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Showing posts with label Jackson. Show all posts
Showing posts with label Jackson. Show all posts

Wednesday, February 27, 2013

Jermaine Jackson Changes Last Name to Jacksun

Jermaine Jackson performs at The Greek Theatre in Los Angeles.

The third-oldest member of the Jackson 5 has officially changed his name to Jermaine Jacksun, Reuters reports.

The 58-tear-old singer and brother of Michael and Janet Jackson first filed a petition for the name change in Los Angeles Superior Court in November 2012. The new name was approved on Wednesday after a hearing. Jacksun, who unofficially took the name Mohammad Abdul Aziz upon his 1989 conversion to Islam, said in November that he was making the new change for "artistic reasons."

The Top 25 Teen Idol Breakout Moments: The Jackson 5

"If Prince and P Diddy can do it, why can't and shouldn't Jermaine?" Jacksun's attorney, Bret D. Lewis, said at the time the petition was filed. Jacksun is currently on tour in Europe with Jackie, Marlon and Tito Jackson, and did not attend the hearing. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Janet Jackson Married Wissam Al Mana 'Last Year'

Wissam Al Mana, Janet Jackson Wissam Al Mana and Janet JacksonGennadi Avramenko/Epsilon/Getty Images

After Janet Jackson announced her engagement to then-boyfriend Wissam Al Mana last December, rumors quickly followed of her lavish wedding plans. But according to Entertainment Tonight, the 46-year-old pop star and her 37-year-old Qatari billionaire fiancé already tied the knot "last year" in what they described as "a quiet, private and beautiful ceremony," dispelling talks of a multimillion-dollar wedding.

100 Best Albums of the Eighties: Janet Jackson, 'Control'

"Our wedding gifts to one another were contributions to our respective favourite children's charities," the couple said in a statement. "We would appreciate that our privacy is respected and that we are allowed this time for celebration and joy."

This is Jackson's third marriage after parting ways with James DeBarge and René Elizondo. She also split with Jermaine Dupri in 2009 after a high-profile relationship.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, February 26, 2013

Janet Jackson Married Wissam Al Mana 'Last Year'

Wissam Al Mana, Janet Jackson Wissam Al Mana and Janet JacksonGennadi Avramenko/Epsilon/Getty Images

After Janet Jackson announced her engagement to then-boyfriend Wissam Al Mana last December, rumors quickly followed of her lavish wedding plans. But according to Entertainment Tonight, the 46-year-old pop star and her 37-year-old Qatari billionaire fiancé already tied the knot "last year" in what they described as "a quiet, private and beautiful ceremony," dispelling talks of a multimillion-dollar wedding.

100 Best Albums of the Eighties: Janet Jackson, 'Control'

"Our wedding gifts to one another were contributions to our respective favourite children's charities," the couple said in a statement. "We would appreciate that our privacy is respected and that we are allowed this time for celebration and joy."

This is Jackson's third marriage after parting ways with James DeBarge and René Elizondo. She also split with Jermaine Dupri in 2009 after a high-profile relationship.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, October 21, 2012

Spike Lee Previews 'Michael Jackson: Bad25' With Trailer

Spike Lee Previews 'Michael Jackson: Bad25' With TrailerDocumentary tracks the making of the 1987 album and tour $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

Spike Lee will debut his Michael Jackson documentary Michael Jackson: Bad25 on November 22nd on ABC, and in this new trailer, the director gives a peek into the making of the classic 1987 album, its music videos and the Bad tour. Catch studio shots, live snippets and plenty of iconic imagery, including the unforgettable anti-gravity lean in the "Smooth Criminal" video. "That's what this documentary is about – it's gonna have people return to focusing on the music, his art, which I feel is his legacy, in addition to his children," Lee said last month. "He became a prisoner of his fame."


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Friday, September 14, 2012

Michael Jackson Promoter Withdraws Insurance Claim Over Singer's Death

September 12, 2012 10:40 AM ETAEG Chief Executive Randy Phillips of AEG.

AEG Live, the concert promoters for Michael Jackson's planned 2009 comback tour, have dropped a $17.5 million insurance claim stemming from Jackson's death after leaked e-mails showed that AEG executives were concerned about Jackson's health and worried about his stability shortly before his death that June, Reuters reports.

When Jackson died before he could begin a run of concerts in London, AEG filed an insurance claim with Lloyd's of London, citing losses in up-front costs for Jackson's "This Is It" tour. Lloyd's later filed suit against AEG Live, contending that it didn't owe the money.

AEG executives had long been skeptical about whether Jackson was capable of performing, according to e-mails obtained by the Los Angeles Times that openly discussed the matter. CEO Randy Phillips sent one particularly revealing message in March 2009 while he was in London with Jackson to announce the shows. "MJ is locked in his room drunk and despondent," wrote Phillips. "I [am] trying to sober him up." Despite the suggestion that AEG Live was aware of Jackson's troubles while negotiating its insurance policy with Lloyd's, AEG attorneys maintain the company's withdrawal has "nothing to do with the recent leak" of the emails.

"We are standing by AEG's lawyers comments that the withdrawal of the claim was not related to the leaked emails, said Paul Schriffer, an attorney for Lloyd's. An attorney for AEG, Marvin Putnam, said the company informed Lloyd's in June that it was dropping the claim, citing reimbursement from the Jackson estate that covered the company's losses.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, August 26, 2012

TJ Jackson Named Co-Guardian of Michael Jackson's Children

tj jackson

TJ Jackson has been named co-guardian of Michael Jackson's three children, CBS reports. The nephew of the pop icon will share duties with Michael's mother, Katherine.

Earlier this month, Katherine Jackson regained co-guardianship of Paris, Prince and Blanket Jackson after TJ was named temporary guardian. The co-guardianship ruling had been temporary but is now finalized. TJ is the son of Tito Jackson.

Last month, Katherine Jackson was reported missing after Paris, Prince and Blanket were unable to reach her for over a week, leading to a family disagreement over the custody of the children and Katherine's whereabouts.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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TJ Jackson Named Co-Guardian of Michael Jackson's Children

tj jackson

TJ Jackson has been named co-guardian of Michael Jackson's three children, CBS reports. The nephew of the pop icon will share duties with Michael's mother, Katherine.

Earlier this month, Katherine Jackson regained co-guardianship of Paris, Prince and Blanket Jackson after TJ was named temporary guardian. The co-guardianship ruling had been temporary but is now finalized. TJ is the son of Tito Jackson.

Last month, Katherine Jackson was reported missing after Paris, Prince and Blanket were unable to reach her for over a week, leading to a family disagreement over the custody of the children and Katherine's whereabouts.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, July 16, 2012

Roger Waters, Michael Jackson 'Immortal' Tour Top Mid-Year Concert Sales

Roger Waters performs during 'The Wall Live' tour in San Francisco

Two years after the most disastrous summer touring season in decades, the concert business has crept back to almost full health, according to mid-year sales numbers released Thursday by industry magazine Pollstar.

Led by Cirque du Soleil's "Michael Jackson: The Immortal," as well as Roger Waters, Van Halen, Drake, Bruce Springsteen and Elton John, sales for the Top 100 jumped 11.3 percent, total tickets increased 1.2 percent and average prices dropped from $67 to $61.

"More people are touring, and the shows are doing better than last year," says Mark Campana, co-president of North American concerts for Live Nation, the world's biggest promoter. "And in terms of the economy, I don't want anybody to think we're out of the woods, but we're definitely seeing more people spend more money beyond the tickets when they're out there."

After artists and promoters jacked up 2010 prices for even B-level stars (such as a pre-Voice Christina Aguilera and the Lilith Fair tour), fans stayed away, forcing last-minute deals. Van Halen managed to gross $44.9 million in early 2012 even after abruptly canceling most of its late-summer shows, while the Cirque tour took in $78.5 million, Waters grossed $62 million and Drake and Springsteen scored $30 million apiece. Campana argues artists and promoters have collaborated since then to lower salaries and costs in order to keep prices reasonable: "The industry is working together more effectively."

But not everybody is convinced the trend of decreasing face-value prices and higher sales reflects a healthy business. The problem, says Seth Hurwitz, co-owner of I.M.P., the Washington, D.C., promoter that runs the 930 Club and the Merriweather Post Pavilion, is still that scalpers jack up prices for the best seats beyond typical fans' means. "It pisses people off. It makes it feel like an elitist experience," he says. "And, yes, they will pay it ... and then they don't have money for other shows. Until the hijacking of the best seats stops, this business will continue to have problems."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, July 15, 2012

Roger Waters, Michael Jackson 'Immortal' Tour Top Mid-Year Concert Sales

Roger Waters performs during 'The Wall Live' tour in San Francisco

Two years after the most disastrous summer touring season in decades, the concert business has crept back to almost full health, according to mid-year sales numbers released Thursday by industry magazine Pollstar.

Led by Cirque du Soleil's "Michael Jackson: The Immortal," as well as Roger Waters, Van Halen, Drake, Bruce Springsteen and Elton John, sales for the Top 100 jumped 11.3 percent, total tickets increased 1.2 percent and average prices dropped from $67 to $61.

"More people are touring, and the shows are doing better than last year," says Mark Campana, co-president of North American concerts for Live Nation, the world's biggest promoter. "And in terms of the economy, I don't want anybody to think we're out of the woods, but we're definitely seeing more people spend more money beyond the tickets when they're out there."

After artists and promoters jacked up 2010 prices for even B-level stars (such as a pre-Voice Christina Aguilera and the Lilith Fair tour), fans stayed away, forcing last-minute deals. Van Halen managed to gross $44.9 million in early 2012 even after abruptly canceling most of its late-summer shows, while the Cirque tour took in $78.5 million, Waters grossed $62 million and Drake and Springsteen scored $30 million apiece. Campana argues artists and promoters have collaborated since then to lower salaries and costs in order to keep prices reasonable: "The industry is working together more effectively."

But not everybody is convinced the trend of decreasing face-value prices and higher sales reflects a healthy business. The problem, says Seth Hurwitz, co-owner of I.M.P., the Washington, D.C., promoter that runs the 930 Club and the Merriweather Post Pavilion, is still that scalpers jack up prices for the best seats beyond typical fans' means. "It pisses people off. It makes it feel like an elitist experience," he says. "And, yes, they will pay it ... and then they don't have money for other shows. Until the hijacking of the best seats stops, this business will continue to have problems."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, April 3, 2012

Joe Jackson Pays Tribute To Duke Ellington

joe jackson Joe Jackson performs at the North Sea Jazz Festival held at the Ahoy in Rotterdam, Netherlands.

He may be best known for such pop hits as "Is She Really Going Out with Him?" and "Steppin' Out," but Joe Jackson holds a deep admiration for legendary big band leader/songwriter/pianist Duke Ellington. And on his upcoming release, The Duke (due out June 26th via Razor & Tie), Jackson reworks an album's worth of Ellington classics.

"I think it probably snuck up on me, after many years of being an Ellington fan," Jackson tells Rolling Stone. "Going back to my teenage years, really. For the last few years, I've found myself playing with different arrangements of Ellington tunes – either in my head or in my band. And we've done a couple of Ellington covers with my trio I've been working with the last few years. But I wanted to take it a lot further than that. Really explore a lot of different approaches to this music, which I think is so strong and so classic that it could take it. I was also inspired by Ellington's own philosophy, which he thought the same way about his music – he constantly rearranged and reinvented his own compositions. Sometimes in quite radical ways."

And one radical way that Jackson reworked the tunes was by eliminating an instrument that was a major element in many Ellington compositions. "No horns. That was a rule I made fairly early on, because the last thing I wanted to do was do something that just sounded like watered down Ellington. There's just no point. Quite a few jazz people have done Ellington tribute records, and some of them are very good, but they tend to sound like second-hand Ellington." Filling in for the horn parts are a wide variety of instruments, Jackson says, "everything from accordion to harmonica to Stylophone to a string quartet."

Produced by Jackson and recorded and mixed by Elliot Scheiner, The Duke features both instrumentals ("Isfahan," "Rockin’ in Rhythm") and tunes with vocals ("Mood Indigo," a medley of "I'm Beginning to See the Light" and "Take the A Train"). Featuring a wide variety of guest musicians (Steve Vai and ?uestlove, among others), one of the more intriguing tracks is an album-closing rendition of "It Don't Mean A Thing (If You Ain't Got That Swing)" as a duet between Jackson and punk rock godfather Iggy Pop.

"We met once when we were both staying in the same hotel on tour, and we had a couple of beers," Jackson says. "I found him to be a very interesting and quite charming guy. And a very smart guy – more open-minded than I think people realize. I heard his voice in my mind singing that song. And I thought, 'I wonder if he'd like to do it?' And he did!"

Jackson is already plotting a tour in support of The Duke. "We're going to be touring in September and I'm putting the band together now," he says. But just don't compare the album to his earlier swing-themed album, 1981's Jumpin' Jive.

"I don't think it's anything like Jumpin' Jive. It's totally different," he says. "I think it's more like Night and Day or other things I've done, like Heaven & Hell."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Joe Jackson Pays Tribute To Duke Ellington

joe jackson Joe Jackson performs at the North Sea Jazz Festival held at the Ahoy in Rotterdam, Netherlands.

He may be best known for such pop hits as "Is She Really Going Out with Him?" and "Steppin' Out," but Joe Jackson holds a deep admiration for legendary big band leader/songwriter/pianist Duke Ellington. And on his upcoming release, The Duke (due out June 26th via Razor & Tie), Jackson reworks an album's worth of Ellington classics.

"I think it probably snuck up on me, after many years of being an Ellington fan," Jackson tells Rolling Stone. "Going back to my teenage years, really. For the last few years, I've found myself playing with different arrangements of Ellington tunes – either in my head or in my band. And we've done a couple of Ellington covers with my trio I've been working with the last few years. But I wanted to take it a lot further than that. Really explore a lot of different approaches to this music, which I think is so strong and so classic that it could take it. I was also inspired by Ellington's own philosophy, which he thought the same way about his music – he constantly rearranged and reinvented his own compositions. Sometimes in quite radical ways."

And one radical way that Jackson reworked the tunes was by eliminating an instrument that was a major element in many Ellington compositions. "No horns. That was a rule I made fairly early on, because the last thing I wanted to do was do something that just sounded like watered down Ellington. There's just no point. Quite a few jazz people have done Ellington tribute records, and some of them are very good, but they tend to sound like second-hand Ellington." Filling in for the horn parts are a wide variety of instruments, Jackson says, "everything from accordion to harmonica to Stylophone to a string quartet."

Produced by Jackson and recorded and mixed by Elliot Scheiner, The Duke features both instrumentals ("Isfahan," "Rockin’ in Rhythm") and tunes with vocals ("Mood Indigo," a medley of "I'm Beginning to See the Light" and "Take the A Train"). Featuring a wide variety of guest musicians (Steve Vai and ?uestlove, among others), one of the more intriguing tracks is an album-closing rendition of "It Don't Mean A Thing (If You Ain't Got That Swing)" as a duet between Jackson and punk rock godfather Iggy Pop.

"We met once when we were both staying in the same hotel on tour, and we had a couple of beers," Jackson says. "I found him to be a very interesting and quite charming guy. And a very smart guy – more open-minded than I think people realize. I heard his voice in my mind singing that song. And I thought, 'I wonder if he'd like to do it?' And he did!"

Jackson is already plotting a tour in support of The Duke. "We're going to be touring in September and I'm putting the band together now," he says. But just don't compare the album to his earlier swing-themed album, 1981's Jumpin' Jive.

"I don't think it's anything like Jumpin' Jive. It's totally different," he says. "I think it's more like Night and Day or other things I've done, like Heaven & Hell."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, March 23, 2012

Michael Jackson Secret Video Lawsuit Settled

Michael Jackson waves from the tarmac at an airport leaving for tour. Michael Jackson waves from the tarmac at an airport leaving for tour.

A pair of attorneys have settled a lawsuit against the owner of a private jet company who secretly recorded their conversations with Michael Jackson as they flew from Las Vegas to Santa Barbara, California. Jeffrey Borer, owner of the now-defunct XtraJet, had attempted to sell the video – which contains no audio – to media outlets after Jackson turned himself in on child molestation charges in 2003.

Mark Geragos and his partner, who sued XtraJet on the grounds that the taping violated their privacy and attorney-client privilege, will receive $2.5 million. They were originally awarded $20 million, but an appeals court struck down that judgment.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Michael Jackson Secret Video Lawsuit Settled

Michael Jackson waves from the tarmac at an airport leaving for tour. Michael Jackson waves from the tarmac at an airport leaving for tour.

A pair of attorneys have settled a lawsuit against the owner of a private jet company who secretly recorded their conversations with Michael Jackson as they flew from Las Vegas to Santa Barbara, California. Jeffrey Borer, owner of the now-defunct XtraJet, had attempted to sell the video – which contains no audio – to media outlets after Jackson turned himself in on child molestation charges in 2003.

Mark Geragos and his partner, who sued XtraJet on the grounds that the taping violated their privacy and attorney-client privilege, will receive $2.5 million. They were originally awarded $20 million, but an appeals court struck down that judgment.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, February 26, 2012

Michael Jackson Doctor Seeks Appeal for Manslaughter Conviction

Dr. Conrad Murray sits in court after he was sentenced for the involuntary manslaughter of singer Michael Jackson.Mario Anzuoni-Pool/Getty Images

Dr. Conrad Murray, the physician convicted of involuntary manslaughter in the death of Michael Jackson, has filed legal documents seeking an appeal for his case.

According to the documents filed in Los Angeles, Murray claims that Jackson was so stressed out over his financial difficulties that he self-administered the dose of the sedative Propofol that killed him in 2009.

"[Jackson] was on the verge of losing his entire estate to foreclosure. The pressure to fight through his insomnia, to rehearse and be the entertainer he was in his earlier years was overwhelming," Murray's lawyers wrote. "His motivation and resulting desperation were relevant to show a likelihood or reason to act in a manner inconsistent with good judgment."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Saturday, February 25, 2012

Michael Jackson Doctor Seeks Appeal for Manslaughter Conviction

Dr. Conrad Murray sits in court after he was sentenced for the involuntary manslaughter of singer Michael Jackson.Mario Anzuoni-Pool/Getty Images

Dr. Conrad Murray, the physician convicted of involuntary manslaughter in the death of Michael Jackson, has filed legal documents seeking an appeal for his case.

According to the documents filed in Los Angeles, Murray claims that Jackson was so stressed out over his financial difficulties that he self-administered the dose of the sedative Propofol that killed him in 2009.

"[Jackson] was on the verge of losing his entire estate to foreclosure. The pressure to fight through his insomnia, to rehearse and be the entertainer he was in his earlier years was overwhelming," Murray's lawyers wrote. "His motivation and resulting desperation were relevant to show a likelihood or reason to act in a manner inconsistent with good judgment."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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AEG Live Dismissed from Jackson Lawsuit

joe jackson Joe Jackson attends a party during the Cannes Film Festival in Cannes, France.

A judge has dismissed concert promoter AEG Live from a wrongful death lawsuit filed by Michael Jackson's father. Los Angeles Superior Court Judge Yvette Palazuelos agreed with AEG lawyers who said Joe Jackson should have joined a separate suit filed by his wife, Katherine.

The judge clarified that the law does not favor multiple suits by individual heirs, and that if Joe Jackson's lawsuit against AEG Live were to go forward, it would "contravene the purpose of the one-action rule." Complicating matters, AEG Live also successfully argued that the singer's father is not a legitimate heir to his fortune, since he was not mentioned in the King of Pop's will.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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AEG Live Dismissed from Jackson Lawsuit

joe jackson Joe Jackson attends a party during the Cannes Film Festival in Cannes, France.

A judge has dismissed concert promoter AEG Live from a wrongful death lawsuit filed by Michael Jackson's father. Los Angeles Superior Court Judge Yvette Palazuelos agreed with AEG lawyers who said Joe Jackson should have joined a separate suit filed by his wife, Katherine.

The judge clarified that the law does not favor multiple suits by individual heirs, and that if Joe Jackson's lawsuit against AEG Live were to go forward, it would "contravene the purpose of the one-action rule." Complicating matters, AEG Live also successfully argued that the singer's father is not a legitimate heir to his fortune, since he was not mentioned in the King of Pop's will.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, February 21, 2012

Janet Jackson in Talks to Join 'X Factor'

janet jackson Janet Jackson visits 'The Tonight Show with Jay Leno' at NBC Studios in Burbank, California.Kevin Winter/NBCUniversal/Getty Images

Janet Jackson is in talks to become a judge on the next season of The X Factor. According to the Hollywood Reporter, the singer is one of a handful of top female pop stars, including Katy Perry and Pink, on producer and lead judge Simon Cowell's list as a potential replacement for Paula Abdul and Nicole Scherzinger, who were dismissed from the show after one season.

Jackson tiptoed around the issue in an interview with Anderson Cooper yesterday, telling the host that she is not a judge on X Factor but "that's all I really think I should say" on the topic. The Hollywood Reporter reported that Whitney Houston was approached to join the show just before her death last weekend.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, February 20, 2012

Janet Jackson in Talks to Join 'X Factor'

janet jackson Janet Jackson visits 'The Tonight Show with Jay Leno' at NBC Studios in Burbank, California.Kevin Winter/NBCUniversal/Getty Images

Janet Jackson is in talks to become a judge on the next season of The X Factor. According to the Hollywood Reporter, the singer is one of a handful of top female pop stars, including Katy Perry and Pink, on producer and lead judge Simon Cowell's list as a potential replacement for Paula Abdul and Nicole Scherzinger, who were dismissed from the show after one season.

Jackson tiptoed around the issue in an interview with Anderson Cooper yesterday, telling the host that she is not a judge on X Factor but "that's all I really think I should say" on the topic. The Hollywood Reporter reported that Whitney Houston was approached to join the show just before her death last weekend.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Saturday, February 11, 2012

Exclusive: Luscious Jackson Return With First New Song in a Decade

luscious jackson Luscious Jackson, 'Are You Ready?'

Click to listen to Luscious Jackson's 'Are You Ready?'

Alt-rockers Luscious Jackson quietly reunited last year after more than a decade apart to begin work on their first album of new material since Electric Honey was released in 1999. The band – Jill Cunniff, Gabby Glaser and Kate Schellenbach – have opted to skip the traditional label route this time around in favor of funding their new project with PledgeMusic, a site that helps bands connect with their audience and offers unconventional rewards for donations from fans. They're still in the process of recording new music, but you can stream "Are You Ready?," their first new song, right now.

Rolling Stone caught up with singer and bassist Jill Cunniff to discuss how the group got back together, their plans to raise money for the new record, and why the band split in the first place.

Random Notes

How did you get the ball rolling for the reunion? How did you know the time was right?
Gabby had come to me. We had started a kids album a few years ago, and we couldn’t figure out what to do with it – should we put it out, do we want to do it as a TV show? We just kind of put it on the shelf and then she ended up playing it for some of the kids in her son’s classes and they just started going crazy for it.  So she had just come to me and said, let’s finish this thing, people are bananas for this thing.  At the same time a friend of mine called me about PledgeMusic and doing a pledge drive, so we just kind of started talking about it, and lo and behold! It's been really fun, and we just started making a whole new album.

How does the pledge drive project work? Is it like Kickstarter?
It's like Kickstarter, but designed by musicians, and basically they take a percentage of what you raise. They work with you to build your social media, but there's no strings attached. You know, it's a modern thing, you know? They're not taking any ownership or anything, it's sort of like, they'll help you get your fan base back, use social media, and then launch a drive with a lot of items people can pledge for.  In our case, we have a "walk around lower Manhattan with Jill and Gabby" thing, in which we would show our fans all the music places, all the clubs we used to go to that might not be there anymore, and all our favorite stuff. There's concerts, we have artwork, we have instruments, we have a really big variety.  And we have some cheaper items like CDs and stuff like that.

I think it's one of those things that we put our first list up and we'll see, you know? What are people into? Are they into the art? Are they into the archives? Are they into the signed things? A lot of people like signed things, autographed things. So I think we have to see what people are responding to and we’ll add, we'll add on. I mean, stuff like Google+ chats and Skype mentoring sessions. We'll write a song for you if you give us your name and all your personal information.

Was there anyone who did a project like this who inspired you to give it a shot?
Juliana Hatfield was really great, and she was sort of our generation and she did a pledge drive and did really well with it. She was really active with it and did a lot of updating and that's what we're going to do. I think we were a band that was really close to our fans, so it's not strange for me to go on Facebook and seek out our fans. I think for some people it might be weird but I actually really like all of our fans. They're a great bunch of people that I would have a party with, so it's been really, really fun to actually put names and faces on people and talk to them online.

Was it easy to get back on the same page as a band after all those years apart?
Amazingly, yes. Gabby lives in Brooklyn, Kate is in L.A., so we have that distance issue, but we’ve know each other so long it just sort of fell back into place. We've known each other since high school, we met on the music scene in New York as young teens, like 14, 15, going to clubs and hanging out at Backstage Records with the Beastie Boys. So we have this really long shared history and our influences are still the same. No one's really changed their musical vision that much, so it was really easy and it was really fresh and fun.  If it wasn't, I don't think we would be bothering.

It's nice to have no big, huge labels pressures and all that stuff. It’s something that we see as a cottage industry, that we can build. We will be doing some concerts when we're ready. We're going to finish this album – and try to finish it in six months – and then figure out when we can do some concerts. It's not going to be everything we used to do, but we’re going to see what we can do.

Was trying to make time for touring part of why you initially disbanded?
It was like okay, we're in our early thirties and now we want to have kids and normal lives. And it didn't make sense to go and make albums and tour.  Some people have done it, I think the Dixie Chicks have probably brought their kids, and a lot of male musicians seem to just go and leave the kids at home, that’s how it's done. Kim Gordon and Thurston Moore in Sonic Youth were probably the ultimate example of "Wow, this can be done." And I actually remember talking to Kim Gordon about it right before I had kids, and she was saying it worked out really well for them. However, they were in a band together. That's a whole different thing. We really went over it in our heads, and you don't want to be running on stage with an infant on the sidelines, and those first years of having kids are really intense. You're just preoccupied. Now we're through that and everyone is able to put their heads into music and it's really cool.

Fans are interested in it and are able to find us. A few years ago I had put an album, and I did not feel like it was so easy to find those fans. There was Myspace, but it wasn’t really reaching some of our fans. It was reaching younger fans, younger people, and I feel like Facebook is where really a lot of people are now.

Do you think if you were starting out now, you would've gravitated to this pledge drive model?
I think I would have taken to it probably the same way, yes. As a group, we're just sort of like that, you know? So I think yes, we were putting stuff out in the world from a really young age, writing and creating stuff, so I feel like a blog can be a real personal expression and you can make it what you want and you can connect other people and that's good, you know?

It's full circle, and I think it's really refreshing, mentally. The harder adjustment, I think, is going into the corporate structure and that wasn’t bad. There are people who have had much worse experiences. We had a pretty good one with the Beastie Boys forging the path and mentoring us and allowing us to be creative and have creative control. That was really a good version of that scenario.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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