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Showing posts with label Sinead. Show all posts
Showing posts with label Sinead. Show all posts

Saturday, October 20, 2012

Cornershop Featuring Sinead O'Connor and Chris Constantinou on 'Posing as an Angel' – Premiere

On November 27th, the veteran British rockers Cornershop will drop "Posing as an Angel" on Ample Play Records. The peppy, horn-laced single with chilly undertones features guest vocal work from Sinéad O'Connor and former Adam Ant bassist Chris Constantinou.

"I knew Chris Constantinou through Damaged Good Records. When he sent me his and Sinead's vocals, they had an air of winter and whiskey about them," Cornershop frontman Tjinder Singh tells Rolling Stone of the track, which you can pre-order now. "I added some whiskers, northern brass and a little pomp and ceremony. I'm used to spending long hours in local Irish bars in North London and I imagined the warmth and friendliness of a late night lock-in with snow falling outside."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, July 20, 2012

Curtis Mayfield Tribute Will Feature the Roots, Sinead O'Connor, TV on the Radio

Curtis Mayfield

After the freak accident that paralyzed him in 1990, the great Curtis Mayfield recorded his last album, 1997's New World Order, with heroic effort: by singing one line at a time while lying on his back.

"You think of Michelangelo in the Sistine Chapel," TV on the Radio's Tunde Adebimpe tell Rolling Stone of the endeavor. "That person is an evolved human being."

Adebimpe will take part the all-star "Here But I'm Gone: A 70th Birthday Tribute to Curtis Mayfield" on Friday alongside the Roots, Aloe Blacc, Sinead O'Connor, Mavis Staples and Mayfield's former band the Impressions at New York's Lincoln Center. The evening marks what would have been the soul king's 70th birthday this June, though Mayfield died in 1999. The event will cover Mayfield's prolific catalog: best known for the classic Super Fly soundtrack (though he wasn't thrilled about working on a "blaxploitation" project), he was an equal master of social awareness ("People Get Ready," "Choice of Colors") and one-on-one sensitivity ("The Makings of You," "Gypsy Woman").

Curtis Mayfield "was an inspiration to me," says TV on the Radio's Kyp Malone, who with his bandmate Adebimpe will perform Mayfield's "Kung Fu" and back O'Connor on her version of "Jesus." He continues, "It's a complicated world, and I don't always want to write about shit that bums me out, but when I do, I don't want to sacrifice musicality." It was Mayfield's gift, he says, to write beautiful songs about hard truths that sometimes aren't pretty.

At Lincoln Center, Aloe Blacc will sing "The Makings of You" and "Back to the World," a message song about the disillusionment of Vietnam-era soldiers coming back to a cold reception in America. "I feel like he was a voice of inspiration to people who didn't feel valued in society with songs like ‘Move On Up,' and he also gave a voice to romance," says the singer.

The house band for the show will be directed by Binky Griptite, who leads Sharon Jones' backing band, the Dap-Kings. After starting out as a funk band, the Dap-Kings became collectively obsessed with Mayfield's lushly orchestrated brand of soul music, which he developed for his first group, the Impressions.

"We'd listen to the Impressions 24 hours a day, the entire catalog," says Griptite, who plays in Mayfield's unorthodox, open F-sharp tuning, which Mayfield taught himself as a boy by tuning to the black keys of a piano. "Those records are just solid tens across the board – incredible songwriting, incredible vocal and band performances. The arrangements are incredible, the recordings are incredible. There's no weakness."

Griptite recently began recording with the surviving Impressions – including longtime members Sam Gooden and Fred Cash, both in their seventies. At a show he arranged for them at the now-defunct Brooklyn club Southpaw, he met a producer for the proposed Lincoln Center tribute, who mentioned that they had a few "missing pieces." "The Impressions and myself turned out to be the missing pieces," he says.

Proceeds from "Here But I'm Gone" will benefit the Curtis Mayfield Foundation, which plans to establish scholarships in the singer's name for Tri-Cities High School, an arts-oriented institution in Atlanta, where the Chicago native and his family made their home in the last years of his life. It is a fitting organization to be connected to the late singer, as his widow, Altheida, tells Rolling Stone. "Curtis never really had that opportunity," she says. "He was literally on his own, kicked out of school in seventh grade and on the road about 11. He always tried to reach back into the inner cities. He went way out of his way to give help."

Mrs. Mayfield says she often meets contemporary artists who tell her how much they admire her husband's music. Kanye West, who has used several of Mayfield's songs as samples, stopped her on the street. She met Andre 3000 in an airport, "and he almost literally got on his knees."

As she reflects, "Curtis was a very humble person. I kind of gathered the impact he was making on the world, but I don't think it ever really hit him that he was touching hearts."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, July 18, 2012

Curtis Mayfield Tribute Will Feature the Roots, Sinead O'Connor, TV on the Radio

Curtis Mayfield

After the freak accident that paralyzed him in 1990, the great Curtis Mayfield recorded his last album, 1997's New World Order, with heroic effort: by singing one line at a time while lying on his back.

"You think of Michelangelo in the Sistine Chapel," TV on the Radio's Tunde Adebimpe tell Rolling Stone of the endeavor. "That person is an evolved human being."

Adebimpe will take part the all-star "Here But I'm Gone: A 70th Birthday Tribute to Curtis Mayfield" on Friday alongside the Roots, Aloe Blacc, Sinead O'Connor, Mavis Staples and Mayfield's former band the Impressions at New York's Lincoln Center. The evening marks what would have been the soul king's 70th birthday this June, though Mayfield died in 1999. The event will cover Mayfield's prolific catalog: best known for the classic Super Fly soundtrack (though he wasn't thrilled about working on a "blaxploitation" project), he was an equal master of social awareness ("People Get Ready," "Choice of Colors") and one-on-one sensitivity ("The Makings of You," "Gypsy Woman").

Curtis Mayfield "was an inspiration to me," says TV on the Radio's Kyp Malone, who with his bandmate Adebimpe will perform Mayfield's "Kung Fu" and back O'Connor on her version of "Jesus." He continues, "It's a complicated world, and I don't always want to write about shit that bums me out, but when I do, I don't want to sacrifice musicality." It was Mayfield's gift, he says, to write beautiful songs about hard truths that sometimes aren't pretty.

At Lincoln Center, Aloe Blacc will sing "The Makings of You" and "Back to the World," a message song about the disillusionment of Vietnam-era soldiers coming back to a cold reception in America. "I feel like he was a voice of inspiration to people who didn't feel valued in society with songs like ‘Move On Up,' and he also gave a voice to romance," says the singer.

The house band for the show will be directed by Binky Griptite, who leads Sharon Jones' backing band, the Dap-Kings. After starting out as a funk band, the Dap-Kings became collectively obsessed with Mayfield's lushly orchestrated brand of soul music, which he developed for his first group, the Impressions.

"We'd listen to the Impressions 24 hours a day, the entire catalog," says Griptite, who plays in Mayfield's unorthodox, open F-sharp tuning, which Mayfield taught himself as a boy by tuning to the black keys of a piano. "Those records are just solid tens across the board – incredible songwriting, incredible vocal and band performances. The arrangements are incredible, the recordings are incredible. There's no weakness."

Griptite recently began recording with the surviving Impressions – including longtime members Sam Gooden and Fred Cash, both in their seventies. At a show he arranged for them at the now-defunct Brooklyn club Southpaw, he met a producer for the proposed Lincoln Center tribute, who mentioned that they had a few "missing pieces." "The Impressions and myself turned out to be the missing pieces," he says.

Proceeds from "Here But I'm Gone" will benefit the Curtis Mayfield Foundation, which plans to establish scholarships in the singer's name for Tri-Cities High School, an arts-oriented institution in Atlanta, where the Chicago native and his family made their home in the last years of his life. It is a fitting organization to be connected to the late singer, as his widow, Altheida, tells Rolling Stone. "Curtis never really had that opportunity," she says. "He was literally on his own, kicked out of school in seventh grade and on the road about 11. He always tried to reach back into the inner cities. He went way out of his way to give help."

Mrs. Mayfield says she often meets contemporary artists who tell her how much they admire her husband's music. Kanye West, who has used several of Mayfield's songs as samples, stopped her on the street. She met Andre 3000 in an airport, "and he almost literally got on his knees."

As she reflects, "Curtis was a very humble person. I kind of gathered the impact he was making on the world, but I don't think it ever really hit him that he was touching hearts."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, February 24, 2012

Sinead O'Connor Kicks Off U.S. Tour

Sinead O'Connor performs at El Rey Theatre in Los Angeles.

Sinead O'Connor at her best is pure emotion and passion. Whatever your opinion – and everybody had one – of her famed Saturday Night Live incident, there was no denying her conviction. And that's what made her a great artist. Other singers might have been able to deliver a fine vocal performance on "Nothing Compares 2 U," but the list of vocalists who could make that heartbreak feel so tangible could probably be counted on one hand.

With a critically acclaimed new album, How About I Be Me (And You Be You)?, out today, O'Connor kicked off a brief U.S. tour at L.A.'s El Rey Theater last night. Right from the outset there were plenty of glimpses of her fiery nature. Taking the stage at quarter after nine to a packed and adoring throng – she was given three bouquets of flowers before "The Emperor's New Clothes" – O'Connor and her band kicked off the show with the new album's "Take Off Your Shoes," a sparse, devastating number puncutated by O'Connor's pointed reminder, "You are on hallowed ground."

Vocally, O'Connor doesn't have the same range she once did, something she acknowledged during "Nothing Compares 2 U" when she failed to hit a note. But her delivery was occasionally enough to offset that, as was the case with an a capella version of "I Am Stretched On Your Grave" she dedicated to Whitney Houston.  She also dedicated "Petit Poulet" to Houston's daughter, Bobbi Kristina. And the closing "Last Day of Our Acquaintance" was epic, filled with just as much anger and sorrow as when it jumped off I Do Not Want What I Haven't Got 22 years ago.  The album that made her a superstar, I Do Not Want provided several songs on the night, including "Three Babies" and "The Emperor's New Clothes." O'Connor also dipped heavily into the new album for songs like "V.I.P." and "Queen of Denmark," both performed during the encore, and "I Had A Baby."

Musically, she mixed things up a bit, incorporating a cello into both "Nothing Compares 2 U" and a sublime "Jealous." O'Connor also acknowledged her Twitter breakdown of last year – not specifically, but by joking about keeping her stage banter to a minimum for fear of saying something inappropriate. That became a running gag. Though she admitted she was nervous, in part because of the new album, her first in five years, she was often joyous, dancing about the stage and wearing a huge smile. She was perhaps comforted by her fans, who repeatedly yelled out their love for her. And that adoration is understandable. It's hard not to root for an artist who puts so much of herself out there. It's the only way Sinead O'Connor seemingly knows how to make music.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Sinead O'Connor Kicks Off U.S. Tour

Sinead O'Connor performs at El Rey Theatre in Los Angeles.

Sinead O'Connor at her best is pure emotion and passion. Whatever your opinion – and everybody had one – of her famed Saturday Night Live incident, there was no denying her conviction. And that's what made her a great artist. Other singers might have been able to deliver a fine vocal performance on "Nothing Compares 2 U," but the list of vocalists who could make that heartbreak feel so tangible could probably be counted on one hand.

With a critically acclaimed new album, How About I Be Me (And You Be You)?, out today, O'Connor kicked off a brief U.S. tour at L.A.'s El Rey Theater last night. Right from the outset there were plenty of glimpses of her fiery nature. Taking the stage at quarter after nine to a packed and adoring throng – she was given three bouquets of flowers before "The Emperor's New Clothes" – O'Connor and her band kicked off the show with the new album's "Take Off Your Shoes," a sparse, devastating number puncutated by O'Connor's pointed reminder, "You are on hallowed ground."

Vocally, O'Connor doesn't have the same range she once did, something she acknowledged during "Nothing Compares 2 U" when she failed to hit a note. But her delivery was occasionally enough to offset that, as was the case with an a capella version of "I Am Stretched On Your Grave" she dedicated to Whitney Houston.  She also dedicated "Petit Poulet" to Houston's daughter, Bobbi Kristina. And the closing "Last Day of Our Acquaintance" was epic, filled with just as much anger and sorrow as when it jumped off I Do Not Want What I Haven't Got 22 years ago.  The album that made her a superstar, I Do Not Want provided several songs on the night, including "Three Babies" and "The Emperor's New Clothes." O'Connor also dipped heavily into the new album for songs like "V.I.P." and "Queen of Denmark," both performed during the encore, and "I Had A Baby."

Musically, she mixed things up a bit, incorporating a cello into both "Nothing Compares 2 U" and a sublime "Jealous." O'Connor also acknowledged her Twitter breakdown of last year – not specifically, but by joking about keeping her stage banter to a minimum for fear of saying something inappropriate. That became a running gag. Though she admitted she was nervous, in part because of the new album, her first in five years, she was often joyous, dancing about the stage and wearing a huge smile. She was perhaps comforted by her fans, who repeatedly yelled out their love for her. And that adoration is understandable. It's hard not to root for an artist who puts so much of herself out there. It's the only way Sinead O'Connor seemingly knows how to make music.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

Thursday, February 23, 2012

Checking In With Sinead O'Connor

Sinead O'Connor attends the 'Albert Nobbs' soundtrack release party at Palihouse in West Hollywood. Sinead O'Connor attends the 'Albert Nobbs' soundtrack release party at Palihouse in West Hollywood.

After a five-year break from recording, Sinéad O'Connor is back with her strongest album in years, How About I Be Me (And You Be You)? "I'd prefer to call it How About I Be Me and You Fuck Off," says the Irish singer, "but Walmart wouldn't stock us."

Hard Times It's been a tough winter for O'Connor, who wed fourth husband Barry Herridge in a quickie Las Vegas ceremony in December, split with him after two weeks (they later reconciled) and reportedly attempted suicide in January. "I'm really unwell and in danger," she wrote on Twitter. But she seems to be feeling much better now. Says the singer, "Music is therapy."

Mixing It Up The tunes on How About I Be Me showcase O'Connor's range – from "4th and Vine," a pretty folk-rock love song, to "Reason With Me," a harrowing junkie confession. "I only write very rarely, but these came from a concentrated time of writing," she says. "There are some romantic songs, there are some character songs and there are songs which are more spiritualized and more politicized."

What About Bob? O'Connor's website features a "Letters to Bob Dylan" section where she airs her thoughts about her all-time favorite musician ("Despite your main feature being sexeliciousness, you're also not a bad oul' sayer of songs"). "I'm sure he doesn't bother reading my bloody website, but it's important to thank the man," she says. "He didn't give a shit what people thought, and early on he was good at tuning out his critics. Whereas I'm a fucking idiot, and it's taken me 25 years."

This story is from the March 1st, 2012 issue of Rolling Stone

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Checking In With Sinead O'Connor

Sinead O'Connor attends the 'Albert Nobbs' soundtrack release party at Palihouse in West Hollywood. Sinead O'Connor attends the 'Albert Nobbs' soundtrack release party at Palihouse in West Hollywood.

After a five-year break from recording, Sinéad O'Connor is back with her strongest album in years, How About I Be Me (And You Be You)? "I'd prefer to call it How About I Be Me and You Fuck Off," says the Irish singer, "but Walmart wouldn't stock us."

Hard Times It's been a tough winter for O'Connor, who wed fourth husband Barry Herridge in a quickie Las Vegas ceremony in December, split with him after two weeks (they later reconciled) and reportedly attempted suicide in January. "I'm really unwell and in danger," she wrote on Twitter. But she seems to be feeling much better now. Says the singer, "Music is therapy."

Mixing It Up The tunes on How About I Be Me showcase O'Connor's range – from "4th and Vine," a pretty folk-rock love song, to "Reason With Me," a harrowing junkie confession. "I only write very rarely, but these came from a concentrated time of writing," she says. "There are some romantic songs, there are some character songs and there are songs which are more spiritualized and more politicized."

What About Bob? O'Connor's website features a "Letters to Bob Dylan" section where she airs her thoughts about her all-time favorite musician ("Despite your main feature being sexeliciousness, you're also not a bad oul' sayer of songs"). "I'm sure he doesn't bother reading my bloody website, but it's important to thank the man," she says. "He didn't give a shit what people thought, and early on he was good at tuning out his critics. Whereas I'm a fucking idiot, and it's taken me 25 years."

This story is from the March 1st, 2012 issue of Rolling Stone

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Saturday, January 14, 2012

Sinead O'Connor Tweets for Help After Suicide Attempt

sinead o'connor Sinead O'Connor attends the "Albert Nobbs" soundtrack release party at Palihouse in West Hollywood.

Troubled singer Sinead O'Connor continues to battle her demons in the public eye. Yesterday, she sent out a desperate call for help on her Twitter account, only revealing afterward that the post followed a suicide attempt by pills the week prior.

"Does anyone know a psychiatrist in Dublin or Wicklow who could urgently see me today please? I'm really unwell and in danger. I desperately need to get back on meds today," tweeted the 45-year-old musician.

Following the incident, O'Connor told the Sun, a British tabloid, "God obviously wants me around – though I can't think why." She also explained, "I just had to make a cry for help."

After the first suicide effort failed, O'Connor was hospitalized for a broken ankle and made another attempt in the hospital, the Sun reports. The dramatic episode is the latest in an unsettling year for the controversial Irish singer. In September 2011, she posted a series of tweets that had suicidal implications, but later dismissed them on her blog in an open letter that said, in part, "People who express suicidal feelings are least likely to act on them. Anyone who gives u the remotest bit of shit for expressing suicidal feelings is a wanker and is to be politely asked to permanently vacate your precious company. Even if its ur mudda-fuggin Mama."

O'Connor also wed drug counselor Barry Herridge in December 2011 (her fourth marriage), and they separated after 18 days together but later reconciled.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sinead O'Connor Tweets for Help After Suicide Attempt

sinead o'connor Sinead O'Connor attends the "Albert Nobbs" soundtrack release party at Palihouse in West Hollywood.

Troubled singer Sinead O'Connor continues to battle her demons in the public eye. Yesterday, she sent out a desperate call for help on her Twitter account, only revealing afterward that the post followed a suicide attempt by pills the week prior.

"Does anyone know a psychiatrist in Dublin or Wicklow who could urgently see me today please? I'm really unwell and in danger. I desperately need to get back on meds today," tweeted the 45-year-old musician.

Following the incident, O'Connor told the Sun, a British tabloid, "God obviously wants me around – though I can't think why." She also explained, "I just had to make a cry for help."

After the first suicide effort failed, O'Connor was hospitalized for a broken ankle and made another attempt in the hospital, the Sun reports. The dramatic episode is the latest in an unsettling year for the controversial Irish singer. In September 2011, she posted a series of tweets that had suicidal implications, but later dismissed them on her blog in an open letter that said, in part, "People who express suicidal feelings are least likely to act on them. Anyone who gives u the remotest bit of shit for expressing suicidal feelings is a wanker and is to be politely asked to permanently vacate your precious company. Even if its ur mudda-fuggin Mama."

O'Connor also wed drug counselor Barry Herridge in December 2011 (her fourth marriage), and they separated after 18 days together but later reconciled.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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