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Showing posts with label Singing. Show all posts
Showing posts with label Singing. Show all posts

Tuesday, April 10, 2012

Singing for the Fences: Behind the Scenes of Major League Stadium Concerts

Paul McCartney performs at the Billy Joel 'Last Play At Shea' Concert at Shea Stadium in New York City.

Baseball season is finally in full swing – but the crack of the bat, umpires calling strikes and vendors hawking hot dogs, popcorn and beer aren’t the only sounds one hears at the old ballpark. With the new baseball season comes a new concert season, and in 2012, several Major League venues will host shows featuring artists as diverse as Kenny Chesney (Angels Stadium), Roger Waters (Wrigley Field, Yankee Stadium, Fenway Park and Citizens Bank Park) and Madonna (Yankee Stadium).

One of the appeals of the ballpark concert experience is the energy of a large arena show held within the more intimate feel of a baseball stadium. And when major acts perform in these venues, their colleagues take notice and want to follow suit. In 2010, the Dave Matthews Band performed at Citifield (the new home of the Mets, which opened in 2009), and Dave Howard, Executive Vice President of Business Operations for the New York Mets, says part of the reason the group expressed interest in performing was because of Paul McCartney’s shows, which were the first concerts in the new space.  The Mets organization wanted McCartney as a sort of bridge to the history of concerts at Shea, including the historic 1965 performance by the Beatles. "We had three great shows," says Howard. "It was one of those awesome experiences, to witness that level of excitement and energy and history."

Ballpark stadium shows also allow the venues to make their spaces more profitable. After all, teams play 81 games on the road, and filling the seats during off times can help fill coffers. New York Yankees COO Lonn Trost says that when the team decided to build a new stadium in 2006, they took non-baseball events into consideration when planning. "We concluded that the stadium should be used 365 days a year," he says, pointing out that Yankee Stadium also hosts events for soccer, football, boxing and other events. The first concert in the new Yankee Stadium was in 2010, a year after the park opened for baseball – two nights of a double headlining bill featuring Jay-Z and Eminem. "I figured that was a good way to start," Trost says. That year, the hip-hop stars also played two nights at Detroit’s Comerica Park, home of the Tigers.  ?This year, Yankee Stadium will host Madonna for two nights in September. Trost says that the impetus for booking acts boils down to a simple formula: "Big name, what’s important at the time, what we think works with the stadium." 2012 is already booked at Yankee Stadium – "we’re looking ahead to 2013," Trost says. "Yankee Stadium is the cathedral of baseball. We hope to make it the cathedral of concerts."

The Mets and the Boston Red Sox, meanwhile, are still talking to some artists about performing at their parks this season. Red Sox COO and Executive Vice President of Business Operations Sam Kennedy discussed the quirks of putting on concerts in 100-year-old Fenway Park, which is the smallest and oldest park in the league. "It’s a challenging facility to work at," Kennedy says, because of the space constraints and there being only one roll-up door in center field to load in equipment. "It’s a different flavor of ice cream than a multi-purpose stadium with 70,000 people," he says.

Fenway Park also will also host acts that might not be on the level of mega-fame of a Bruce Springsteen or Paul McCartney, but who are better known locally. Last year, the park hosted the Dropkick Murphys for two nights. The Red Sox and the Murphys have a long history together. Former Sox closer Jonathan Papelbon used their song "Shipping up to Boston" as entrance music. The band has performed in the park before games and at fan rallies, but it had never done an actual concert at Fenway.

For Dropkick Murphys lead singer Ken Casey, the performance was a special experience. "It wasn’t so much the size or the spectacle. It was that this is the place I was going since I was a little kid," he says. His grandfather was friends with Sox legend Johnny Pesky, so Casey spent his childhood running around on the field after games, and when he hit the stage, memories came flooding back. "It all kind of came full circle," Casey says. 

All the memories of the experience weren’t necessarily happy. "I got my car stolen," Casey recalls.  "[The team] suspected it was a fan that stole it and then realized it was mine," he says. "The Red Sox actually paid to get it detailed and everything, so it really worked out in my favor."

"He was a very good sport about it," Kennedy says. "For the record, we recovered it."

So as the season begins and fans hear the music of Roger Waters, Madonna, Kenny Chesney and others flooding the ballpark, there is one act that even the "cathedral of baseball" can’t manage to procure, and it’s not just because their tour is over.

"We can’t do U2," says Yankee COO Lonn Trost. "The stage is too big."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Singing for the Fences: Behind the Scenes of Major League Stadium Concerts

Paul McCartney performs at the Billy Joel 'Last Play At Shea' Concert at Shea Stadium in New York City.

Baseball season is finally in full swing – but the crack of the bat, umpires calling strikes and vendors hawking hot dogs, popcorn and beer aren’t the only sounds one hears at the old ballpark. With the new baseball season comes a new concert season, and in 2012, several Major League venues will host shows featuring artists as diverse as Kenny Chesney (Angels Stadium), Roger Waters (Wrigley Field, Yankee Stadium, Fenway Park and Citizens Bank Park) and Madonna (Yankee Stadium).

One of the appeals of the ballpark concert experience is the energy of a large arena show held within the more intimate feel of a baseball stadium. And when major acts perform in these venues, their colleagues take notice and want to follow suit. In 2010, the Dave Matthews Band performed at Citifield (the new home of the Mets, which opened in 2009), and Dave Howard, Executive Vice President of Business Operations for the New York Mets, says part of the reason the group expressed interest in performing was because of Paul McCartney’s shows, which were the first concerts in the new space.  The Mets organization wanted McCartney as a sort of bridge to the history of concerts at Shea, including the historic 1965 performance by the Beatles. "We had three great shows," says Howard. "It was one of those awesome experiences, to witness that level of excitement and energy and history."

Ballpark stadium shows also allow the venues to make their spaces more profitable. After all, teams play 81 games on the road, and filling the seats during off times can help fill coffers. New York Yankees COO Lonn Trost says that when the team decided to build a new stadium in 2006, they took non-baseball events into consideration when planning. "We concluded that the stadium should be used 365 days a year," he says, pointing out that Yankee Stadium also hosts events for soccer, football, boxing and other events. The first concert in the new Yankee Stadium was in 2010, a year after the park opened for baseball – two nights of a double headlining bill featuring Jay-Z and Eminem. "I figured that was a good way to start," Trost says. That year, the hip-hop stars also played two nights at Detroit’s Comerica Park, home of the Tigers.  ?This year, Yankee Stadium will host Madonna for two nights in September. Trost says that the impetus for booking acts boils down to a simple formula: "Big name, what’s important at the time, what we think works with the stadium." 2012 is already booked at Yankee Stadium – "we’re looking ahead to 2013," Trost says. "Yankee Stadium is the cathedral of baseball. We hope to make it the cathedral of concerts."

The Mets and the Boston Red Sox, meanwhile, are still talking to some artists about performing at their parks this season. Red Sox COO and Executive Vice President of Business Operations Sam Kennedy discussed the quirks of putting on concerts in 100-year-old Fenway Park, which is the smallest and oldest park in the league. "It’s a challenging facility to work at," Kennedy says, because of the space constraints and there being only one roll-up door in center field to load in equipment. "It’s a different flavor of ice cream than a multi-purpose stadium with 70,000 people," he says.

Fenway Park also will also host acts that might not be on the level of mega-fame of a Bruce Springsteen or Paul McCartney, but who are better known locally. Last year, the park hosted the Dropkick Murphys for two nights. The Red Sox and the Murphys have a long history together. Former Sox closer Jonathan Papelbon used their song "Shipping up to Boston" as entrance music. The band has performed in the park before games and at fan rallies, but it had never done an actual concert at Fenway.

For Dropkick Murphys lead singer Ken Casey, the performance was a special experience. "It wasn’t so much the size or the spectacle. It was that this is the place I was going since I was a little kid," he says. His grandfather was friends with Sox legend Johnny Pesky, so Casey spent his childhood running around on the field after games, and when he hit the stage, memories came flooding back. "It all kind of came full circle," Casey says. 

All the memories of the experience weren’t necessarily happy. "I got my car stolen," Casey recalls.  "[The team] suspected it was a fan that stole it and then realized it was mine," he says. "The Red Sox actually paid to get it detailed and everything, so it really worked out in my favor."

"He was a very good sport about it," Kennedy says. "For the record, we recovered it."

So as the season begins and fans hear the music of Roger Waters, Madonna, Kenny Chesney and others flooding the ballpark, there is one act that even the "cathedral of baseball" can’t manage to procure, and it’s not just because their tour is over.

"We can’t do U2," says Yankee COO Lonn Trost. "The stage is too big."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, March 9, 2012

Queen Latifah Launches CW Singing Competition

The CW will launch their own singing competition show later this year featuring Gloria Estefan and John Rich as mentors. The program, tentatively titled The Star Next Door, will be produced by Queen Latifah and Dave Broome, the creator of The Biggest Loser on NBC. The network has ordered 10 episodes of the series for the summer season.

The Star Next Door will slightly tweak the formula of other popular singing competitions by placing an emphasis on the home towns of contestants. The show will begin with a nationwide talent search, and then the mentors will head to the top singers' homes and immerse themselves in the local culture.

Photos: Random Notes

The CW has not yet announced the show's full panel of mentors, or whether the show will feature a host, like American Idol and The X Factor.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Thursday, March 8, 2012

Amy Winehouse Foundation Establishes Singing Scholarship

Amy Winehouse

The Amy Winehouse Foundation will provide a new scholarship at a London theater school where the late singer studied voice as a young girl. The Winehouse scholarship to the Sylvia Young Theater School will be reserved for a child whose family cannot afford the tuition, according to the singer's father, Mitch Winehouse.

Amy Winehouse auditioned for the Sylvia Young Theater School at age 13 and got in on the strength of her performance of "On the Sunny Side of the Street." The school is hopeful that the scholarship will help bring fresh, deserving talent into their program. "It would be wonderful to find another Amy, but there was only one Amy," the school’s founder, Sylvia Young, told Reuters. "We would be happy to find a singer, dancer or actor who has a special talent."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Amy Winehouse Foundation Establishes Singing Scholarship

Amy Winehouse

The Amy Winehouse Foundation will provide a new scholarship at a London theater school where the late singer studied voice as a young girl. The Winehouse scholarship to the Sylvia Young Theater School will be reserved for a child whose family cannot afford the tuition, according to the singer's father, Mitch Winehouse.

Amy Winehouse auditioned for the Sylvia Young Theater School at age 13 and got in on the strength of her performance of "On the Sunny Side of the Street." The school is hopeful that the scholarship will help bring fresh, deserving talent into their program. "It would be wonderful to find another Amy, but there was only one Amy," the school’s founder, Sylvia Young, told Reuters. "We would be happy to find a singer, dancer or actor who has a special talent."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Thursday, February 16, 2012

Adele Returns to Singing at Grammys

Adele performs at the 54th Annual Grammy Awards. Adele performs at the 54th Annual Grammy Awards.

Having already collected an armload of Grammys on a night that was destined to be hers, Adele capped one of the biggest individual years in pop in ages by returning to the stage at the awards show. Fully recovered from the vocal cord surgery that sidelined her at the end of last year, the singer performed her blockbuster hit "Rolling in the Deep," allowing herself a little giggle when she finished. The star-studded audience gave the powerful singer an extended ovation, with Rihanna and Paul McCartney, among others, leading the cheers.   

Later in the show, she accepted the Grammy for Record of the Year for "Rolling in the Deep." She thanked the radio programmers who made the song ubiquitous across several formats: "People just seem to really, really enjoy it," she said, in a wee bit of understatement.

Moments later, she walked on stage yet again, this time to collect the award for Album of the Year. "Mom, girl did good!" she blurted, dabbing at tears.

Adele's 21 has sold more than 6 million copies to date and is certain for another big boost following her big night at the Grammys. The album has spent a total of 19 (nonconsecutive) weeks at number one. One more week, coincidentally, would tie the soundtrack to The Bodyguard, which featured the late Whitney Houston, as one of the all-time leaders in the category.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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