Pages

Showing posts with label Beatles. Show all posts
Showing posts with label Beatles. Show all posts

Saturday, August 25, 2012

The Beatles' 'Magical Mystery Tour' Gets DVD, Blu-Ray Release

Paul McCartney, George Harrison, Ringo Starr and John Lennon in a scene from the film 'Magical Mystery Tour'Keystone-France/Gamma-Keystone via Getty Images

The Beatles are releasing a restored version of their classic 1967 film, Magical Mystery Tour. The film, written and directed by the band, has been long out of print, but will be released on DVD and Blu-Ray. There's also a combined deluxe box set featuring both versions, along with a 60-page book and a reproduction of the mono double seven-inch vinyl EP containing the film's six Beatles songs: "Magical Mystery Tour," "The Fool On The Hill," "I Am The Walrus," "Flying," "Blue Jay Way" and "Your Mother Should Know." The EP was originally issued in the U.K. in 1967 to accompany the movie.

Magical Mystery Tour will be available October 8th. Select movie theaters will screen the film starting September 27th. Listings will be available on the Beatles' website.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

The Beatles' 'Magical Mystery Tour' Gets DVD, Blu-Ray Release

Paul McCartney, George Harrison, Ringo Starr and John Lennon in a scene from the film 'Magical Mystery Tour'Keystone-France/Gamma-Keystone via Getty Images

The Beatles are releasing a restored version of their classic 1967 film, Magical Mystery Tour. The film, written and directed by the band, has been long out of print, but will be released on DVD and Blu-Ray. There's also a combined deluxe box set featuring both versions, along with a 60-page book and a reproduction of the mono double seven-inch vinyl EP containing the film's six Beatles songs: "Magical Mystery Tour," "The Fool On The Hill," "I Am The Walrus," "Flying," "Blue Jay Way" and "Your Mother Should Know." The EP was originally issued in the U.K. in 1967 to accompany the movie.

Magical Mystery Tour will be available October 8th. Select movie theaters will screen the film starting September 27th. Listings will be available on the Beatles' website.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Friday, April 6, 2012

James McCartney: 'I'm Open to Beatles: The Next Generation'

james mccartney James McCartney attends The MusiCares Person Of The Year Gala Honoring Paul McCartney at Los Angeles Convention Center.

Paul McCartney's son James has told the BBC that he is interested in teaming up with the sons of his father's former bandmates to form The Beatles: The Next Generation. "I don't think it's something that Zak [Starkey] wants to do," says McCartney. "Maybe Jason [Starkey] would want to do it. I'd be up for it. Sean [Lennon] seemed to be into it, Dhani [Harrison] seemed to be into it. I'd be happy to do it."

McCartney, 34, is furthering his solo career by performing soon at the Cavern Club in Liverpool, the old stomping grounds of his father's band. The rocker says he chose to play there because he wants to "just to embrace the Beatles legacy rather than running away from it."

McCartney has collaborated with his father in the past. Paul served as producer on his son's two EPs, and the younger McCartney played guitar on the elder's albums Flaming Pie and Driving Rain.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

James McCartney: 'I'm Open to Beatles: The Next Generation'

james mccartney James McCartney attends The MusiCares Person Of The Year Gala Honoring Paul McCartney at Los Angeles Convention Center.

Paul McCartney's son James has told the BBC that he is interested in teaming up with the sons of his father's former bandmates to form The Beatles: The Next Generation. "I don't think it's something that Zak [Starkey] wants to do," says McCartney. "Maybe Jason [Starkey] would want to do it. I'd be up for it. Sean [Lennon] seemed to be into it, Dhani [Harrison] seemed to be into it. I'd be happy to do it."

McCartney, 34, is furthering his solo career by performing soon at the Cavern Club in Liverpool, the old stomping grounds of his father's band. The rocker says he chose to play there because he wants to "just to embrace the Beatles legacy rather than running away from it."

McCartney has collaborated with his father in the past. Paul served as producer on his son's two EPs, and the younger McCartney played guitar on the elder's albums Flaming Pie and Driving Rain.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Sunday, February 19, 2012

Paul McCartney: The Beatles Considered Reuniting

paul mccartney Paul McCartney performs during the 54th Annual Grammy Awards in Los Angeles.

The Beatles had considered getting back together while all four members were still alive, says Paul McCartney. "There was talk of re-forming the Beatles a couple of times," he tells Rolling Stone, "but it didn't jell, there was not enough passion behind the idea."

According to McCartney, the band was very pleased with having come full circle creatively, and worried about tainting their legacy. "More importantly, it could have spoiled the whole idea of the Beatles, so wrong that they'd be like 'Oh, my God, they weren't any good,'" he says. "The re-formation suggestions were never convincing enough. They were kind of nice when they happened – 'That would be good, yeah' – but then one of us would always not fancy it. And that was enough, because we were the ultimate democracy."

Though the Fab Four never came back together, various combinations of the band's members have played together on various projects and special occasions in the decades since the group disbanded in 1970. Ringo Starr appeared on solo recordings by John Lennon, George Harrison and McCartney, and both Starr and McCarney appeared together on "All These Years Ago," a Harrison song written in memory of Lennon. The three of them also finished a pair of Lennon demos, "Free As A Bird" and "Real Love," for the Beatles Anthology series.

The individual Beatles also reconnected for one-off live collaborations, including Starr and Harrison's performance together at the Concert for Bangladesh in 1971 and the time when McCartney, Harrison and Starr played "Sgt. Pepper's Lonely Hearts Club Band" at Eric Clapton's wedding in 1979.

McCartney and Lennon reunited briefly for a studio jam session in 1974 that also featured Stevie Wonder, Harry Nillson, Linda McCartney and Bobby Keys. "We were stoned," McCartney says of the session, which has been immortalized as the bootleg Toot and a Snore. "I don't think there was anyone in that room who wasn't stoned. For some ungodly reason, I decided to get on drums. It was just a party, you know. To use the word 'disorganized' is completely understating it. I might have made a feeble attempt to restore order – "guys, you know, let's think of a song, that would be a good idea' – but I can't remember if I did or not."

To read Brian Hiatt's cover story on Paul McCartney, pick up the March 1, 2012 issue of Rolling Stone, on stands and in Rolling Stone All Access February 17th.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

Paul McCartney: The Beatles Considered Reuniting

paul mccartney Paul McCartney performs during the 54th Annual Grammy Awards in Los Angeles.

The Beatles had considered getting back together while all four members were still alive, says Paul McCartney. "There was talk of re-forming the Beatles a couple of times," he tells Rolling Stone, "but it didn't jell, there was not enough passion behind the idea."

According to McCartney, the band was very pleased with having come full circle creatively, and worried about tainting their legacy. "More importantly, it could have spoiled the whole idea of the Beatles, so wrong that they'd be like 'Oh, my God, they weren't any good,'" he says. "The re-formation suggestions were never convincing enough. They were kind of nice when they happened – 'That would be good, yeah' – but then one of us would always not fancy it. And that was enough, because we were the ultimate democracy."

Though the Fab Four never came back together, various combinations of the band's members have played together on various projects and special occasions in the decades since the group disbanded in 1970. Ringo Starr appeared on solo recordings by John Lennon, George Harrison and McCartney, and both Starr and McCarney appeared together on "All These Years Ago," a Harrison song written in memory of Lennon. The three of them also finished a pair of Lennon demos, "Free As A Bird" and "Real Love," for the Beatles Anthology series.

The individual Beatles also reconnected for one-off live collaborations, including Starr and Harrison's performance together at the Concert for Bangladesh in 1971 and the time when McCartney, Harrison and Starr played "Sgt. Pepper's Lonely Hearts Club Band" at Eric Clapton's wedding in 1979.

McCartney and Lennon reunited briefly for a studio jam session in 1974 that also featured Stevie Wonder, Harry Nillson, Linda McCartney and Bobby Keys. "We were stoned," McCartney says of the session, which has been immortalized as the bootleg Toot and a Snore. "I don't think there was anyone in that room who wasn't stoned. For some ungodly reason, I decided to get on drums. It was just a party, you know. To use the word 'disorganized' is completely understating it. I might have made a feeble attempt to restore order – "guys, you know, let's think of a song, that would be a good idea' – but I can't remember if I did or not."

To read Brian Hiatt's cover story on Paul McCartney, pick up the March 1, 2012 issue of Rolling Stone, on stands and in Rolling Stone All Access February 17th.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Wednesday, February 8, 2012

Week in Rock History: The Beatles Land in New York

beatles new york 1964 The Beatles arrive at JFK airport in New York from London for their first tour of the United States.Michael Ochs Archives/Getty Images

This week in rock history, the Beatles arrived in New York, Bill Haley passed away, the Clash began recording their studio debut, Sonny Bono declared his candidacy for mayor and Phil Spector was in a major car crash.

February 7, 1964: The Beatles land in New York
Beatlemania had a modest start: Pan Am Yankee Clipper flight 101, departing from London's Heathrow Airport for New York's John F. Kennedy Airport. However, its arrival was met with 3,000 hysterically screaming fans, many of them in tears, in one of the most iconic moments in rock & roll history.

The Beatles, all in their early 20s, were in New York to make their first appearance on the Ed Sullivan Show, although they stopped for a now-famous press conference at Kennedy Airport. (When asked about the current campaign in Detroit to "stamp out the Beatles," Paul McCartney replied, "We're bringing out a Stamp Out Detroit campaign.") Though they had just scored their first major radio hit in the United States with "I Want to Hold Your Hand," their American reception still shocked the band. Little did they know that their arrival at JFK was only the beginning.

February 9, 1981: Bill Haley dies
Bill Haley, the unlikely singer behind "Rock Around the Clock," was a major international force between 1954 and 1957. In that time, accompanied by his band the Comets, he sold approximately 60 million records and appeared in the earliest teen-oriented rock movies.

Haley, a native of Highland Park, Michigan, was the first significant American rock artist to tour Europe, a move that would greatly motivate the Beatles and Elvis (the latter of whom would eclipse his homeland success overseas in the late Fifties). Though the Comets disbanded in 1962, "Rock Around the Clock" is still considered one of the most influential rock standards of all time.

Haley died in his sleep in Harlingen, Texas, at age 55. He had been battling alcoholism for some time. In 2006, the International Astronomical Union named an asteroid "79896 Billhaley" to mark the 25th anniversary of the musician's death.

February 10, 1977: The Clash begin recording their debut album
In the Clash's earliest days, the band had one righteous muse: Mick Jones' grandmother. The matriarch of the singer-guitarist's family attended the band's earliest shows at some of the scruffiest locales in London and lent her apartment to the band. It was in her flat that the group masterminded much of their eponymous studio debut.

The 1977 record was a quick hit. The lyrics, written almost entirely by Jones and Joe Strummer, were bristling with streetwise intelligence, and the histrionic guitars shaped much of punk to follow. The album was not released that year in the United States, though, as CBS Records decided the content was unsuitable for radio. The U.S. release came two years later, after the Clash's follow-up studio album, Give 'Em Enough Rope.

The Clash, and Mick's grandmother, currently enjoy several placements in Rolling Stone's 500 Greatest Albums list. The Clash rings in at Number 77.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

Week in Rock History: The Beatles Land in New York

beatles new york 1964 The Beatles arrive at JFK airport in New York from London for their first tour of the United States.Michael Ochs Archives/Getty Images

This week in rock history, the Beatles arrived in New York, Bill Haley passed away, the Clash began recording their studio debut, Sonny Bono declared his candidacy for mayor and Phil Spector was in a major car crash.

February 7, 1964: The Beatles land in New York
Beatlemania had a modest start: Pan Am Yankee Clipper flight 101, departing from London's Heathrow Airport for New York's John F. Kennedy Airport. However, its arrival was met with 3,000 hysterically screaming fans, many of them in tears, in one of the most iconic moments in rock & roll history.

The Beatles, all in their early 20s, were in New York to make their first appearance on the Ed Sullivan Show, although they stopped for a now-famous press conference at Kennedy Airport. (When asked about the current campaign in Detroit to "stamp out the Beatles," Paul McCartney replied, "We're bringing out a Stamp Out Detroit campaign.") Though they had just scored their first major radio hit in the United States with "I Want to Hold Your Hand," their American reception still shocked the band. Little did they know that their arrival at JFK was only the beginning.

February 9, 1981: Bill Haley dies
Bill Haley, the unlikely singer behind "Rock Around the Clock," was a major international force between 1954 and 1957. In that time, accompanied by his band the Comets, he sold approximately 60 million records and appeared in the earliest teen-oriented rock movies.

Haley, a native of Highland Park, Michigan, was the first significant American rock artist to tour Europe, a move that would greatly motivate the Beatles and Elvis (the latter of whom would eclipse his homeland success overseas in the late Fifties). Though the Comets disbanded in 1962, "Rock Around the Clock" is still considered one of the most influential rock standards of all time.

Haley died in his sleep in Harlingen, Texas, at age 55. He had been battling alcoholism for some time. In 2006, the International Astronomical Union named an asteroid "79896 Billhaley" to mark the 25th anniversary of the musician's death.

February 10, 1977: The Clash begin recording their debut album
In the Clash's earliest days, the band had one righteous muse: Mick Jones' grandmother. The matriarch of the singer-guitarist's family attended the band's earliest shows at some of the scruffiest locales in London and lent her apartment to the band. It was in her flat that the group masterminded much of their eponymous studio debut.

The 1977 record was a quick hit. The lyrics, written almost entirely by Jones and Joe Strummer, were bristling with streetwise intelligence, and the histrionic guitars shaped much of punk to follow. The album was not released that year in the United States, though, as CBS Records decided the content was unsuitable for radio. The U.S. release came two years later, after the Clash's follow-up studio album, Give 'Em Enough Rope.

The Clash, and Mick's grandmother, currently enjoy several placements in Rolling Stone's 500 Greatest Albums list. The Clash rings in at Number 77.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

 
Design by Free WordPress Themes | Bloggerized by Lasantha - Premium Blogger Themes | cheap international calls