his new set Undisputed on September 11th, is looking to win back those genuine fans. Since 2006's Year of the Dog . . . Again, the multi-platinum rapper has endured several run-ins with the law, including serving jail time on multiple occasions for violating probation.

"X," as he's called when he gets on the phone with Rolling Stone on this day, is still full of bravado but totally relaxed as he walks with his daughter while we chat. The only time he gets upset is when talking about the repeated delays that have pushed back the release date of Undisputed.

"I put The Weigh-In out just because the album [got] pushed back three different times and I got tired, 'cause I'm the only one saying what the date is, so it looked like I'm a fucking liar," he says, explaining the free EP he released. "So I said, 'Fuck it, I'm just going to give them a free joint to hold on to until the album comes out.'”

Don't expect him to make that a habit of that, though. While he says he's sitting on four albums' worth of material – "besides going to jail and prison, on my own time I was in the studio" – he's not going to be rushing new material to make up for lost time.

"I'm not the mixtape guy who's gonna put out a new one every month," he says. "I'm gonna allow my albums to marinate and resonate and whatever type of 'ates' they can do. I'm gonna let my music grow on them."

He's going to start at Rock the Bells, where he promises some "new joints," including first single "I Don't Dance" and "Time to Get Paid," which features a Notorious B.I.G. sample.

The new album also features collaborations with Busta Rhymes and Machine Gun Kelly, among others. There are other big names – Jennifer Hudson and Tyrese have been rumored – but DMX doesn't want to focus on the guests.

"I never look at it as who did I work with. I don't care what that perception is," he says. "I just look at it like I'm doing my album and I'm grateful for collabs at this point. I appreciate the fact that everyone was on it and it's a banger."

After a long break, artists oftenfeel as though they're starting over. DMX doesn't buy that.

"Once you start a race, you might start off in first place, and during the course of this marathon you're gonna end up in third place, fourth place. You might even fall back to 20th place," he says. "[But] just because you're passing more people doesn't mean you're starting again. It's the same race. I'm just getting back to the front of the line."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Relaxed DMX Discusses New Album, Rock the Bells Tour

DMX

DMX will join a who's who of hip hop, including Nas, Kendrick Lamar, Ice Cube, Kid Cudi, Wiz Khalifa, Common and dozens more, in San Bernardino this weekend for the kickoff of the Rock the Bells tour.

For DMX, it's his first time on the influential tour. Once he found out about the festival's history, he jumped at the chance to join RTB 2012.

"Not only did I come to the conclusion it's an honor to be a part of that, I'm just really grateful for the opportunity," he tells Rolling Stone. "It's credible emcees. It's not whoever's-hot-right-now type of shit – it's motherfuckers who paved the way and earned the respect of genuine fans."

After a six-year absence between albums, DMX, who will release his new set Undisputed on September 11th, is looking to win back those genuine fans. Since 2006's Year of the Dog . . . Again, the multi-platinum rapper has endured several run-ins with the law, including serving jail time on multiple occasions for violating probation.

"X," as he's called when he gets on the phone with Rolling Stone on this day, is still full of bravado but totally relaxed as he walks with his daughter while we chat. The only time he gets upset is when talking about the repeated delays that have pushed back the release date of Undisputed.

"I put The Weigh-In out just because the album [got] pushed back three different times and I got tired, 'cause I'm the only one saying what the date is, so it looked like I'm a fucking liar," he says, explaining the free EP he released. "So I said, 'Fuck it, I'm just going to give them a free joint to hold on to until the album comes out.'”

Don't expect him to make that a habit of that, though. While he says he's sitting on four albums' worth of material – "besides going to jail and prison, on my own time I was in the studio" – he's not going to be rushing new material to make up for lost time.

"I'm not the mixtape guy who's gonna put out a new one every month," he says. "I'm gonna allow my albums to marinate and resonate and whatever type of 'ates' they can do. I'm gonna let my music grow on them."

He's going to start at Rock the Bells, where he promises some "new joints," including first single "I Don't Dance" and "Time to Get Paid," which features a Notorious B.I.G. sample.

The new album also features collaborations with Busta Rhymes and Machine Gun Kelly, among others. There are other big names – Jennifer Hudson and Tyrese have been rumored – but DMX doesn't want to focus on the guests.

"I never look at it as who did I work with. I don't care what that perception is," he says. "I just look at it like I'm doing my album and I'm grateful for collabs at this point. I appreciate the fact that everyone was on it and it's a banger."

After a long break, artists oftenfeel as though they're starting over. DMX doesn't buy that.

"Once you start a race, you might start off in first place, and during the course of this marathon you're gonna end up in third place, fourth place. You might even fall back to 20th place," he says. "[But] just because you're passing more people doesn't mean you're starting again. It's the same race. I'm just getting back to the front of the line."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Thursday, March 22, 2012

Sleigh Bells Tear Through Sweaty SXSW Set

Sleigh Bells perform at Vevo during SXSW at ACL Live at Moody Theatre in Austin, Texas.

While waiting for Sleigh Bells to start their half of a double bill with Nas at Austin City Limits Live at the Moody Theater on Saturday, excited audience members explained to friends what to expect (“It's like this guy who plays super loud guitar and a girl with a really pretty high voice”) and discussed the merits of the band's new LP Reign of Terror. Taking the stage in a blast of strobe lights and in front of their minimalist set – a black-and-white banner and a wall of Marshall amps – guitarist Derek Miller, singer Alexis Krauss, and touring guitarist Jason Boyner tore through nearly an hour's worth of material from their two albums.

Krauss has become an increasingly powerful performer since Sleigh Bells' last SXSW appearance in 2010, and the addition of another live guitarist has made them a more dynamic live act; punishingly loud from the start, they now have more modes than blowing the audience's hair back with volume. Two songs in, the Texas heat forced Krauss to ditch the signature studded leather jacket she wears on stage. She then strutted along the crowd barrier during "Riot Rhythm" and crowdsurfed without missing a note of "Rill Rill,” and by the end of the set she was glowing, bangs plastered back on her forehead.

"All right Austin! I want to see you guys losing your shit!" Krauss yelled at one point. It was nice of her to say Austin even though almost everyone was from somewhere else.

The floor crowd pumped their fists and sang along, and the set felt a lot more like a band playing to excited fans than an industry showcase. And that's probably exactly what was going on.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Sleigh Bells Tear Through Sweaty SXSW Set

Sleigh Bells perform at Vevo during SXSW at ACL Live at Moody Theatre in Austin, Texas.

While waiting for Sleigh Bells to start their half of a double bill with Nas at Austin City Limits Live at the Moody Theater on Saturday, excited audience members explained to friends what to expect (“It's like this guy who plays super loud guitar and a girl with a really pretty high voice”) and discussed the merits of the band's new LP Reign of Terror. Taking the stage in a blast of strobe lights and in front of their minimalist set – a black-and-white banner and a wall of Marshall amps – guitarist Derek Miller, singer Alexis Krauss, and touring guitarist Jason Boyner tore through nearly an hour's worth of material from their two albums.

Krauss has become an increasingly powerful performer since Sleigh Bells' last SXSW appearance in 2010, and the addition of another live guitarist has made them a more dynamic live act; punishingly loud from the start, they now have more modes than blowing the audience's hair back with volume. Two songs in, the Texas heat forced Krauss to ditch the signature studded leather jacket she wears on stage. She then strutted along the crowd barrier during "Riot Rhythm" and crowdsurfed without missing a note of "Rill Rill,” and by the end of the set she was glowing, bangs plastered back on her forehead.

"All right Austin! I want to see you guys losing your shit!" Krauss yelled at one point. It was nice of her to say Austin even though almost everyone was from somewhere else.

The floor crowd pumped their fists and sang along, and the set felt a lot more like a band playing to excited fans than an industry showcase. And that's probably exactly what was going on.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

Wednesday, March 14, 2012

Guns N' Roses Bassist Duff McKagan on the Hall Of Fame: 'I'll Be There With Bells On.'

Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom. Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom.

There's a lot that Duff McKagan is unsure about at the moment. He doesn't know what's going to happen when Guns N' Roses get inducted into the Rock and Roll Hall of Fame next month. He doesn't know when (or if) Velvet Revolver will reform, and he certainly doesn't know who will front the band if that does happen. "I find in my career that I never know what's going to happen in two months," says McKagan.  "I don't know what I'm going to be doing in July, or even June. Anything could happen. I'm cool with anything."

In December Duff shared a stage with ex-bandmate Axl Rose at two gigs in Seattle and Vancouver, and then a month later Velvet Revolver reunited at a Los Angles benefit concert. We recently chatted with McKagan about all of this, as well as the paperback release of his autobiography It's So Easy: and Other Lies, which hits shelves on March 20th. 

What compelled you to write this book?
A few years ago Seattle Weekly offered me a weekly column. I was kind of terrified. Around week three I suddenly realized that I could articulate my thoughts in the written word much better than I ever could talking. I could organize what I was really getting at. A few months after that I was offered a financial column for Playboy. Suddenly I had two weekly columns and two deadlines, so I was writing a ton. I started writing other things that weren't right for my columns. I wrote a letter of gratitude to my older seven siblings. I got to my oldest brother John, and I thanked him for being our patriarch and bringing mom to the hospital. And it stopped me, that sentence right there. Our mom had Parkinson's and it took me into this whole other thing, and I started writing about that. I was dealing with things, wondering what my part was in my life. 

What I found is that we're speeding along through life and in the rearview mirror on the left you see all the bad shit, which is all that other motherfuckers fault. All the good stuff, in the other rearview mirror, is all the good stuff – which you had everything to do with. I'm being simplistic, but you know what I mean. I started delving into all that. How did I get here? What's the real story? I'm a dad and I better get all my shit straight. The writing really helped me with that. I wrote twice as many words than are in the book. Some of it you wouldn't want to read. But a story started to come to the surface when I was writing and I really liked the whole idea of it.

Are there parts of your past that you can't remember, or are just sort of blurry?
Yeah. There's a ton of it. So I didn't write about the stuff that I didn't remember. I kind of experimented with that by trying to remember stuff by writing about it, and I couldn't. I didn't want to guess or grab some dates I found on the Internet and try and write about. That would have felt disingenuous. I wrote about the stuff that I remembered, and I tried to take a reader into the insanity of addiction. Thoughts and days start melting together and you don't know where the fuck you are. I don't know if I succeeded in that, but I tried. 

Do you think that drug addicts would benefit from reading the book because they'd see that there is a way out?
That wasn't my mission statement. But since the book came out, I've noticed there's a lot of that kind of thing. "Well shit, if Duff can do it! Look how bad he was. He has kids and seems to be sane-ish." It's true, man. If I can do it, anyone can do it. I gradually became the worst of the worst.

Memory is always a weird thing. I'm sure if I talked to you and Slash about the same event I'd get a wildly different story. Did you ever deal with that when writing the book?
Yeah. I put a thing at the beginning of the book. I said, "To people that were there, you might remember it differently." That's just human nature, I think. Slash and I were in the seats right next to each other on a lot of that ride. We remember things completely differently sometimes. At times he won't remember a whole thing I remember, or vice versa. That's a whole other discussion why we retain certain things…especially when you're fucked up.

During the writing process did you ever say to yourself, "Oh, I can't write this. I'll piss off Axl or Slash…"
I was careful about that. It's not necessarily their story, so why throw somebody underneath the bus? They didn't ask me to write a story about them, or my ex-wife didn't ask me to write this. My point was to really take responsibility for my shortcomings. I tried to not bring somebody else into it. I kept reading through my passages and trying to make sure there wasn't any passive aggressive tone. At the end of the day, it doesn't read very well.

It's sort of interesting that in the past few months you've played gigs with Axl Rose and Scott Weiland.
Yeah. I'm kind of feeling like a grown-up. I don't have resentments towards anyone I played with, or to the guy who bullied me in the sixth grade. I've worked through it. But the thing I played with Scott was something bigger than all of us. That's a no-brainer. The Axl stuff…man, we shared a lot of great moments together. We grew up together in those formative times, being young men under some pretty extraordinary circumstances. Really only the five guys in the original band know what that was like…even my wife, I can't explain it to her. I couldn't write about it in that book. I'm not that good of a writer. 

Was it strange being asked to open up for Guns N' Roses a few months back?
I didn't really look at it like anything except it was a chance to play some gigs with my old buddy. One was in my hometown Seattle, and the other in Vancouver. It was a feel-good deal. It wasn't like Judas Priest calling [my band] Loaded to open some gigs for them. It felt totally different than that.

You're going to Cleveland next month for the Rock and Roll Hall of Fame. Do you know what's going to happen?
I don't. I know I'm going to go. I can't, at all, speak for anybody else. And won't. I'll be there with bells on. Is the Rock and Roll Hall of Fame that important to me? No. Is it something I've aspired towards? No. It's not sports. You get into the Baseball Hall of Fame, that's bad ass. But that's a competitive sport. You have stats. Look, we were a good band – but there were a lot of good bands. A lot of people liked our band, eventually. And that's kick ass. 

What I found out when we got nominated is that there's just a shit ton of fans around the world who are really psyched. In that case, it's more about them and the people that believed in us and bought our records and came and saw us. Imagine that? All those people believing in our band – a thing we created out of thin air. That part of it is an honor. The Rock and Roll Hall of Fame as an institution? I really don't know much about it.

Do you hope the band is going to reunite and play?
I think it would be killer. Do I hope to? That's a tricky question. It would be awesome. You have those day dreams like, "We'll go up and play 'Nightrain' and 'Brownstone' and throw down the microphone and drop off! That'll be killer!' But I doubt that'll happen.

Why?
There's been no communication about anyone playing. There was probably a day in the mid-1990s where I would have tried to gather the troops, but I'm just not that guy anymore. It's too frustrating to change anyone else…I'm not even sure I'd want to change how anyone else sees a situation. But I'm going.

I've heard that Axl is going. Do you think that Izzy will go?
I don't know. You'd have to ask him. It would be great if Izzy went, but I don't really know. I don't know if he's into that whole kind of thing with cameras and all that stuff. 

What's the deal with Velvet Revolver? Some fans are optimistic that Scott might come back because you guys played that one show.
No. We just did that thing for our friend who passed, for his wife and kids. I'd be surprised…you know what? I don't even want to try and guess anymore. Who knows what's gonna happen? I'm cool with anything, and if it feels right at the time, it'll be the thing to do and we'll talk about it then.

Do you think that Velvet Revolver has a future?
I hope so. We were a good songwriting band and it was a real thing onstage.

Are the rumors true that you talked to Corey Taylor from Slipknot at some point about joining the band?
Yeah. When you're a musician you are around your peers a lot, like Slipknot and Alice In Chains…you name the band. We're all just kind of friends. The Corey thing came up. If you're asking me, I think that Corey is the best singer of his age group, which is about eight years younger than me. He's the best pound-for-pound singer around and I'd like to explore that. And it still might happen one day. That guy is in, like, fifteen bands. But he's bad ass and the real deal and it comes from the right place with him. I have nothing but cool things to say about Corey. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Guns N' Roses Bassist Duff McKagan on the Hall Of Fame: 'I'll Be There With Bells On.'

Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom. Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom.

There's a lot that Duff McKagan is unsure about at the moment. He doesn't know what's going to happen when Guns N' Roses get inducted into the Rock and Roll Hall of Fame next month. He doesn't know when (or if) Velvet Revolver will reform, and he certainly doesn't know who will front the band if that does happen. "I find in my career that I never know what's going to happen in two months," says McKagan.  "I don't know what I'm going to be doing in July, or even June. Anything could happen. I'm cool with anything."

In December Duff shared a stage with ex-bandmate Axl Rose at two gigs in Seattle and Vancouver, and then a month later Velvet Revolver reunited at a Los Angles benefit concert. We recently chatted with McKagan about all of this, as well as the paperback release of his autobiography It's So Easy: and Other Lies, which hits shelves on March 20th. 

What compelled you to write this book?
A few years ago Seattle Weekly offered me a weekly column. I was kind of terrified. Around week three I suddenly realized that I could articulate my thoughts in the written word much better than I ever could talking. I could organize what I was really getting at. A few months after that I was offered a financial column for Playboy. Suddenly I had two weekly columns and two deadlines, so I was writing a ton. I started writing other things that weren't right for my columns. I wrote a letter of gratitude to my older seven siblings. I got to my oldest brother John, and I thanked him for being our patriarch and bringing mom to the hospital. And it stopped me, that sentence right there. Our mom had Parkinson's and it took me into this whole other thing, and I started writing about that. I was dealing with things, wondering what my part was in my life. 

What I found is that we're speeding along through life and in the rearview mirror on the left you see all the bad shit, which is all that other motherfuckers fault. All the good stuff, in the other rearview mirror, is all the good stuff – which you had everything to do with. I'm being simplistic, but you know what I mean. I started delving into all that. How did I get here? What's the real story? I'm a dad and I better get all my shit straight. The writing really helped me with that. I wrote twice as many words than are in the book. Some of it you wouldn't want to read. But a story started to come to the surface when I was writing and I really liked the whole idea of it.

Are there parts of your past that you can't remember, or are just sort of blurry?
Yeah. There's a ton of it. So I didn't write about the stuff that I didn't remember. I kind of experimented with that by trying to remember stuff by writing about it, and I couldn't. I didn't want to guess or grab some dates I found on the Internet and try and write about. That would have felt disingenuous. I wrote about the stuff that I remembered, and I tried to take a reader into the insanity of addiction. Thoughts and days start melting together and you don't know where the fuck you are. I don't know if I succeeded in that, but I tried. 

Do you think that drug addicts would benefit from reading the book because they'd see that there is a way out?
That wasn't my mission statement. But since the book came out, I've noticed there's a lot of that kind of thing. "Well shit, if Duff can do it! Look how bad he was. He has kids and seems to be sane-ish." It's true, man. If I can do it, anyone can do it. I gradually became the worst of the worst.

Memory is always a weird thing. I'm sure if I talked to you and Slash about the same event I'd get a wildly different story. Did you ever deal with that when writing the book?
Yeah. I put a thing at the beginning of the book. I said, "To people that were there, you might remember it differently." That's just human nature, I think. Slash and I were in the seats right next to each other on a lot of that ride. We remember things completely differently sometimes. At times he won't remember a whole thing I remember, or vice versa. That's a whole other discussion why we retain certain things…especially when you're fucked up.

During the writing process did you ever say to yourself, "Oh, I can't write this. I'll piss off Axl or Slash…"
I was careful about that. It's not necessarily their story, so why throw somebody underneath the bus? They didn't ask me to write a story about them, or my ex-wife didn't ask me to write this. My point was to really take responsibility for my shortcomings. I tried to not bring somebody else into it. I kept reading through my passages and trying to make sure there wasn't any passive aggressive tone. At the end of the day, it doesn't read very well.

It's sort of interesting that in the past few months you've played gigs with Axl Rose and Scott Weiland.
Yeah. I'm kind of feeling like a grown-up. I don't have resentments towards anyone I played with, or to the guy who bullied me in the sixth grade. I've worked through it. But the thing I played with Scott was something bigger than all of us. That's a no-brainer. The Axl stuff…man, we shared a lot of great moments together. We grew up together in those formative times, being young men under some pretty extraordinary circumstances. Really only the five guys in the original band know what that was like…even my wife, I can't explain it to her. I couldn't write about it in that book. I'm not that good of a writer. 

Was it strange being asked to open up for Guns N' Roses a few months back?
I didn't really look at it like anything except it was a chance to play some gigs with my old buddy. One was in my hometown Seattle, and the other in Vancouver. It was a feel-good deal. It wasn't like Judas Priest calling [my band] Loaded to open some gigs for them. It felt totally different than that.

You're going to Cleveland next month for the Rock and Roll Hall of Fame. Do you know what's going to happen?
I don't. I know I'm going to go. I can't, at all, speak for anybody else. And won't. I'll be there with bells on. Is the Rock and Roll Hall of Fame that important to me? No. Is it something I've aspired towards? No. It's not sports. You get into the Baseball Hall of Fame, that's bad ass. But that's a competitive sport. You have stats. Look, we were a good band – but there were a lot of good bands. A lot of people liked our band, eventually. And that's kick ass. 

What I found out when we got nominated is that there's just a shit ton of fans around the world who are really psyched. In that case, it's more about them and the people that believed in us and bought our records and came and saw us. Imagine that? All those people believing in our band – a thing we created out of thin air. That part of it is an honor. The Rock and Roll Hall of Fame as an institution? I really don't know much about it.

Do you hope the band is going to reunite and play?
I think it would be killer. Do I hope to? That's a tricky question. It would be awesome. You have those day dreams like, "We'll go up and play 'Nightrain' and 'Brownstone' and throw down the microphone and drop off! That'll be killer!' But I doubt that'll happen.

Why?
There's been no communication about anyone playing. There was probably a day in the mid-1990s where I would have tried to gather the troops, but I'm just not that guy anymore. It's too frustrating to change anyone else…I'm not even sure I'd want to change how anyone else sees a situation. But I'm going.

I've heard that Axl is going. Do you think that Izzy will go?
I don't know. You'd have to ask him. It would be great if Izzy went, but I don't really know. I don't know if he's into that whole kind of thing with cameras and all that stuff. 

What's the deal with Velvet Revolver? Some fans are optimistic that Scott might come back because you guys played that one show.
No. We just did that thing for our friend who passed, for his wife and kids. I'd be surprised…you know what? I don't even want to try and guess anymore. Who knows what's gonna happen? I'm cool with anything, and if it feels right at the time, it'll be the thing to do and we'll talk about it then.

Do you think that Velvet Revolver has a future?
I hope so. We were a good songwriting band and it was a real thing onstage.

Are the rumors true that you talked to Corey Taylor from Slipknot at some point about joining the band?
Yeah. When you're a musician you are around your peers a lot, like Slipknot and Alice In Chains…you name the band. We're all just kind of friends. The Corey thing came up. If you're asking me, I think that Corey is the best singer of his age group, which is about eight years younger than me. He's the best pound-for-pound singer around and I'd like to explore that. And it still might happen one day. That guy is in, like, fifteen bands. But he's bad ass and the real deal and it comes from the right place with him. I have nothing but cool things to say about Corey. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, February 24, 2012

New Reviews: Sleigh Bells Get Noisier on 'Reign of Terror'

Alexis Krauss of Sleigh Bells performs at Terminal 5 in New York.Griffin Lotz for RollingStone.com

In this week's slate of Rolling Stone reviews, Rob Sheffield hails Sleigh Bells' second album, Reign of Terror, which "flattens you with its cartoonishly over-modulated, into-the-red guitar sound." Also, Jon Dolan says that Gorillaz, Andre 3000 and James Murphy's "DoYaThing" is a "zippy future-freak soul summit," and Jody Rosen dismisses Katy Perry's divorce anthem "Part of Me" as a "predictably effective piece of angsty dance-pop."

ALBUMS

Sleigh Bells - Reign of Terror

Sinead O'Connor - How About I Be Me (and You Be You)?

The Chieftains - Voice of Ages

The Move - Live at the Fillmore 1969

Prinzhorn Dance School - Clay Class

Elle Varner - Conversational Lush

Jessie Baylin - Little Spark

Gotye - Making Mirrors

SONGS

Gorillaz featuring Andre 3000 and James Murphy "DoYaThing"

Santigold "Disparate Youth"

One Direction "What Makes You Beautiful"

Nicki Minaj "Starships"

The Mars Volta "The Malkin Jewel"

The Decemberists "One Engine"

Katy Perry "Part of Me"

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

New Reviews: Sleigh Bells Get Noisier on 'Reign of Terror'

Alexis Krauss of Sleigh Bells performs at Terminal 5 in New York.Griffin Lotz for RollingStone.com

In this week's slate of Rolling Stone reviews, Rob Sheffield hails Sleigh Bells' second album, Reign of Terror, which "flattens you with its cartoonishly over-modulated, into-the-red guitar sound." Also, Jon Dolan says that Gorillaz, Andre 3000 and James Murphy's "DoYaThing" is a "zippy future-freak soul summit," and Jody Rosen dismisses Katy Perry's divorce anthem "Part of Me" as a "predictably effective piece of angsty dance-pop."

ALBUMS

Sleigh Bells - Reign of Terror

Sinead O'Connor - How About I Be Me (and You Be You)?

The Chieftains - Voice of Ages

The Move - Live at the Fillmore 1969

Prinzhorn Dance School - Clay Class

Elle Varner - Conversational Lush

Jessie Baylin - Little Spark

Gotye - Making Mirrors

SONGS

Gorillaz featuring Andre 3000 and James Murphy "DoYaThing"

Santigold "Disparate Youth"

One Direction "What Makes You Beautiful"

Nicki Minaj "Starships"

The Mars Volta "The Malkin Jewel"

The Decemberists "One Engine"

Katy Perry "Part of Me"

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Tuesday, February 21, 2012

Sleigh Bells Live Stream Their Manhattan Show Tonight

sleigh bells Alexis Krauss of Sleigh Bells performs during the Sasquatch! Music Festival at the Gorge Amphitheatre in George, Washington.

Brooklyn noise-pop duo Sleigh Bells will play a homecoming gig at New York City's Terminal 5 tonight, just a night before making their debut appearance on Saturday Night Live this weekend. The band will be playing old favorites from their acclaimed debut Treats, as well as several cuts from their new album, Reign of Terror.

Unsurprisingly, the gig is entirely sold out, but there is some good news for fans who were either shut out or live nowhere near Manhattan. The Bowery Presents will be live streaming the show on YouTube. If it's possible to line your computer out to very loud speakers, you definitely should for this stream. Just saying.

You can watch the show Here.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Sleigh Bells Live Stream Their Manhattan Show Tonight

sleigh bells Alexis Krauss of Sleigh Bells performs during the Sasquatch! Music Festival at the Gorge Amphitheatre in George, Washington.

Brooklyn noise-pop duo Sleigh Bells will play a homecoming gig at New York City's Terminal 5 tonight, just a night before making their debut appearance on Saturday Night Live this weekend. The band will be playing old favorites from their acclaimed debut Treats, as well as several cuts from their new album, Reign of Terror.

Unsurprisingly, the gig is entirely sold out, but there is some good news for fans who were either shut out or live nowhere near Manhattan. The Bowery Presents will be live streaming the show on YouTube. If it's possible to line your computer out to very loud speakers, you definitely should for this stream. Just saying.

You can watch the show Here.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

Sunday, February 12, 2012

Sleigh Bells to Rock 'SNL'

sleigh bells Derek Miller and Alexis Krauss of Sleigh Bells

Noise-pop duo Sleigh Bells have been announced as the musical guest for the February 18th episode of Saturday Night Live, which will be hosted by Maya Rudolph. Rudolph, a cast member on the show between 1999 and 2007, was in the hit film Bridesmaids last summer and currently stars in the NBC sitcom Up All Night.

The band's appearance on the show will come just days before the release of their second album, Reign of Terror. According to Pitchfork, the band will perform their new single, "Comeback Kid," along with the relatively mellow album cut "End of the Line."

As a result of the booking, the rockers will postpone a February 16th gig in Washington, D.C. and a February 18th show in Toronto to make time for the taping. Those dates have been rescheduled to March 26th and 27th, respectively.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Saturday, February 11, 2012

Sleigh Bells to Rock 'SNL'

sleigh bells Derek Miller and Alexis Krauss of Sleigh Bells

Noise-pop duo Sleigh Bells have been announced as the musical guest for the February 18th episode of Saturday Night Live, which will be hosted by Maya Rudolph. Rudolph, a cast member on the show between 1999 and 2007, was in the hit film Bridesmaids last summer and currently stars in the NBC sitcom Up All Night.

The band's appearance on the show will come just days before the release of their second album, Reign of Terror. According to Pitchfork, the band will perform their new single, "Comeback Kid," along with the relatively mellow album cut "End of the Line."

As a result of the booking, the rockers will postpone a February 16th gig in Washington, D.C. and a February 18th show in Toronto to make time for the taping. Those dates have been rescheduled to March 26th and 27th, respectively.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

 
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