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Showing posts with label Mountain. Show all posts
Showing posts with label Mountain. Show all posts

Friday, September 14, 2012

Premiere: Of Monsters and Men Show Playful Side on 'Mountain Sound'

Premiere: Of Monsters and Men Show Playful Side on 'Mountain Sound'Icelandic folk band follows breakout single with endearing clip $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

With their touching, earnest folk sound, Icelandic band Of Monsters and Men scored a breakout hit with "Little Talks" late last year, leading to a record deal with Universal and hitting chart heights unreached by any Icelander since Björk. The group offers an upbeat, barreling follow-up with "Mountain Sound." A new video for the song finds the band setting up, performing, connecting with fans and clowning around at a festival, showing their heartfelt endearing qualities aren't limited to just sound and stage.

"Mountain Sound" is on Of Monsters and Men's debut album, My Head Is an Animal.


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Thursday, September 13, 2012

Premiere: Of Monsters and Men Show Playful Side on 'Mountain Sound'

Premiere: Of Monsters and Men Show Playful Side on 'Mountain Sound'Icelandic folk band follows breakout single with endearing clip $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

With their touching, earnest folk sound, Icelandic band Of Monsters and Men scored a breakout hit with "Little Talks" late last year, leading to a record deal with Universal and hitting chart heights unreached by any Icelander since Björk. The group offers an upbeat, barreling follow-up with "Mountain Sound." A new video for the song finds the band setting up, performing, connecting with fans and clowning around at a festival, showing their heartfelt endearing qualities aren't limited to just sound and stage.

"Mountain Sound" is on Of Monsters and Men's debut album, My Head Is an Animal.


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Sunday, January 29, 2012

'American Idol' Recap: Rocky Mountain High

american idol colorado Aspen contestant Magic Cyclops performs for the judges on 'American Idol.'

The neverending math equation that is the American Idol audition rounds continues in Aspen, Colorado. While one doesn't normally find anything too humorous to say about Aspen, Steven Tyler never stops being punny and the second he gets on camera asks, "Does anyone have any Aspen?" See what he did there?

Having learned their lesson from last week, this week's auditions are not being held on an aircraft carrier nor in a working harbor, but in a regular old building with actual walls. First through the Aspen doors is Jenni Schick, who claims that Tyler is on her "list," as if the world is awash in beautiful young women dying to lock lips with Grandpa with a soul patch and feathers in hair. If that was true, then the Oregon Country Fair would be quite the intergenerational spectacle. Jenni tells Ryan Seacrest that not only is Steven on her list, but so are Adam Levine and Lady Gaga. That's when Ryan starts backing away slowly, going so far as to deny her a good luck kiss, lest her bad taste in humanity turn out to be contagious. Once she's in the judges' room, Jenni immediately tells Steven that he's on her list, causing Steven, who's on a roll, to drop a "Holy Schick," which probably made the FTC censors do a double take. Jenni sings "Heartbreaker" by Pat Benatar. She's a good enough to merit a golden ticket and a kiss from Steven to boot. Cootie shots come later.

It seems that the Idol producers are as bored with the audition process as we are because in Lil Jenni's high-heeled footsteps we get a quick succession of shoo-ins. There's Curtis Gray from Florida who gets so enraptured with his own voice that he forgets to stop singing. The judges don't have time for that nonsense and put him through to Hollywood before he can take up more time. Then there's Richie Law who isn't wearing a cowboy hat, but is implying one heavily with his country croon. Free idea: Implied Cowboy Hat as a band name. Devan Jones is a 26-year old hotel clerk with a disconcerting knack of looking into the camera. His voice is better than his performance skills and he, too, is going to Hollywood. Mathenee Treco sings the Beatles and Tyler can't help but join in. Not only is he going to Hollywood, but now he can add "sang a duet with Steven Tyler" to his resume.

Twin Envy (which ironically is Sibling Rivalry's less famous twin) rears its ugly head when Tealanna Hedgespeth walks into the judges' room. She has been living in her more talented twin's shadow for the last 19 years and now she wants to prove that she's the gifted twin. Unfortunately, Tealanna couldn't carry a tune in her sister's bucket and will be living in her twin's shadow for a while longer. Don't worry Tealanna, there's always ham radio operating.

A self-professed "vegetarian working in the meat department" Haley Smith from Orem, Utah, belts out "Tell Me Something Good" with a flower child inflection. Steven is smitten, claiming, "You're right out of my era and I'm honored to be here listening to you." Um, Steven? Is the altitude getting to you? Because you just told an 18-year-old she's in your age group.

Idol has been taking some flack lately for the way it conducts its auditions and the cruel, joke-y way it handles some of the less talented contestants. With the advent of X Factor and The Voice it seems likely that we will see a kinder, gentler Idol soon. Unfortunately for Alanna Snare, that day is not here yet. Once the waitress explains (twice) that she works at a bar that specializes in serving Rocky Mountain Oysters (a.k.a. bull testicles) you know she's doomed. Sure enough, as she sings her tone-deaf heart out, the editors splice her performance with snips of cows mooing in discomfort.

Next we meet the wannabe bipolar poster girl Shelby Tweten from Mankato, Minnesota, who doesn’t want her bipolar diagnosis to define her – and yet it is the only thing we know about her. She adds that American Idol gave her a reason to stay on her meds, which raises the uncomfortable question: If they reject her, what will happen? Blessedly her voice brings tears to Jennifer Lopez's eyes. She's going to Hollywood with a brief layover at the Lifetime network for a made-for-TV movie casting session.

Jairon Jackson sings an original song with original dance moves to help you interpret the lyrics. (When he points at you, he means you!) He is so excited to make it through to the next round he breaks a light on the way out, with his hand, not his voice. He's not that good. Angie Zeiderman walks into the judges' room with a tiny dress, purple hair, blue glitter eyeshadow and bright red lipstick – and the judges congratulate her. Good grief, don't encourage her! She channels Lady Gaga via the Great White Way, and ends up somewhere near Gypsy Rose Lee (Google it, kids), which gives Randy the heebie jeebies. J.Lo is intrigued by the glitter-covered theater geek, and once Angie sings a tune from the Idol songbook, she wins over all of them.

Last but not least we have Cyclops Magic who had to leave Iowa due to gambling debts, which he can't pay off with his collection of imaginary guitars. Magic has an English accent that he hilariously claims he got because he grew up extremely poor and only got BBC programming on the television. The judges roll their eyes and ask what he's going to sing. Their options are Neil Diamond or James Buffay, a.k.a. Jimmy Buffet. He does a poor rendition of "Crackling Rose," but J.Lo asks for another song and he breaks into "Margaritaville." Then he blows feathers out of his ass and everyone goes home. I think they just got Borat-ed. Or maybe that was Banksy?

Last episode: Highway to the Danger Zone

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, January 24, 2012

Mountain Goats' John Darnielle Discusses the 'Satan Record'

The Mountain Goats John Darnielle of The Mountain Goats performs at Antones in Austin, Texas

John Darnielle hasn't gone soft, and he wanted his audience to know it. During the Mountain Goats' tour kickoff show at Antone's in Austin on Thursday night, the singer reassured the packed and slowly roasting crowd that even though he recently became a parent, they won't hear overly sentimental "doting father" songs on the band's next album.

"Instead, you get the Satan record," he joked. He was referencing the Mountain Goats' album in progress, tentatively titled Transcendental Youth. It deals with religious and social outcasts and was written while tending to his infant son Roman in his Durham, North Carolina home. The day before the show at Antone's, Darnielle rehearsed the new songs with bandmates Peter Hughes and Jon Wurster for the first time; on Thursday, the group debuted four of the tracks and were greeted by a warm reception from their devoted crowd.

The new material showcased Darnielle's often-lauded eye for lyrical detail and character construction, with minor chords lending a somber and menacing feel that became increasingly dominant in such songs as "In Memory of Satan." Darnielle based the album on a loose cast of recurring characters and set it mostly in Washington state, yet it isn't a concept album in the strictest sense. The next morning, Darnielle chatted with Rolling Stone about four of its tracks and the overall tone of the record.

"In Memory of Satan"
Mid-tempo and piano-based, it's a look at the process of someone becoming a borderline recluse, getting inside their head and looking out at a world that seems too much to take. "Everyone has spent those years, or maybe entire seasons, indoors where you don't really leave," Darnielle said. "That's when you go into the inner realms of the spirit. This guy's in hiding, and it's this most spiritual realm. That old saying holds here, that you can't be in a cave unless there's an exit, or else it's a grave."

Sample lyric: "Something sacred, something blue/Crawl down here to dig for bones/One more season then I'm gone/Black drapes over the crosses"

"Transcendental Youth"
The song uses piano to swing in what Darnielle termed an "Italian cafè style." It is something of a sister song to "In Memory of Satan" in that it looks at a couple on an antisocial downward spiral, although they are trying to move forward. "You look at this one as what ‘Satan' would be with more than one person involved. It gets into the coping strategies you use for mental illness, which are really the fabric of what keeps society moving forward at all," explained Darnielle.

Sample lyric: "Sing for ourselves alone/Speak into the microphone"

"Diaz Brothers"
Of the four songs debuted on Thursday, this one is most likely to become an anthemic favorite for the band's fan base. Clocking in at under three minutes, it's a pounding piano number with an undeniable chorus – "Mercy for the Diaz brothers!" – and is based on the drug-dealing siblings referenced briefly in the movie Scarface. "Frank tells Tony he has to respect the Diaz brothers, and Tony tells him to eff the Diaz Brothers, and by the time we do see them, they're dead," said Darnielle. "I'm obsessed with people we never got to know but who we know about, because you have a sense of who they were and what became of them since they died, but they're essentially blocking characters in this story we all know. And we're all basically blocking characters in life, when you think about it."

Sample lyric: "Draw my arms into my hospital gown/Seeing the sky open up and rain down/Mercy for the Diaz Bothers!"

"Night Light"
The only guitar-based song of the evening and also the most menacing in mood, its lyrics discuss someone fearful of a presence that remains just out of their sight. Darnielle said the "Jenny" referenced multiple times in it is the same character who got her own song on 2002's All Hail West Texas album and who has appeared in other Mountain Goats songs through the years. "She's one of those disruptive characters, really through no fault of her own," said Darnielle. "I hadn't planned on her reappearing but once I had an idea for the song's sound, I just tried barking out some random lyrics, which is how I usually start until I get to a chorus and just go from there. So I'm barking this stuff and there she was again and I was just, ‘Well, I'll be goddamned.'"

Sample lyric: "Jenny calls from Montana/She's only passing through/Probably never see her again in this life, I guess"

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, January 23, 2012

Mountain Goats' John Darnielle Discusses the 'Satan Record'

The Mountain Goats John Darnielle of The Mountain Goats performs at Antones in Austin, Texas

John Darnielle hasn't gone soft, and he wanted his audience to know it. During the Mountain Goats' tour kickoff show at Antone's in Austin on Thursday night, the singer reassured the packed and slowly roasting crowd that even though he recently became a parent, they won't hear overly sentimental "doting father" songs on the band's next album.

"Instead, you get the Satan record," he joked. He was referencing the Mountain Goats' album in progress, tentatively titled Transcendental Youth. It deals with religious and social outcasts and was written while tending to his infant son Roman in his Durham, North Carolina home. The day before the show at Antone's, Darnielle rehearsed the new songs with bandmates Peter Hughes and Jon Wurster for the first time; on Thursday, the group debuted four of the tracks and were greeted by a warm reception from their devoted crowd.

The new material showcased Darnielle's often-lauded eye for lyrical detail and character construction, with minor chords lending a somber and menacing feel that became increasingly dominant in such songs as "In Memory of Satan." Darnielle based the album on a loose cast of recurring characters and set it mostly in Washington state, yet it isn't a concept album in the strictest sense. The next morning, Darnielle chatted with Rolling Stone about four of its tracks and the overall tone of the record.

"In Memory of Satan"
Mid-tempo and piano-based, it's a look at the process of someone becoming a borderline recluse, getting inside their head and looking out at a world that seems too much to take. "Everyone has spent those years, or maybe entire seasons, indoors where you don't really leave," Darnielle said. "That's when you go into the inner realms of the spirit. This guy's in hiding, and it's this most spiritual realm. That old saying holds here, that you can't be in a cave unless there's an exit, or else it's a grave."

Sample lyric: "Something sacred, something blue/Crawl down here to dig for bones/One more season then I'm gone/Black drapes over the crosses"

"Transcendental Youth"
The song uses piano to swing in what Darnielle termed an "Italian cafè style." It is something of a sister song to "In Memory of Satan" in that it looks at a couple on an antisocial downward spiral, although they are trying to move forward. "You look at this one as what ‘Satan' would be with more than one person involved. It gets into the coping strategies you use for mental illness, which are really the fabric of what keeps society moving forward at all," explained Darnielle.

Sample lyric: "Sing for ourselves alone/Speak into the microphone"

"Diaz Brothers"
Of the four songs debuted on Thursday, this one is most likely to become an anthemic favorite for the band's fan base. Clocking in at under three minutes, it's a pounding piano number with an undeniable chorus – "Mercy for the Diaz brothers!" – and is based on the drug-dealing siblings referenced briefly in the movie Scarface. "Frank tells Tony he has to respect the Diaz brothers, and Tony tells him to eff the Diaz Brothers, and by the time we do see them, they're dead," said Darnielle. "I'm obsessed with people we never got to know but who we know about, because you have a sense of who they were and what became of them since they died, but they're essentially blocking characters in this story we all know. And we're all basically blocking characters in life, when you think about it."

Sample lyric: "Draw my arms into my hospital gown/Seeing the sky open up and rain down/Mercy for the Diaz Bothers!"

"Night Light"
The only guitar-based song of the evening and also the most menacing in mood, its lyrics discuss someone fearful of a presence that remains just out of their sight. Darnielle said the "Jenny" referenced multiple times in it is the same character who got her own song on 2002's All Hail West Texas album and who has appeared in other Mountain Goats songs through the years. "She's one of those disruptive characters, really through no fault of her own," said Darnielle. "I hadn't planned on her reappearing but once I had an idea for the song's sound, I just tried barking out some random lyrics, which is how I usually start until I get to a chorus and just go from there. So I'm barking this stuff and there she was again and I was just, ‘Well, I'll be goddamned.'"

Sample lyric: "Jenny calls from Montana/She's only passing through/Probably never see her again in this life, I guess"

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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