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Showing posts with label Night. Show all posts
Showing posts with label Night. Show all posts

Wednesday, March 13, 2013

Foals Capture a Sinister Life Cycle in 'Late Night' - Premiere

Foals Capture a Sinister Life Cycle in 'Late Night' - PremiereBritpop rockers channel eerie inspiration for next single $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

Foals aren't afraid to tackle heavy topics, as they prove in the video for their next single, "Late Night." It is set for official release on April 22nd.

The vocals in "Late Night" are strong and haunting, and the visuals that accompany them are chilling enough to be preceded by a parental warning. They take place in a hotel, flashing back and forth between the Britpop band performing in the cabaret lounge and the guests experiencing birth, death and everything in between in the rooms above. The video was shot in Romania and directed by Nabil Elderkin, who has directed videos for Frank Ocean, John Legend, Bon Iver and Kanye West.

"Late Night" is from the band's most recent album, Holy Fire, which was released on Warner Brothers last month. "Inhaler," the first single off the album, recently won Best Single at the annual NME Awards in the UK.


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Foals Capture a Sinister Life Cycle in 'Late Night' - Premiere

Foals Capture a Sinister Life Cycle in 'Late Night' - PremiereBritpop rockers channel eerie inspiration for next single $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

Foals aren't afraid to tackle heavy topics, as they prove in the video for their next single, "Late Night." It is set for official release on April 22nd.

The vocals in "Late Night" are strong and haunting, and the visuals that accompany them are chilling enough to be preceded by a parental warning. They take place in a hotel, flashing back and forth between the Britpop band performing in the cabaret lounge and the guests experiencing birth, death and everything in between in the rooms above. The video was shot in Romania and directed by Nabil Elderkin, who has directed videos for Frank Ocean, John Legend, Bon Iver and Kanye West.

"Late Night" is from the band's most recent album, Holy Fire, which was released on Warner Brothers last month. "Inhaler," the first single off the album, recently won Best Single at the annual NME Awards in the UK.


Electronics Review Center

Friday, January 4, 2013

Maroon 5 Get in the Groove for 'One More Night' on 'SNL'

Maroon 5 Get in the Groove for 'One More Night' on 'SNL'Band serves fourth term as musical guests $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

Maroon 5 paid their fourth visit to Saturday Night Live last night, serving as veteran musical guests to first-time host Jeremy Renner. For their first set, the band took the stage decked out in matching red ensembles and rolled out the reggae-inflected "One More Night," the lead track off their latest album, Overexposed. They returned for a second set in more subdued gray uniforms to play "Daylight," another single from Overexposed.


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Thursday, January 3, 2013

Maroon 5 Get in the Groove for 'One More Night' on 'SNL'

Maroon 5 Get in the Groove for 'One More Night' on 'SNL'Band serves fourth term as musical guests $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

Maroon 5 paid their fourth visit to Saturday Night Live last night, serving as veteran musical guests to first-time host Jeremy Renner. For their first set, the band took the stage decked out in matching red ensembles and rolled out the reggae-inflected "One More Night," the lead track off their latest album, Overexposed. They returned for a second set in more subdued gray uniforms to play "Daylight," another single from Overexposed.


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Monday, February 27, 2012

Bruce Springsteen To Take Over 'Late Night With Jimmy Fallon' Next Week

bruce springsteen 2012 Bruce Springsteen performs during the 54th Annual Grammy Awards in Los Angeles.

Bruce Springsteen is going to take over Late Night With Jimmy Fallon next week. On Monday, February 27th, Bruce Springsteen and the E Street Band will perform two songs on the show – and on Friday March 2nd (the show's 3rd anniversary) Springsteen will be the sole guest for the evening. He'll be interviewed by Fallon, and also perform multiple songs. On Tuesday's show Kenny Chesney will perform "I'm On Fire," which he previously released in 2004. Elvis Costello will perform "Brilliant Disguise" with the Roots on Thursday. They have not announced the plans for Wednesday night. 

This won't be the first time that Springsteen performed on Late Night With Jimmy Fallon. In November 2010, Springsteen dressed up like himself circa-1975 (complete with a wig and fake beard) to perform a cover of Willow Smith's "Whip My Hair" alongside Jimmy Fallon in his Neil Young costume. 

The two appearances on the Fallon show are Springsteen's only planned late night appearances at this time. He kicks off the Wrecking Ball world tour on March 18th in Atlanta, though on March 9th he's performing a private show at New York's Apollo Theater to celebrate the ten year anniversary of Sirius. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Bruce Springsteen To Take Over 'Late Night With Jimmy Fallon' Next Week

bruce springsteen 2012 Bruce Springsteen performs during the 54th Annual Grammy Awards in Los Angeles.

Bruce Springsteen is going to take over Late Night With Jimmy Fallon next week. On Monday, February 27th, Bruce Springsteen and the E Street Band will perform two songs on the show – and on Friday March 2nd (the show's 3rd anniversary) Springsteen will be the sole guest for the evening. He'll be interviewed by Fallon, and also perform multiple songs. On Tuesday's show Kenny Chesney will perform "I'm On Fire," which he previously released in 2004. Elvis Costello will perform "Brilliant Disguise" with the Roots on Thursday. They have not announced the plans for Wednesday night. 

This won't be the first time that Springsteen performed on Late Night With Jimmy Fallon. In November 2010, Springsteen dressed up like himself circa-1975 (complete with a wig and fake beard) to perform a cover of Willow Smith's "Whip My Hair" alongside Jimmy Fallon in his Neil Young costume. 

The two appearances on the Fallon show are Springsteen's only planned late night appearances at this time. He kicks off the Wrecking Ball world tour on March 18th in Atlanta, though on March 9th he's performing a private show at New York's Apollo Theater to celebrate the ten year anniversary of Sirius. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, February 14, 2012

Stevie Wonder, Mary J. Blige, Mark Ronson Lead Big Night of Music

Mark Ronson and Erykah Badu at The Grammy's Re:Generation Music Project. Mark Ronson and Erykah Badu at The Grammy's Re:Generation Music Project.

The music of Grammy week takes over all of Los Angeles, with a number of private parties and intimate shows. Thursday night offered a rich abundance of celebrations in Hollywood that, when combined, put together a festival-worthy lineup consisting of Stevie Wonder, Mary J. Blige, Ne-yo, Skrillex, Mark Ronson, Will.I.Am and more.

The night kicked off with the world premiere screening of the ReGeneration film at the famed Chinese Theater. Befitting the new "it" status of electronic dance music, the scene looked more like a Twilight world premiere, with its closed sidewalk and heavy police presence and a 17-year-old girl from Toronto who nearly burst into tears when she found out Skrillex was inside.

All of the artists in the film – Mark Ronson, DJ Premier, Skrillex, Crystal Method and Pretty Lights – were on hand to celebrate the project and, following the screening, conduct a short Q&A with DJ Jason Bentley of KCRW. For most of the DJs, it was their first time seeing the final product, which meant it was the first time they really had a chance to see what their peers were putting together.

During the Q&A, a lot of sympathy was expressed for Pretty Lights (real name Derek Smith), who was given one of the tougher assignments: working with country icon Ralph Stanley and LeAnn Rimes to remake the traditional standard "The Wayfaring Stranger." As Premier said during the Q&A, "Pretty Lights and Crystal Method went through some shit." But as Smith pointed out, the tense moments may have made for better cinema, and he even quipped about how his exchanges with Stanley looked way more awkward than he remembered, but ultimately he was happy with the song and his new experience in country.

It was a sentiment echoed by everyone on the panel, including Skrillex, who said all everybody on the panel wanted was to make good music. At the afterparty, where Premier and Ronson took turns DJing, Ronson spoke about the experience. "This is the first time I've seen anybody since the film," he told Rolling Stone. "I felt a little bit of a camaraderie with the guys even though I only knew Premier from before now. I thought the Skrillex track turned out really well, and it was cool. It felt like, 'I'm not embarassed to be a part of this thing.'"

From the ReGeneration premiere it was only a short walk to Avalon, where Blige was holding court before a celebrity audience that included Oscar-winner Forrest Whitaker, Malin Akerman, Paris Hilton, Afrojack and more. The occasion was a Belvedere Vodka event benefitting RED, which provides funds for fighting HIV/AIDS in Africa. The singer, as always, showcased her spectacular vocals on hits such as "No More Drama" and "You bring Me Joy." And befitting the occasion, she delivered a standout cover of U2's "One."

Following the show, Skrillex made his way over as well to DJ the afterparty. But for those who were not done celebrating, Will.I.Am was holding his own benefit concert, for the i.am angel fund. That's what brought out Stevie Wonder, introduced by Will as "My brother." Before sending another celebrity crowd, that included Jessica Alba and LeAnn Rimes, into the kind of ecstasy only he can, Wonder told of how he was thrilled to be there to help Will with all he's doing for music education and beyond. Then it was time for him to slay the crowd, as he always does, with a short four-song set highlighted by "Livin' In The City" and "Superstition."

While the party kept going strong, as all of Hollywood did, a night of music this diverse deserved a festival style headliner and Wonder is definitely that, so it made for an appropriate close to the evening.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, February 13, 2012

Stevie Wonder, Mary J. Blige, Mark Ronson Lead Big Night of Music

Mark Ronson and Erykah Badu at The Grammy's Re:Generation Music Project. Mark Ronson and Erykah Badu at The Grammy's Re:Generation Music Project.

The music of Grammy week takes over all of Los Angeles, with a number of private parties and intimate shows. Thursday night offered a rich abundance of celebrations in Hollywood that, when combined, put together a festival-worthy lineup consisting of Stevie Wonder, Mary J. Blige, Ne-yo, Skrillex, Mark Ronson, Will.I.Am and more.

The night kicked off with the world premiere screening of the ReGeneration film at the famed Chinese Theater. Befitting the new "it" status of electronic dance music, the scene looked more like a Twilight world premiere, with its closed sidewalk and heavy police presence and a 17-year-old girl from Toronto who nearly burst into tears when she found out Skrillex was inside.

All of the artists in the film – Mark Ronson, DJ Premier, Skrillex, Crystal Method and Pretty Lights – were on hand to celebrate the project and, following the screening, conduct a short Q&A with DJ Jason Bentley of KCRW. For most of the DJs, it was their first time seeing the final product, which meant it was the first time they really had a chance to see what their peers were putting together.

During the Q&A, a lot of sympathy was expressed for Pretty Lights (real name Derek Smith), who was given one of the tougher assignments: working with country icon Ralph Stanley and LeAnn Rimes to remake the traditional standard "The Wayfaring Stranger." As Premier said during the Q&A, "Pretty Lights and Crystal Method went through some shit." But as Smith pointed out, the tense moments may have made for better cinema, and he even quipped about how his exchanges with Stanley looked way more awkward than he remembered, but ultimately he was happy with the song and his new experience in country.

It was a sentiment echoed by everyone on the panel, including Skrillex, who said all everybody on the panel wanted was to make good music. At the afterparty, where Premier and Ronson took turns DJing, Ronson spoke about the experience. "This is the first time I've seen anybody since the film," he told Rolling Stone. "I felt a little bit of a camaraderie with the guys even though I only knew Premier from before now. I thought the Skrillex track turned out really well, and it was cool. It felt like, 'I'm not embarassed to be a part of this thing.'"

From the ReGeneration premiere it was only a short walk to Avalon, where Blige was holding court before a celebrity audience that included Oscar-winner Forrest Whitaker, Malin Akerman, Paris Hilton, Afrojack and more. The occasion was a Belvedere Vodka event benefitting RED, which provides funds for fighting HIV/AIDS in Africa. The singer, as always, showcased her spectacular vocals on hits such as "No More Drama" and "You bring Me Joy." And befitting the occasion, she delivered a standout cover of U2's "One."

Following the show, Skrillex made his way over as well to DJ the afterparty. But for those who were not done celebrating, Will.I.Am was holding his own benefit concert, for the i.am angel fund. That's what brought out Stevie Wonder, introduced by Will as "My brother." Before sending another celebrity crowd, that included Jessica Alba and LeAnn Rimes, into the kind of ecstasy only he can, Wonder told of how he was thrilled to be there to help Will with all he's doing for music education and beyond. Then it was time for him to slay the crowd, as he always does, with a short four-song set highlighted by "Livin' In The City" and "Superstition."

While the party kept going strong, as all of Hollywood did, a night of music this diverse deserved a festival style headliner and Wonder is definitely that, so it made for an appropriate close to the evening.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, February 12, 2012

Jay-Z Orchestrates a Historic Night at Carnegie Hall

Alicia Keys, Jay-Z and Nas perform at Carnegie Hall to Benefit the United Way of New York City. Alicia Keys, Jay-Z and Nas perform at Carnegie Hall to Benefit the United Way of New York City.

“I always wanted to say this in Carnegie Hall,” Jay-Z said last night, midway through the second of his two charity shows this week at the hallowed New York institution. “Is Brooklyn in the house?”

The roar he received in response suggested that his home borough was well-represented among the finely attired patrons of the arts who had handed over as much as $15,000 to be there. All proceeds went to fight poverty via United Way of New York City and the Shawn Carter Scholarship Foundation, organizations that help secure good educations for low-income students – kids like Shawn Carter once was back in Brooklyn.

But that was ages ago. More than any rapper before him, Jay-Z has become part of America's cultural royalty in the past decade – hobnobbing with Oprah and Obama, publishing a book exploring his lyrics’ intricacies, and, oh yeah, selling out arenas whenever he feels like it. Headlining Carnegie Hall was just one more coronation moment in a career full of them.

Dressed to the nines in a tux and dark shades, he brought a thoroughly satisfying selection of old and new classics to life – nothing from his 1996 debut, Reasonable Doubt, or last year’s Kanye West collab, Watch the Throne, but the best of everything in between – with help from a 40-piece orchestra and the Illadelphonics, led by the Roots’ Questlove on drums. The set list was more or less the same carefully honed hit parade he’s delivered at Coachella, Madison Square Garden, Yankee Stadium and countless other venues in recent years. As always, he defined effortless charisma as he recited the well-known lyrics with a little extra energy on this special night. The audience, which included Chris Rock, Jay-Z’s mother Gloria Carter and other luminaries, was in the palm of his hand the entire time.

Alicia Keys came out early on, as she had the previous night, to assist Jay on a thrilling rendition of “Empire State of Mind.” It sounded better than ever in that room – one of the world’s sweetest acoustic spaces – and Jay’s pride in the moment was clear. Next up was a mini-set by Nas, who tore though “N.Y. State of Mind” and “If I Ruled the World” with Keys on piano and vocals. On the former song, Jay actually served as hypeman to his onetime archrival, a remarkable sight for anyone who was paying attention to rap in 2001.

“I’m supposed to talk at this part,” Jay-Z said a few songs later, during the elegant orchestral interlude that followed  “Run This Town.” “But I just want to take it in for a second. I can’t believe we’re in this building tonight.” With that, he launched into 2007’s triumphant “Roc Boys,” given extra heft by the orchestra’s brass section. The hits kept coming: “Dirt Off Your Shoulder,” “I Just Wanna Love U,” “Hard Knock Life,” “Izzo.” After a titanic “99 Problems” and an insouciant “Girls, Girls, Girls,” he reached the evening’s most emotional stretch, with the regretful 2001 cut “Song Cry” followed by “Glory,” his heartfelt tribute to newborn daughter Blue Ivy Carter. When the song was over, he let the orchestra ride its mellow beat for a while longer, soaking it in. “Thank you, New York City, for letting me share that moment with you,” he said.

Following a brief encore, he returned to the stage once again – finally ascending to an upper balcony, where he stood among the faithful and teased them with quick bits of a few more favorites, plus a reverent a cappella tribute to a fellow Brooklyn poet who didn’t make it this far. “My homeboy ain’t here to rock these halls the way he would have,” he said before rapping a verse each from the Notorious B.I.G.’s “Juicy” and “Mo Money Mo Problems.” “We gotta sing so loud for B.I.G.”

Set list:
String overture
“PSA”
“Thank You”
“Heart of the City”
“Most Kings”
“U Don’t Know”
Band medley: “New York State of Mind” (Billy Joel cover)/”New York, New York” (Frank Sinatra cover)/”New York Is Killing Me” (Gil Scott-Heron cover)
“Empire State of Mind” (with Alicia Keys)
Nas mini-set: “N.Y. State of Mind,” “If I Ruled the World”
“Where I’m From”
“Run This Town”
“Roc Boys”
“Dirt Off Your Shoulder”
“I Just Wanna Love U”
“On to the Next One”
“Hard Knock Life”
“Izzo”
“99 Problems”
“Girls, Girls, Girls”
“Song Cry”
“Glory”
“Encore”
(short break)
“What More Can I Say”
“Jigga My Nigga”
“Jigga What, Jigga Who”
“Big Pimpin’”
“Young Forever”

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Saturday, February 11, 2012

Jay-Z Orchestrates a Historic Night at Carnegie Hall

Alicia Keys, Jay-Z and Nas perform at Carnegie Hall to Benefit the United Way of New York City. Alicia Keys, Jay-Z and Nas perform at Carnegie Hall to Benefit the United Way of New York City.

“I always wanted to say this in Carnegie Hall,” Jay-Z said last night, midway through the second of his two charity shows this week at the hallowed New York institution. “Is Brooklyn in the house?”

The roar he received in response suggested that his home borough was well-represented among the finely attired patrons of the arts who had handed over as much as $15,000 to be there. All proceeds went to fight poverty via United Way of New York City and the Shawn Carter Scholarship Foundation, organizations that help secure good educations for low-income students – kids like Shawn Carter once was back in Brooklyn.

But that was ages ago. More than any rapper before him, Jay-Z has become part of America's cultural royalty in the past decade – hobnobbing with Oprah and Obama, publishing a book exploring his lyrics’ intricacies, and, oh yeah, selling out arenas whenever he feels like it. Headlining Carnegie Hall was just one more coronation moment in a career full of them.

Dressed to the nines in a tux and dark shades, he brought a thoroughly satisfying selection of old and new classics to life – nothing from his 1996 debut, Reasonable Doubt, or last year’s Kanye West collab, Watch the Throne, but the best of everything in between – with help from a 40-piece orchestra and the Illadelphonics, led by the Roots’ Questlove on drums. The set list was more or less the same carefully honed hit parade he’s delivered at Coachella, Madison Square Garden, Yankee Stadium and countless other venues in recent years. As always, he defined effortless charisma as he recited the well-known lyrics with a little extra energy on this special night. The audience, which included Chris Rock, Jay-Z’s mother Gloria Carter and other luminaries, was in the palm of his hand the entire time.

Alicia Keys came out early on, as she had the previous night, to assist Jay on a thrilling rendition of “Empire State of Mind.” It sounded better than ever in that room – one of the world’s sweetest acoustic spaces – and Jay’s pride in the moment was clear. Next up was a mini-set by Nas, who tore though “N.Y. State of Mind” and “If I Ruled the World” with Keys on piano and vocals. On the former song, Jay actually served as hypeman to his onetime archrival, a remarkable sight for anyone who was paying attention to rap in 2001.

“I’m supposed to talk at this part,” Jay-Z said a few songs later, during the elegant orchestral interlude that followed  “Run This Town.” “But I just want to take it in for a second. I can’t believe we’re in this building tonight.” With that, he launched into 2007’s triumphant “Roc Boys,” given extra heft by the orchestra’s brass section. The hits kept coming: “Dirt Off Your Shoulder,” “I Just Wanna Love U,” “Hard Knock Life,” “Izzo.” After a titanic “99 Problems” and an insouciant “Girls, Girls, Girls,” he reached the evening’s most emotional stretch, with the regretful 2001 cut “Song Cry” followed by “Glory,” his heartfelt tribute to newborn daughter Blue Ivy Carter. When the song was over, he let the orchestra ride its mellow beat for a while longer, soaking it in. “Thank you, New York City, for letting me share that moment with you,” he said.

Following a brief encore, he returned to the stage once again – finally ascending to an upper balcony, where he stood among the faithful and teased them with quick bits of a few more favorites, plus a reverent a cappella tribute to a fellow Brooklyn poet who didn’t make it this far. “My homeboy ain’t here to rock these halls the way he would have,” he said before rapping a verse each from the Notorious B.I.G.’s “Juicy” and “Mo Money Mo Problems.” “We gotta sing so loud for B.I.G.”

Set list:
String overture
“PSA”
“Thank You”
“Heart of the City”
“Most Kings”
“U Don’t Know”
Band medley: “New York State of Mind” (Billy Joel cover)/”New York, New York” (Frank Sinatra cover)/”New York Is Killing Me” (Gil Scott-Heron cover)
“Empire State of Mind” (with Alicia Keys)
Nas mini-set: “N.Y. State of Mind,” “If I Ruled the World”
“Where I’m From”
“Run This Town”
“Roc Boys”
“Dirt Off Your Shoulder”
“I Just Wanna Love U”
“On to the Next One”
“Hard Knock Life”
“Izzo”
“99 Problems”
“Girls, Girls, Girls”
“Song Cry”
“Glory”
“Encore”
(short break)
“What More Can I Say”
“Jigga My Nigga”
“Jigga What, Jigga Who”
“Big Pimpin’”
“Young Forever”

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, February 10, 2012

Who Are Karmin? From YouTube Stardom to 'Saturday Night Live'

Friday, January 13, 2012

Bon Iver to Make 'Saturday Night Live' Debut

bon iver Justin Vernon of Bon Iver performs at the UIC Pavilion in Chicago.

Bon Iver will make their debut appearance on Saturday Night Live with the February 4th episode of the long-running sketch comedy show, which will be hosted by actor Channing Tatum. The band, led by songwriter Justin Vernon, will perform selections from their highly acclaimed second album, Bon Iver, as a nine-piece ensemble.

Bon Iver's appearance on SNL will come just over a week before the Grammy Awards, where the indie act is up for four major awards including Record of the Year, Song of the Year and Best New Artist. The group is also set to appear high on the bill at the Coachella festival in April.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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