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Showing posts with label Michael. Show all posts
Showing posts with label Michael. Show all posts

Thursday, March 14, 2013

Sarah Silverman, Michael Cera Launch JASH Comedy Channel on YouTube

Sarah Silverman, Michael Cera Launch JASH Comedy Channel on YouTubeComics team with Tim Heidecker, Eric Wareheim and Reggie Watts $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

Sarah Silverman and Michael Cera have launched a YouTube comedy channel called JASH, teaming with Tim Heidecker, Eric Wareheim and Reggie Watts for what Wareheim promises will be a "bullshit-free experience."

The group teamed up after YouTube parent Google proposed they produce humor material for the web, and offered them a free hand to create the kind of content they wanted, according to The Hollywood Reporter.   

The 50 Funniest People Now

"We each have pages within JASH and we each can curate those pages," Silverman said. "This is what we think is funny. It may not be your cup of tea, but there's no testing involved, there's no second-guessing of what a 14-year-old boy would like. It's just a place to do stuff and fail or not fail."

The new channel, which officially launched yesterday at SXSW Interactive, is still a work in progress, though the creators say Silverman is working on a "French film-noir trailer," Cera has a 25-minute short film on the way and Wareheim . . . well, he's busy, too.

"I've got a lot of personal, bizarre stuff that I do in my home and my bedroom, and I'm going to put it out on YouTube through JASH.com," he says in the channel's first video.

Cera, who has just finished taping new episodes of Arrested Development, acknowledges that creating online content is an unexpected move for him. "Is doing work for the Internet a step down for me? Yes," he says, deadpan. "But, you know, sometimes you have to step down, get your feet wet, your feet learn, 'OK, this is the new arrangement. We'd better get real comfortable.'"


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Wednesday, February 27, 2013

Michael Jackson's Son Books Acting Debut on '90210'

Prince Michael Michael Jackson

Michael Jackson's son Prince Michael will make his acting debut this March on the CW's teen drama 90210, according to the Hollywood Reporter. Jackson will play a trauma victim named Cooper who connects with main character Silver (Jessica Stroup). This week, Jackson is filming the episode, which serves as the fifth season finale. 90210 has also featured Carly Rae Jepsen, Ne-Yo and Nelly Furtado, among others, this season.

Photos: Michael Jackson's All-Star Memorial – Prince Michael

Prince Michael Jackson is moving quickly into the TV world. He was announced as a correspondent on Entertainment Tonight just last week and interviewed James Franco, Zach Braff and director Sam Raimi on their upcoming film Oz the Great and Powerful.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, October 21, 2012

Michael Stipe to Judge Animated GIF Festival

Michael Stipe

Michael Stipe announced on R.E.M.'s website that he will serve as a judge for the GIF festival Moving the Still. The festival is described as "the first large-scale, open call event of its kind for original GIF art" and will be curated by Paddle8 and hosted by Tumblr. Submissions are open and will be published through November 7th, with a live exhibition to be showcased during Miami Art Week 2012 (December 4th-9th).

For more information, including GIFs created by Stipe, visit Moving the Still's website.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Spike Lee Previews 'Michael Jackson: Bad25' With Trailer

Spike Lee Previews 'Michael Jackson: Bad25' With TrailerDocumentary tracks the making of the 1987 album and tour $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); By

Spike Lee will debut his Michael Jackson documentary Michael Jackson: Bad25 on November 22nd on ABC, and in this new trailer, the director gives a peek into the making of the classic 1987 album, its music videos and the Bad tour. Catch studio shots, live snippets and plenty of iconic imagery, including the unforgettable anti-gravity lean in the "Smooth Criminal" video. "That's what this documentary is about – it's gonna have people return to focusing on the music, his art, which I feel is his legacy, in addition to his children," Lee said last month. "He became a prisoner of his fame."


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Michael Stipe to Judge Animated GIF Festival

Michael Stipe

Michael Stipe announced on R.E.M.'s website that he will serve as a judge for the GIF festival Moving the Still. The festival is described as "the first large-scale, open call event of its kind for original GIF art" and will be curated by Paddle8 and hosted by Tumblr. Submissions are open and will be published through November 7th, with a live exhibition to be showcased during Miami Art Week 2012 (December 4th-9th).

For more information, including GIFs created by Stipe, visit Moving the Still's website.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, September 14, 2012

Michael Jackson Promoter Withdraws Insurance Claim Over Singer's Death

September 12, 2012 10:40 AM ETAEG Chief Executive Randy Phillips of AEG.

AEG Live, the concert promoters for Michael Jackson's planned 2009 comback tour, have dropped a $17.5 million insurance claim stemming from Jackson's death after leaked e-mails showed that AEG executives were concerned about Jackson's health and worried about his stability shortly before his death that June, Reuters reports.

When Jackson died before he could begin a run of concerts in London, AEG filed an insurance claim with Lloyd's of London, citing losses in up-front costs for Jackson's "This Is It" tour. Lloyd's later filed suit against AEG Live, contending that it didn't owe the money.

AEG executives had long been skeptical about whether Jackson was capable of performing, according to e-mails obtained by the Los Angeles Times that openly discussed the matter. CEO Randy Phillips sent one particularly revealing message in March 2009 while he was in London with Jackson to announce the shows. "MJ is locked in his room drunk and despondent," wrote Phillips. "I [am] trying to sober him up." Despite the suggestion that AEG Live was aware of Jackson's troubles while negotiating its insurance policy with Lloyd's, AEG attorneys maintain the company's withdrawal has "nothing to do with the recent leak" of the emails.

"We are standing by AEG's lawyers comments that the withdrawal of the claim was not related to the leaked emails, said Paul Schriffer, an attorney for Lloyd's. An attorney for AEG, Marvin Putnam, said the company informed Lloyd's in June that it was dropping the claim, citing reimbursement from the Jackson estate that covered the company's losses.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Q&A: Michael Moore on Why Obama Needs Women, Taking Long Walks

michael moore

In the midst of an election season, you'd expect Michael Moore – whose last film, Capitalism: A Love Story, was released three years ago – to be playing his traditional role as liberal provocateur. Instead, he's been most visible as . . . a guy taking long walks. Since March, in what began as a jokey tweet urging his followers to join him on a stroll, Moore's regular #miketakesawalk Twitter outings have drawn thousands.

So how did this begin?
It was a Sunday night. I'd read earlier in the day in The New York Times that more Americans are on antidepressants than go to the movies.

That's depressing in all sorts of ways.
Exactly. I thought I'd tweet that out. This began a little bit of a firestorm. One group started tweeting that Hollywood movies are so bad, they'd make you more depressed. Then a fight broke out between people for and against antidepressants. Finally, some guy tweets to everyone, "I've found that all I need is a brisk walk." I laughed and retweeted him and wrote, "I think he's got the right idea. I'm putting my shoes on right now. Anyone who wants to join me can go." And I went on a 30-minute walk.

And it grew from there?
Yes. The next day, I thought, "I'm gonna try this again." Mind you, I'm not doing this for any reason! I wasn't planning any kind of walking routine. But I got even more responses, and I felt an obligation to keep going. People started tweeting pictures of their walks, or things like, "If you're going at 7 p.m. on the East Coast, do I have to go at 4 p.m. on the West Coast?" Europeans are weighing in: "Seven is too late! That's midnight here!" By the end of the month, I was having too much fun to stop. And I was feeling good, personally.

I think people have been surprised by the lack of a political element.
People say, "What's the cause?" The cause is putting one foot in front of the other. There's honestly no rhyme or reason behind this. I deplore exercise. Diets are a scam. I don't believe any of this stuff. I just started doing it because it was a weird thing to do, and then it became a collective thing to do with thousands of people around the world.

So what else can we look forward to?
I can't really say. There are three different projects I'm working on. They're not all films. People will become aware of them in the next year. I made the mistake of talking too much about Sicko before I finished the film, and the health-insurance lobby really came after me, so that's all I can say.

What are your thoughts on the presidential race?
I'm sure right about now Republicans are thinking, "Why the hell did we ever give women the vote?!" One of my Twitter followers wrote on my feed today, "In November, the Republicans are going to find out what a real pussy riot is." When they write the history of this election, it might come down to Todd Akin and these last few days. The gap between McCain and Obama on the women's vote was something like 14 percent. I wouldn't be surprised if it doubled this year. And that's good because Obama needs women to replace young voters.

You don't think young people will come out?
Enthusiasm is down because the person they voted for didn't come out of the gate swinging. He played "Kumbaya." I don't understand what part of "10 million vote mandate" he didn't understand. That's why I think this job is not going to be decided by independents. It's going to be about who does the best job of physically getting people out. If you could do an American Idol poll, where nobody had to get off the couch, Obama would probably still win. But that's not how we vote.

After a summer of the Romney campaign making a series of mistakes, is there a danger of overconfidence on the part of Obama supporters?
Yes. Republicans are relentless and they're smart, too – they're not all dumb – and on Election Day, they'll be up at five in the morning. The only way our side will see five in the morning is if we've stayed up all night partying. So I say don't get too cocky about Obama winning. You only have to look at what happened in Wisconsin a few months go [when Republican Gov. Scott Walker staved off a recall]. Everyone thought that was going to go the good way, and the bad guys won. The bad guys are very good at winning.

This is from the September 13th, 2012 issue of Rolling Stone.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, August 26, 2012

TJ Jackson Named Co-Guardian of Michael Jackson's Children

tj jackson

TJ Jackson has been named co-guardian of Michael Jackson's three children, CBS reports. The nephew of the pop icon will share duties with Michael's mother, Katherine.

Earlier this month, Katherine Jackson regained co-guardianship of Paris, Prince and Blanket Jackson after TJ was named temporary guardian. The co-guardianship ruling had been temporary but is now finalized. TJ is the son of Tito Jackson.

Last month, Katherine Jackson was reported missing after Paris, Prince and Blanket were unable to reach her for over a week, leading to a family disagreement over the custody of the children and Katherine's whereabouts.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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TJ Jackson Named Co-Guardian of Michael Jackson's Children

tj jackson

TJ Jackson has been named co-guardian of Michael Jackson's three children, CBS reports. The nephew of the pop icon will share duties with Michael's mother, Katherine.

Earlier this month, Katherine Jackson regained co-guardianship of Paris, Prince and Blanket Jackson after TJ was named temporary guardian. The co-guardianship ruling had been temporary but is now finalized. TJ is the son of Tito Jackson.

Last month, Katherine Jackson was reported missing after Paris, Prince and Blanket were unable to reach her for over a week, leading to a family disagreement over the custody of the children and Katherine's whereabouts.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, August 24, 2012

Oliver Stone and Michael Moore Support Julian Assange in Op-Ed

Oliver Stone and Michael MooreDimitrios Kambouris/WireImage; Ethan Miller/Getty Images

Filmmakers Oliver Stone and Michael Moore spoke out in support of WikiLeaks founder Julian Assange today in a New York Times op-ed, declaring themselves "deeply grateful for the accomplishments of WikiLeaks." Assange is currently living in the Ecuadorean Embassy in London after the country granted him diplomatic asylum.

Moore and Stone praise Assange and WikiLeaks for exposing "the uglier acts" of the American government, including the release of footage that appears to shows a U.S. attack helicopter killing Baghdad civilians seemingly at random, and information about the Obama administration's pressuring of other nations not to prosecue Bush-era officials for torture. 

Although Moore and Stone call for a thorough investigation of the sexual assault allegations that have prompted a warrant for for Assange's arrest in Sweden, they also accuse the governments of Britan and Sweden, and not Assange, of impeding the investigation. The co-authors point out that he hasn't been formally charged with a crime. They also note that Assange has offered to be questioned in London by Swedish authorities and would even return to Sweden if the country promised not to extradite him to the United States, where he could face charges under the Espionage Act.

"Mr. Assange has every reason to fear such an outcome," Stone and Moore write. "The Justice Department recently confirmed that it was continuing to investigate WikiLeaks, and just-disclosed Australian government documents from this past February state that 'the U.S. investigation into possible criminal conduct by Mr. Assange has been ongoing for more than a year.'"  

At the end of their piece, the filmmakers note the possible global consequences if Assange is extradited to the United States, particularly because the founder is neither an American citizen, nor did his actions take place on American soil. 

"If the United States can prosecute a journalist in these circumstances, the governments of Russia or China could, by the same logic, demand that foreign reporters anywhere on earth be extradited for violating their laws," they write. "The setting of such a precedent should deeply concern everyone, admirers of WikiLeaks or not." 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Thursday, August 23, 2012

Michael J. Fox Comedy Gets Green Light From NBC

michael j fox

NBC has picked up 22 episodes of Michael J. Fox's new TV show, a single-camera sitcom inspired by the actor's real life, according to The Hollywood Reporter.

The show, which is still untitled, stars Fox as a husband and father of three in New York juggling family, career and various challenges, including Parkinson's disease. Filming begins this year, with a series debut expected for fall 2013.

"I'm extremely pleased to be back at NBC with a great creative team and a great show," Fox said in a statement. NBC Entertainment chairman "Bob Greenblatt and all the folks at the network have given me a warm welcome home, and I'm excited to get to work."

Also on board is writer Sam Laybourne, who's penned scripts for Arrested Development and Cougar Town, while Easy A director Will Gluck will executive produce and direct (including the pilot) from his own Olive Bridge Entertainment.

"To bring Michael J. Fox back to NBC is a supreme honor, and we are thrilled that one of the great comedic television stars is coming home again," said Greenblatt. "From the moment we met with Michael to hear his unique point of view about this new show, we were completely captivated and on board. He is utterly relatable, optimistic and in a class by himself, and I have no doubt that the character he will create – and the vivid family characters surrounding him – will be both instantly recognizable and hilarious. Being in business with him is a pleasure of the highest order."

Fox has had a lengthy television career with memorable turns on NBC's Family Ties, ABC's Spin City and FX's Rescue Me. Most recently he scored Emmy nominations for his roles on Curb Your Enthusiasm and The Good Wife.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, July 16, 2012

Bret Michaels Makes 'Magic' With Michael Anthony, Joe Perry on New LP

Bret Michaels and musicians C.C. DeVille, Rikki Rockett and Bobby Dall performs at the after party for the premiere of Warner Bros. Pictures' 'Rock Of Ages' at Hollywood and Highland in Los Angeles, California on June 8, 2012.

While gearing up to take Poison on tour with Def Leppard this summer, Bret Michaels found time to assemble an all-star cast of guests for his new LP, Bret Michaels and Friends: Get Your Rock On, due out in September.

"Every song on it is a collaboration with other musicians," says Michaels. "And it's such a diverse range of people, from Loretta Lynn and Joe Perry [who play on a reworking of the Poision hit "Every Rose Has Its Thorn"] and Jimmy Buffett to Lil Jon, Michael Anthony, Ace Frehley, all the Skynyrd guys, guys from .38 Special and Blackfoot and Rascal Flatts' Jay [DeMarcus]. These are friends and people I've played with, partied with, jammed with throughout the years."

A new rendition of Poison's "Nothin' But a Good Time" unites Frehley, Anthony and Lil Jon. "Ace Frehley is the real deal," says Michaels. "He laid down this amazing solo and then Michael Anthony came in, he did the backups, and I was like, 'Just play some Michael Anthony licks.' He did, and that's what made magic on the song."

While many of the featured artists are now friends of Michaels, they started off as his rock & roll heroes. That's most apparent on his rendition of "Sweet Home Alabama." "I did [it] with all the guys from Lynyrd Skynyrd, the guys from Blackfoot and .38 Special," he says. "That was amazing because probably my first foot in the door as a child was traditional country, then I got turned onto the Beatles and Stones. Then I immediately fell in love with Southern rock, which was kind of a perfect mixture of country and rock."

Michaels isn't done recruiting collaborators. He hopes to get Zakk Wylde to come in and redo "Go That Far," the theme from Rock of Love. And after checking out Cheap Trick in concert recently, he got another idea. "I'd like to get Rick Nielsen to come in to play on 'Talk Dirty to Me,'" he says. "I think that'd be great to have him come in and put his style on a song that I remade in an over-the-top, punk-metal fashion."

Though Michaels says, "This could be the never-ending record," he's focused on finishing the LP and can't help but get excited about the prospects of future collaborations. "If I was to do another one of these records, it's overwhelming the amount of possibilities," he says. "I've been onstage with Jimmy Page, he's come and played with Poison in Reno, Nevada, and it was an amazing night. And last year, I played with Toby Keith and partied with him. The list is endless."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Roger Waters, Michael Jackson 'Immortal' Tour Top Mid-Year Concert Sales

Roger Waters performs during 'The Wall Live' tour in San Francisco

Two years after the most disastrous summer touring season in decades, the concert business has crept back to almost full health, according to mid-year sales numbers released Thursday by industry magazine Pollstar.

Led by Cirque du Soleil's "Michael Jackson: The Immortal," as well as Roger Waters, Van Halen, Drake, Bruce Springsteen and Elton John, sales for the Top 100 jumped 11.3 percent, total tickets increased 1.2 percent and average prices dropped from $67 to $61.

"More people are touring, and the shows are doing better than last year," says Mark Campana, co-president of North American concerts for Live Nation, the world's biggest promoter. "And in terms of the economy, I don't want anybody to think we're out of the woods, but we're definitely seeing more people spend more money beyond the tickets when they're out there."

After artists and promoters jacked up 2010 prices for even B-level stars (such as a pre-Voice Christina Aguilera and the Lilith Fair tour), fans stayed away, forcing last-minute deals. Van Halen managed to gross $44.9 million in early 2012 even after abruptly canceling most of its late-summer shows, while the Cirque tour took in $78.5 million, Waters grossed $62 million and Drake and Springsteen scored $30 million apiece. Campana argues artists and promoters have collaborated since then to lower salaries and costs in order to keep prices reasonable: "The industry is working together more effectively."

But not everybody is convinced the trend of decreasing face-value prices and higher sales reflects a healthy business. The problem, says Seth Hurwitz, co-owner of I.M.P., the Washington, D.C., promoter that runs the 930 Club and the Merriweather Post Pavilion, is still that scalpers jack up prices for the best seats beyond typical fans' means. "It pisses people off. It makes it feel like an elitist experience," he says. "And, yes, they will pay it ... and then they don't have money for other shows. Until the hijacking of the best seats stops, this business will continue to have problems."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, July 15, 2012

Roger Waters, Michael Jackson 'Immortal' Tour Top Mid-Year Concert Sales

Roger Waters performs during 'The Wall Live' tour in San Francisco

Two years after the most disastrous summer touring season in decades, the concert business has crept back to almost full health, according to mid-year sales numbers released Thursday by industry magazine Pollstar.

Led by Cirque du Soleil's "Michael Jackson: The Immortal," as well as Roger Waters, Van Halen, Drake, Bruce Springsteen and Elton John, sales for the Top 100 jumped 11.3 percent, total tickets increased 1.2 percent and average prices dropped from $67 to $61.

"More people are touring, and the shows are doing better than last year," says Mark Campana, co-president of North American concerts for Live Nation, the world's biggest promoter. "And in terms of the economy, I don't want anybody to think we're out of the woods, but we're definitely seeing more people spend more money beyond the tickets when they're out there."

After artists and promoters jacked up 2010 prices for even B-level stars (such as a pre-Voice Christina Aguilera and the Lilith Fair tour), fans stayed away, forcing last-minute deals. Van Halen managed to gross $44.9 million in early 2012 even after abruptly canceling most of its late-summer shows, while the Cirque tour took in $78.5 million, Waters grossed $62 million and Drake and Springsteen scored $30 million apiece. Campana argues artists and promoters have collaborated since then to lower salaries and costs in order to keep prices reasonable: "The industry is working together more effectively."

But not everybody is convinced the trend of decreasing face-value prices and higher sales reflects a healthy business. The problem, says Seth Hurwitz, co-owner of I.M.P., the Washington, D.C., promoter that runs the 930 Club and the Merriweather Post Pavilion, is still that scalpers jack up prices for the best seats beyond typical fans' means. "It pisses people off. It makes it feel like an elitist experience," he says. "And, yes, they will pay it ... and then they don't have money for other shows. Until the hijacking of the best seats stops, this business will continue to have problems."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Saturday, July 14, 2012

Bret Michaels Makes 'Magic' With Michael Anthony, Joe Perry on New LP

Bret Michaels and musicians C.C. DeVille, Rikki Rockett and Bobby Dall performs at the after party for the premiere of Warner Bros. Pictures' 'Rock Of Ages' at Hollywood and Highland in Los Angeles, California on June 8, 2012.

While gearing up to take Poison on tour with Def Leppard this summer, Bret Michaels found time to assemble an all-star cast of guests for his new LP, Bret Michaels and Friends: Get Your Rock On, due out in September.

"Every song on it is a collaboration with other musicians," says Michaels. "And it's such a diverse range of people, from Loretta Lynn and Joe Perry [who play on a reworking of the Poision hit "Every Rose Has Its Thorn"] and Jimmy Buffett to Lil Jon, Michael Anthony, Ace Frehley, all the Skynyrd guys, guys from .38 Special and Blackfoot and Rascal Flatts' Jay [DeMarcus]. These are friends and people I've played with, partied with, jammed with throughout the years."

A new rendition of Poison's "Nothin' But a Good Time" unites Frehley, Anthony and Lil Jon. "Ace Frehley is the real deal," says Michaels. "He laid down this amazing solo and then Michael Anthony came in, he did the backups, and I was like, 'Just play some Michael Anthony licks.' He did, and that's what made magic on the song."

While many of the featured artists are now friends of Michaels, they started off as his rock & roll heroes. That's most apparent on his rendition of "Sweet Home Alabama." "I did [it] with all the guys from Lynyrd Skynyrd, the guys from Blackfoot and .38 Special," he says. "That was amazing because probably my first foot in the door as a child was traditional country, then I got turned onto the Beatles and Stones. Then I immediately fell in love with Southern rock, which was kind of a perfect mixture of country and rock."

Michaels isn't done recruiting collaborators. He hopes to get Zakk Wylde to come in and redo "Go That Far," the theme from Rock of Love. And after checking out Cheap Trick in concert recently, he got another idea. "I'd like to get Rick Nielsen to come in to play on 'Talk Dirty to Me,'" he says. "I think that'd be great to have him come in and put his style on a song that I remade in an over-the-top, punk-metal fashion."

Though Michaels says, "This could be the never-ending record," he's focused on finishing the LP and can't help but get excited about the prospects of future collaborations. "If I was to do another one of these records, it's overwhelming the amount of possibilities," he says. "I've been onstage with Jimmy Page, he's come and played with Poison in Reno, Nevada, and it was an amazing night. And last year, I played with Toby Keith and partied with him. The list is endless."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Thursday, April 5, 2012

Feist, Michael Buble, Sheepdogs Are JUNO Awards Winners

Feist on stage during the 2012 JUNO Awards

Feist was honored as Artist of the Year at last night's 2012 JUNO Awards at Scotiaband Place in Ottawa. Michael Buble's Christmas was named Album of the Year and the Sheepdogs scored Single of the Year for "I Don't Know." Heartthrob Justin Bieber was the Juno Fan Choice, and stalwarts Blue Rodeo took their place in the Canadian Music Hall of Fame.

There were some surprises. Solveig & Dragonette's "Hello" topped four-time winner Deadmau5 (whom host William Shatner called "Deadmow") in the Dance Recording category. Relative newcomer Arkells beat out Hedley and the oft-maligned Nickelback for Group of the Year. Buble's win for a holiday album may have been the biggest upset, as Christmas beat out Drake's Take Care, Avril Lavigne's Goodbye Lullabye and Nickelback's Here and Now, as well as Justin Bieber's own holiday entry, Under the Mistletoe. Drake had to settle for Rap Recording of the Year.

The Sheepdogs tied Feist with three Juno Awards, bringing home New Group of the Year, the top single award and Rock Album of the Year for Learn & Burn. In addition to Artist of the Year, Feist won Adult Alternative Album of the Year for Metals and Music DVD of the Year for Look At What the Light Did Now. Folkie Dan Mangan was also a big winner, grabbing Alternative Album of the Year for Oh Fortune as well as the award for New Artist of the Year.           

Another Canadian icon, Bruce Cockburn, won Roots & Traditional Album of the Year: Solo for Small Source of Comfort. And it wouldn't be a proper music awards show without Adele, who won International Album of the Year for 21.

A complete list of winners can be found on the official Juno Awards website.  

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Michael Kiwanuka Readies U.S. Tour

Michael Kiwanuka Michael Kiwanuka performs at Stubb's Ampitheatre during SXSW in Austin, Texas.

After opening for Adele on her European tour last spring and releasing a celebrated debut LP, Home Again, in his native U.K. in March, singer-songwriter Michael Kiwanuka is gearing up to introduce his music to U.S. audiences. The 24-year-old will kick off a brief North American tour in Atlanta on June 9th and wrap in Toronto on June 19th, a few weeks before Home Again drops in the U.S. on July 31st. A tight collection of instantly catchy tunes that reflect Kiwanuka's vintage soul and roots rock influences, the album was recorded over a stretch of two years at producer Paul Butler's Steam Room basement studio in the Isle of Wight.

"I was so nervous at first," says Kiwanuka. "The first year was really digging around trying to find out how to create a bigger sound. I didn't see how fun it could be until the last six months. In a way, it's like I just started."

Kiwanuka, whose parents fled Uganda's Amin regime before he was born, took up guitar at age 12. As a teenager, he became hooked on the classic soul of Otis Redding and Sly Stone despite his friends' preference for Nirvana and Radiohead. Later, he would make another major discovery: the Band's The Last Waltz, the epic 1976 farewell concert captured on film by Martin Scorcese. In the group's blend of down-home lyrics and rich melodies and harmonies, Kiwanuka discovered a sound and aura that he hoped to replicate in his own music. "It had that kind of rootsy, country thing, but it was soul," he explains. "It's all soul to me."

Kiwanuka says he has aspired to be a musician since his early teens. "Whatever it was that involved music, that's what I wanted to do. But I didn't know how to make that happen." Already adept at guitar, he started backing regional hip-hop acts like Chipmunk and Bashy before beginning to pen his own material. He recorded some rough demos that caught the attention of Communion Records, the U.K. indie label co-founded in 2010 by Mumford and Son's Ben Lovett. The label signed the blossoming songwriter and quickly released his first two EPs, Tell Me a Tale and I'm Getting Ready.

Home Again is about finding peace from within, says Kiwanuka: "My idea of home is not necessarily a place." On "Lasan," the lilting, Dan Auerbach-produced B-side to "Tell Me a Tale," he sings, "Try to find new something that won't fade away in time." After hearing that the Black Keys' frontman was a fan of his work, Kiwanuka asked Auerbach to join him for a three-and-a-half hour session at Ray Davies' Konk studios in London. "Lucky for me, he said yes," recalls Kiwanuka, who still sounds giddy over the collaboration. "The song kind of cut itself. I worked really well with him. He was so quick."

Michael Kiwanuka's tour dates: 

6/9 Atlanta, GA – Smith Olde Bar
6/10 Nashville, TN – 3rd & Lindsley
6/13 New York, NY – Highline Ballroom
6/14 Brooklyn, NY – Prospect Park (Celebrate Brooklyn!)
6/15 Philadelphia, PA – World Café Live (Downstairs)
6/16 Washington, DC – Rock and Roll Hotel
6/18 Allston, MA – Brighton Music Hall
6/19 Toronto, ON – The Great Hall

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Michael Kiwanuka Readies U.S. Tour

Michael Kiwanuka Michael Kiwanuka performs at Stubb's Ampitheatre during SXSW in Austin, Texas.

After opening for Adele on her European tour last spring and releasing a celebrated debut LP, Home Again, in his native U.K. in March, singer-songwriter Michael Kiwanuka is gearing up to introduce his music to U.S. audiences. The 24-year-old will kick off a brief North American tour in Atlanta on June 9th and wrap in Toronto on June 19th, a few weeks before Home Again drops in the U.S. on July 31st. A tight collection of instantly catchy tunes that reflect Kiwanuka's vintage soul and roots rock influences, the album was recorded over a stretch of two years at producer Paul Butler's Steam Room basement studio in the Isle of Wight.

"I was so nervous at first," says Kiwanuka. "The first year was really digging around trying to find out how to create a bigger sound. I didn't see how fun it could be until the last six months. In a way, it's like I just started."

Kiwanuka, whose parents fled Uganda's Amin regime before he was born, took up guitar at age 12. As a teenager, he became hooked on the classic soul of Otis Redding and Sly Stone despite his friends' preference for Nirvana and Radiohead. Later, he would make another major discovery: the Band's The Last Waltz, the epic 1976 farewell concert captured on film by Martin Scorcese. In the group's blend of down-home lyrics and rich melodies and harmonies, Kiwanuka discovered a sound and aura that he hoped to replicate in his own music. "It had that kind of rootsy, country thing, but it was soul," he explains. "It's all soul to me."

Kiwanuka says he has aspired to be a musician since his early teens. "Whatever it was that involved music, that's what I wanted to do. But I didn't know how to make that happen." Already adept at guitar, he started backing regional hip-hop acts like Chipmunk and Bashy before beginning to pen his own material. He recorded some rough demos that caught the attention of Communion Records, the U.K. indie label co-founded in 2010 by Mumford and Son's Ben Lovett. The label signed the blossoming songwriter and quickly released his first two EPs, Tell Me a Tale and I'm Getting Ready.

Home Again is about finding peace from within, says Kiwanuka: "My idea of home is not necessarily a place." On "Lasan," the lilting, Dan Auerbach-produced B-side to "Tell Me a Tale," he sings, "Try to find new something that won't fade away in time." After hearing that the Black Keys' frontman was a fan of his work, Kiwanuka asked Auerbach to join him for a three-and-a-half hour session at Ray Davies' Konk studios in London. "Lucky for me, he said yes," recalls Kiwanuka, who still sounds giddy over the collaboration. "The song kind of cut itself. I worked really well with him. He was so quick."

Michael Kiwanuka's tour dates: 

6/9 Atlanta, GA – Smith Olde Bar
6/10 Nashville, TN – 3rd & Lindsley
6/13 New York, NY – Highline Ballroom
6/14 Brooklyn, NY – Prospect Park (Celebrate Brooklyn!)
6/15 Philadelphia, PA – World Café Live (Downstairs)
6/16 Washington, DC – Rock and Roll Hotel
6/18 Allston, MA – Brighton Music Hall
6/19 Toronto, ON – The Great Hall

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Wednesday, April 4, 2012

Feist, Michael Buble, Sheepdogs Are JUNO Awards Winners

Feist on stage during the 2012 JUNO Awards

Feist was honored as Artist of the Year at last night's 2012 JUNO Awards at Scotiaband Place in Ottawa. Michael Buble's Christmas was named Album of the Year and the Sheepdogs scored Single of the Year for "I Don't Know." Heartthrob Justin Bieber was the Juno Fan Choice, and stalwarts Blue Rodeo took their place in the Canadian Music Hall of Fame.

There were some surprises. Solveig & Dragonette's "Hello" topped four-time winner Deadmau5 (whom host William Shatner called "Deadmow") in the Dance Recording category. Relative newcomer Arkells beat out Hedley and the oft-maligned Nickelback for Group of the Year. Buble's win for a holiday album may have been the biggest upset, as Christmas beat out Drake's Take Care, Avril Lavigne's Goodbye Lullabye and Nickelback's Here and Now, as well as Justin Bieber's own holiday entry, Under the Mistletoe. Drake had to settle for Rap Recording of the Year.

The Sheepdogs tied Feist with three Juno Awards, bringing home New Group of the Year, the top single award and Rock Album of the Year for Learn & Burn. In addition to Artist of the Year, Feist won Adult Alternative Album of the Year for Metals and Music DVD of the Year for Look At What the Light Did Now. Folkie Dan Mangan was also a big winner, grabbing Alternative Album of the Year for Oh Fortune as well as the award for New Artist of the Year.           

Another Canadian icon, Bruce Cockburn, won Roots & Traditional Album of the Year: Solo for Small Source of Comfort. And it wouldn't be a proper music awards show without Adele, who won International Album of the Year for 21.

A complete list of winners can be found on the official Juno Awards website.  

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Tuesday, April 3, 2012

Michael Franti and Spearhead Recording 'More Aggressive' New Album

Michael Franti of Spearhead Michael Franti of Spearhead performs at Brixton Academy, London. Amanda Rose/Photoshot/Getty Images

Michael Franti and Spearhead are currently working on their eighth studio album, and the frontman says it will be a bit of a sonic departure from previous Spearhead efforts. "This album is a lot harder and more aggressive," Franti tells Rolling Stone. "There are some songs that are just acoustic guitar and nothing else, but the ones that aren't like that are louder and at times more punk rock, with dance beats to them."

While the band hasn't decided on an album title yet, Franti says it will arrive sometime in the fall, with a to-be-determined lead single dropping in the summer. So far 35 songs have been recorded, and they'll eventually be whittled down to an album's worth of tunes. The album also promises to be a more collaborative effort.

"We're working with a lot of different producers on this record," says Franti. "Sly & Robbie, we're going to do some work with them. I've been producing a lot of stuff with my guitarist, Jay Bowman. But we've been collaborating with lots of different songwriters. This is the first time I've done this."

The singer-guitarist is also drawing his inspiration for the record from a higher place. "I've been inspired by viewing Earth from outer space," Franti explains. "When you see photographs of Earth, you think of it as a-single celled organism floating through the universe, and then you get in closer and you see all the joys and problems and the human relationships we have. Just the macro and micro perspective of the Earth and its politics right now." The theme is reflected in the title of one track, "Earth from Outer Space," while another tune called "11:59" is a "metaphor for where we're at in the world today, being at this precipice with so many big changes taking place," Franti says.

Fans won't have to wait as long to catch Michael Franti & Spearhead live, as they're planning to launch a tour this May and play dates throughout the summer festival season, followed by a proper headlining tour in support of the new LP. The constant gigging has been key to the success of Spearhead's last two albums, says Franti.

"We've just been out on the road, and a lot of our attention that has come to our band has been through word of mouth and social messaging," he says. "But in the past few years, we've had a few songs that were for whatever reason – and a surprise to us – played on the radio a lot. Radio still informs a lot of people about music. I think had it been five years before, those same songs wouldn't be played on the radio. The time has changed now, where the way people collect music through the Internet has broadened their taste. I think it's a really great time to be a musician today, and to be an independent musician like myself who can have the kind of successes that we had. We're just really fortunate."

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