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Showing posts with label Roses. Show all posts
Showing posts with label Roses. Show all posts

Thursday, March 14, 2013

Azealia Banks Accuses Stone Roses of Sabotage in Twitter Rant

Azealia Banks Azealia Banks attends the OHWOW and HTC celebration of the release of 'Terrywood' with Terry Richardson in Miami. Frazer Harrison/Getty Images for HTC

Azealia Banks started off her weekend by picking yet another Twitter fight. After performing at Australia's Future Music Festival on Friday, the rapper accused the Stone Roses, who were also playing the festival, of intentionally sabotaging her set at the request of her former manager.

"Big apologies on behalf of the stone roses to my fans at the festival today," Banks tweeted in the opening shot of her rant. "My ex tour manager made a pact with the stone roses saying they'd sabotage my set because I fired him.. And they decided to check their equipment behind me during my set. Fuck those old saggy white n***as stone roses. I wish them nothing but excrement and death."

Azealia Banks Trips Out in 'Atlantis'

Banks, whose new single "Yung Rapunxel" is due out March 26th, then took a moment to reflect on what the band's alleged actions indicate about her own status in the industry. "Wow! I must really fucking be a superstar... You've got an established band trying to sabotage my lil rap bitch shine," she wrote. "Wow a bunch of old white men trying to bully a young black girl.... What the fuck else is new in this world ???"

In early January, Banks made headlines by engaging in an extended Twitter feud with rapper Angel Haze, which spilled over to include celebrity blogger Perez Hilton. In recent weeks, she also took on Baauer after the DJ had her remix of "Harlem Shake" removed from Soundcloud.


To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Electronics Review Center

Tuesday, March 12, 2013

Azealia Banks Accuses Stone Roses of Sabotage in Twitter Rant

Azealia Banks Azealia Banks attends the OHWOW and HTC celebration of the release of 'Terrywood' with Terry Richardson in Miami. Frazer Harrison/Getty Images for HTC

Azealia Banks started off her weekend by picking yet another Twitter fight. After performing at Australia's Future Music Festival on Friday, the rapper accused the Stone Roses, who were also playing the festival, of intentionally sabotaging her set at the request of her former manager.

"Big apologies on behalf of the stone roses to my fans at the festival today," Banks tweeted in the opening shot of her rant. "My ex tour manager made a pact with the stone roses saying they'd sabotage my set because I fired him.. And they decided to check their equipment behind me during my set. Fuck those old saggy white n***as stone roses. I wish them nothing but excrement and death."

Azealia Banks Trips Out in 'Atlantis'

Banks, whose new single "Yung Rapunxel" is due out March 26th, then took a moment to reflect on what the band's alleged actions indicate about her own status in the industry. "Wow! I must really fucking be a superstar... You've got an established band trying to sabotage my lil rap bitch shine," she wrote. "Wow a bunch of old white men trying to bully a young black girl.... What the fuck else is new in this world ???"

In early January, Banks made headlines by engaging in an extended Twitter feud with rapper Angel Haze, which spilled over to include celebrity blogger Perez Hilton. In recent weeks, she also took on Baauer after the DJ had her remix of "Harlem Shake" removed from Soundcloud.


To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Electronics Review Center

Monday, March 11, 2013

Azealia Banks Accuses Stone Roses of Sabotage in Twitter Rant

Azealia Banks Azealia Banks attends the OHWOW and HTC celebration of the release of 'Terrywood' with Terry Richardson in Miami. Frazer Harrison/Getty Images for HTC

Azealia Banks started off her weekend by picking yet another Twitter fight. After performing at Australia's Future Music Festival on Friday, the rapper accused the Stone Roses, who were also playing the festival, of intentionally sabotaging her set at the request of her former manager.

"Big apologies on behalf of the stone roses to my fans at the festival today," Banks tweeted in the opening shot of her rant. "My ex tour manager made a pact with the stone roses saying they'd sabotage my set because I fired him.. And they decided to check their equipment behind me during my set. Fuck those old saggy white n***as stone roses. I wish them nothing but excrement and death."

Azealia Banks Trips Out in 'Atlantis'

Banks, whose new single "Yung Rapunxel" is due out March 26th, then took a moment to reflect on what the band's alleged actions indicate about her own status in the industry. "Wow! I must really fucking be a superstar... You've got an established band trying to sabotage my lil rap bitch shine," she wrote. "Wow a bunch of old white men trying to bully a young black girl.... What the fuck else is new in this world ???"

In early January, Banks made headlines by engaging in an extended Twitter feud with rapper Angel Haze, which spilled over to include celebrity blogger Perez Hilton. In recent weeks, she also took on Baauer after the DJ had her remix of "Harlem Shake" removed from Soundcloud.


To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Electronics Review Center

Thursday, February 28, 2013

Ashley Monroe Entices Her Beau With 'Weed Instead of Roses' - Song Premiere

Pistol Annies member Ashley Monroe is ready to venture out on her own with the release of her first solo album, Like a Rose, on March 5th through Warner Nashville. Now you can listen to the album cut "Weed Instead of Roses," an arch, tantalizing country tune about a stale relationship in desperate need of some herbal help. It finds Monroe cooing to her beau, "Go call your no-good brother/ We both know what he's been growing/ I'll be waiting with the whipped cream/ And baby, let's get going."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, February 26, 2013

Ashley Monroe Entices Her Beau With 'Weed Instead of Roses' - Song Premiere

Pistol Annies member Ashley Monroe is ready to venture out on her own with the release of her first solo album, Like a Rose, on March 5th through Warner Nashville. Now you can listen to the album cut "Weed Instead of Roses," an arch, tantalizing country tune about a stale relationship in desperate need of some herbal help. It finds Monroe cooing to her beau, "Go call your no-good brother/ We both know what he's been growing/ I'll be waiting with the whipped cream/ And baby, let's get going."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, January 29, 2013

Coachella 2013 Lineup: Red Hot Chili Peppers, Phoenix, Blur, Stone Roses

Damon Albarn of Blur, Thomas Mars of Phoenix and Anthony Kiedis of Red Hot Chili Peppers.Ragnar Singsaas/WireImage; John Shearer/WireImage; Jesse Grant/WireImage

The Coachella 2013 lineup has officially arrived, and the Red Hot Chili Peppers, Blur, the Stone Roses and Phoenix are all slated to headline the two-weekend festival in Indio, California this April. Among the other big names on the bill: Lou Reed, Postal Service, the Yeah Yeah Yeahs, New Order and Wu-Tang Clan.

As in past years, several of the marquee acts playing Coachella are in the midst of reuniting, or at least resurfacing with new material. Both Phoenix and the Yeah Yeah Yeahs are gearing up to release their first new LPs in several years this April, and earlier this week Postal Service confirmed plans to ring in their 10th anniversary with a Coachella set. The Stones Roses and New Order both kicked off reunion tours last year, and Wu-Tang Clan are at work on a new album to mark their twentieth anniversary. 

2013's Hottest Tours

Rumors about this year's Coachella headliners had been swirling for weeks, with the Rolling Stones and Daft Punk among the acts speculated to be performing at the festival. But last week, the Stones confirmed that they would not be playing Coachella, with Mick Jagger telling NME that the band would not be ready in time for the festival, despite the string of successful reunion dates they played in the U.K. and U.S. at the close of last year. And though Daft Punk have a new LP in the works, the band has reportedly told festival promoters they won't be hitting the road this year.

Coachella will kick off on April 12th through April 14th and reprise its lineup the following weekend, April 19th through 21st. Festival passes go on sale next Tuesday, January 29th, at 10 a.m. PST. 

The full Coachella 2013 lineup is at coachella.com. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, September 14, 2012

Guns N' Roses, Jack White and Flaming Lips to Play Bridge School Benefit

Axl Rose of Guns N' Roses performs on stage on June 4th, 2012 at Ahoy, Rotterdam.

This year's Bridge School Benefit will feature performances by Neil Young & Crazy Horse, Jack White, Guns N' Roses, The Flaming Lips, Sarah McLachlan, Foster The People, Lucinda Williams, Steve Martin and the Steep Canyon Ranger Band, k.d. lang and the Siss Boom Bang and Gary Clark Jr. The annual two-day event will be held at the Shoreline Amphitheatre in Mountain View, California on October 20th and 21st. Tickets go on sale Friday, September 14th at 10:00 a.m. PDT.

As always, the artists will perform completely acoustic sets. This will be the first Bridge School Benefit for Guns N' Roses, Jack White and the Flaming Lips, and it will be a unique opportunity for fans to see them do an unplugged set. Foster The People, Steve Martin, k.d. lang and Gary Clark Jr. are also Bridge School first-timers.

The Bridge School Benefit, which raises money for children with severe physical impairments, has been held almost every year since 1986. It's organized by Neil and Pegi Young and it always boasts one of the best line-ups of the festival season. Previous shows have featured stripped-down sets by David Bowie, Bruce Springsteen, Paul McCartney, the Who, Pearl Jam, Simon and Garfunkel, Bob Dylan and too many others to mention.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, April 15, 2012

Guns N' Roses Guitarist Izzy Stradlin Says 'Gracias' Over Hall of Fame Induction

izzy stradlin Izzy Stradlin in the recording studio

Axl Rose may have taken the unusual step of declining his Rock and Roll Hall of Fame induction, but original Guns N' Roses guitarist Izzy Stradlin has finally broken his silence and revealed that he is happy to receive the honor. "I have waited up to this point to see what would become of the GNR induction into RRHOF," he said in a statement. "I would like to say THANK YOU and GRACIAS to RRHOF for the acknowledgement of our works over the years as a band. BIG THANKS to all my bandmates who helped get us to where we are today. And, of course, THANK YOU to all of the people on this planet (including, but not limited to, the entire universe and beyond, etc., etc., etc.) who have supported Guns N' Roses from day one. Adios, Amigos!"

Stradlin didn't say whether or not he plans on attending the Cleveland ceremony, but it seems unlikely. "It would be great if Izzy went, but I don't really know," Duff McKagan told Rolling Stone  in March.  "I don't know if he's into that whole kind of thing with cameras and all that stuff." Stradlin largely avoids the limelight these days, though he did play a number of shows with Guns N' Roses in 2006.

Izzy's statement was posted on McKagan's blog in the Seattle Weekly. "Izzy asked me to do him a favor and sort of get this out for him," McKagan wrote. "Izzy don't Tweet, etc." 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Guns N' Roses Guitarist Izzy Stradlin Says 'Gracias' Over Hall of Fame Induction

izzy stradlin Izzy Stradlin in the recording studio

Axl Rose may have taken the unusual step of declining his Rock and Roll Hall of Fame induction, but original Guns N' Roses guitarist Izzy Stradlin has finally broken his silence and revealed that he is happy to receive the honor. "I have waited up to this point to see what would become of the GNR induction into RRHOF," he said in a statement. "I would like to say THANK YOU and GRACIAS to RRHOF for the acknowledgement of our works over the years as a band. BIG THANKS to all my bandmates who helped get us to where we are today. And, of course, THANK YOU to all of the people on this planet (including, but not limited to, the entire universe and beyond, etc., etc., etc.) who have supported Guns N' Roses from day one. Adios, Amigos!"

Stradlin didn't say whether or not he plans on attending the Cleveland ceremony, but it seems unlikely. "It would be great if Izzy went, but I don't really know," Duff McKagan told Rolling Stone  in March.  "I don't know if he's into that whole kind of thing with cameras and all that stuff." Stradlin largely avoids the limelight these days, though he did play a number of shows with Guns N' Roses in 2006.

Izzy's statement was posted on McKagan's blog in the Seattle Weekly. "Izzy asked me to do him a favor and sort of get this out for him," McKagan wrote. "Izzy don't Tweet, etc." 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Wednesday, March 14, 2012

Guns N' Roses Bassist Duff McKagan on the Hall Of Fame: 'I'll Be There With Bells On.'

Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom. Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom.

There's a lot that Duff McKagan is unsure about at the moment. He doesn't know what's going to happen when Guns N' Roses get inducted into the Rock and Roll Hall of Fame next month. He doesn't know when (or if) Velvet Revolver will reform, and he certainly doesn't know who will front the band if that does happen. "I find in my career that I never know what's going to happen in two months," says McKagan.  "I don't know what I'm going to be doing in July, or even June. Anything could happen. I'm cool with anything."

In December Duff shared a stage with ex-bandmate Axl Rose at two gigs in Seattle and Vancouver, and then a month later Velvet Revolver reunited at a Los Angles benefit concert. We recently chatted with McKagan about all of this, as well as the paperback release of his autobiography It's So Easy: and Other Lies, which hits shelves on March 20th. 

What compelled you to write this book?
A few years ago Seattle Weekly offered me a weekly column. I was kind of terrified. Around week three I suddenly realized that I could articulate my thoughts in the written word much better than I ever could talking. I could organize what I was really getting at. A few months after that I was offered a financial column for Playboy. Suddenly I had two weekly columns and two deadlines, so I was writing a ton. I started writing other things that weren't right for my columns. I wrote a letter of gratitude to my older seven siblings. I got to my oldest brother John, and I thanked him for being our patriarch and bringing mom to the hospital. And it stopped me, that sentence right there. Our mom had Parkinson's and it took me into this whole other thing, and I started writing about that. I was dealing with things, wondering what my part was in my life. 

What I found is that we're speeding along through life and in the rearview mirror on the left you see all the bad shit, which is all that other motherfuckers fault. All the good stuff, in the other rearview mirror, is all the good stuff – which you had everything to do with. I'm being simplistic, but you know what I mean. I started delving into all that. How did I get here? What's the real story? I'm a dad and I better get all my shit straight. The writing really helped me with that. I wrote twice as many words than are in the book. Some of it you wouldn't want to read. But a story started to come to the surface when I was writing and I really liked the whole idea of it.

Are there parts of your past that you can't remember, or are just sort of blurry?
Yeah. There's a ton of it. So I didn't write about the stuff that I didn't remember. I kind of experimented with that by trying to remember stuff by writing about it, and I couldn't. I didn't want to guess or grab some dates I found on the Internet and try and write about. That would have felt disingenuous. I wrote about the stuff that I remembered, and I tried to take a reader into the insanity of addiction. Thoughts and days start melting together and you don't know where the fuck you are. I don't know if I succeeded in that, but I tried. 

Do you think that drug addicts would benefit from reading the book because they'd see that there is a way out?
That wasn't my mission statement. But since the book came out, I've noticed there's a lot of that kind of thing. "Well shit, if Duff can do it! Look how bad he was. He has kids and seems to be sane-ish." It's true, man. If I can do it, anyone can do it. I gradually became the worst of the worst.

Memory is always a weird thing. I'm sure if I talked to you and Slash about the same event I'd get a wildly different story. Did you ever deal with that when writing the book?
Yeah. I put a thing at the beginning of the book. I said, "To people that were there, you might remember it differently." That's just human nature, I think. Slash and I were in the seats right next to each other on a lot of that ride. We remember things completely differently sometimes. At times he won't remember a whole thing I remember, or vice versa. That's a whole other discussion why we retain certain things…especially when you're fucked up.

During the writing process did you ever say to yourself, "Oh, I can't write this. I'll piss off Axl or Slash…"
I was careful about that. It's not necessarily their story, so why throw somebody underneath the bus? They didn't ask me to write a story about them, or my ex-wife didn't ask me to write this. My point was to really take responsibility for my shortcomings. I tried to not bring somebody else into it. I kept reading through my passages and trying to make sure there wasn't any passive aggressive tone. At the end of the day, it doesn't read very well.

It's sort of interesting that in the past few months you've played gigs with Axl Rose and Scott Weiland.
Yeah. I'm kind of feeling like a grown-up. I don't have resentments towards anyone I played with, or to the guy who bullied me in the sixth grade. I've worked through it. But the thing I played with Scott was something bigger than all of us. That's a no-brainer. The Axl stuff…man, we shared a lot of great moments together. We grew up together in those formative times, being young men under some pretty extraordinary circumstances. Really only the five guys in the original band know what that was like…even my wife, I can't explain it to her. I couldn't write about it in that book. I'm not that good of a writer. 

Was it strange being asked to open up for Guns N' Roses a few months back?
I didn't really look at it like anything except it was a chance to play some gigs with my old buddy. One was in my hometown Seattle, and the other in Vancouver. It was a feel-good deal. It wasn't like Judas Priest calling [my band] Loaded to open some gigs for them. It felt totally different than that.

You're going to Cleveland next month for the Rock and Roll Hall of Fame. Do you know what's going to happen?
I don't. I know I'm going to go. I can't, at all, speak for anybody else. And won't. I'll be there with bells on. Is the Rock and Roll Hall of Fame that important to me? No. Is it something I've aspired towards? No. It's not sports. You get into the Baseball Hall of Fame, that's bad ass. But that's a competitive sport. You have stats. Look, we were a good band – but there were a lot of good bands. A lot of people liked our band, eventually. And that's kick ass. 

What I found out when we got nominated is that there's just a shit ton of fans around the world who are really psyched. In that case, it's more about them and the people that believed in us and bought our records and came and saw us. Imagine that? All those people believing in our band – a thing we created out of thin air. That part of it is an honor. The Rock and Roll Hall of Fame as an institution? I really don't know much about it.

Do you hope the band is going to reunite and play?
I think it would be killer. Do I hope to? That's a tricky question. It would be awesome. You have those day dreams like, "We'll go up and play 'Nightrain' and 'Brownstone' and throw down the microphone and drop off! That'll be killer!' But I doubt that'll happen.

Why?
There's been no communication about anyone playing. There was probably a day in the mid-1990s where I would have tried to gather the troops, but I'm just not that guy anymore. It's too frustrating to change anyone else…I'm not even sure I'd want to change how anyone else sees a situation. But I'm going.

I've heard that Axl is going. Do you think that Izzy will go?
I don't know. You'd have to ask him. It would be great if Izzy went, but I don't really know. I don't know if he's into that whole kind of thing with cameras and all that stuff. 

What's the deal with Velvet Revolver? Some fans are optimistic that Scott might come back because you guys played that one show.
No. We just did that thing for our friend who passed, for his wife and kids. I'd be surprised…you know what? I don't even want to try and guess anymore. Who knows what's gonna happen? I'm cool with anything, and if it feels right at the time, it'll be the thing to do and we'll talk about it then.

Do you think that Velvet Revolver has a future?
I hope so. We were a good songwriting band and it was a real thing onstage.

Are the rumors true that you talked to Corey Taylor from Slipknot at some point about joining the band?
Yeah. When you're a musician you are around your peers a lot, like Slipknot and Alice In Chains…you name the band. We're all just kind of friends. The Corey thing came up. If you're asking me, I think that Corey is the best singer of his age group, which is about eight years younger than me. He's the best pound-for-pound singer around and I'd like to explore that. And it still might happen one day. That guy is in, like, fifteen bands. But he's bad ass and the real deal and it comes from the right place with him. I have nothing but cool things to say about Corey. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Guns N' Roses Bassist Duff McKagan on the Hall Of Fame: 'I'll Be There With Bells On.'

Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom. Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom.

There's a lot that Duff McKagan is unsure about at the moment. He doesn't know what's going to happen when Guns N' Roses get inducted into the Rock and Roll Hall of Fame next month. He doesn't know when (or if) Velvet Revolver will reform, and he certainly doesn't know who will front the band if that does happen. "I find in my career that I never know what's going to happen in two months," says McKagan.  "I don't know what I'm going to be doing in July, or even June. Anything could happen. I'm cool with anything."

In December Duff shared a stage with ex-bandmate Axl Rose at two gigs in Seattle and Vancouver, and then a month later Velvet Revolver reunited at a Los Angles benefit concert. We recently chatted with McKagan about all of this, as well as the paperback release of his autobiography It's So Easy: and Other Lies, which hits shelves on March 20th. 

What compelled you to write this book?
A few years ago Seattle Weekly offered me a weekly column. I was kind of terrified. Around week three I suddenly realized that I could articulate my thoughts in the written word much better than I ever could talking. I could organize what I was really getting at. A few months after that I was offered a financial column for Playboy. Suddenly I had two weekly columns and two deadlines, so I was writing a ton. I started writing other things that weren't right for my columns. I wrote a letter of gratitude to my older seven siblings. I got to my oldest brother John, and I thanked him for being our patriarch and bringing mom to the hospital. And it stopped me, that sentence right there. Our mom had Parkinson's and it took me into this whole other thing, and I started writing about that. I was dealing with things, wondering what my part was in my life. 

What I found is that we're speeding along through life and in the rearview mirror on the left you see all the bad shit, which is all that other motherfuckers fault. All the good stuff, in the other rearview mirror, is all the good stuff – which you had everything to do with. I'm being simplistic, but you know what I mean. I started delving into all that. How did I get here? What's the real story? I'm a dad and I better get all my shit straight. The writing really helped me with that. I wrote twice as many words than are in the book. Some of it you wouldn't want to read. But a story started to come to the surface when I was writing and I really liked the whole idea of it.

Are there parts of your past that you can't remember, or are just sort of blurry?
Yeah. There's a ton of it. So I didn't write about the stuff that I didn't remember. I kind of experimented with that by trying to remember stuff by writing about it, and I couldn't. I didn't want to guess or grab some dates I found on the Internet and try and write about. That would have felt disingenuous. I wrote about the stuff that I remembered, and I tried to take a reader into the insanity of addiction. Thoughts and days start melting together and you don't know where the fuck you are. I don't know if I succeeded in that, but I tried. 

Do you think that drug addicts would benefit from reading the book because they'd see that there is a way out?
That wasn't my mission statement. But since the book came out, I've noticed there's a lot of that kind of thing. "Well shit, if Duff can do it! Look how bad he was. He has kids and seems to be sane-ish." It's true, man. If I can do it, anyone can do it. I gradually became the worst of the worst.

Memory is always a weird thing. I'm sure if I talked to you and Slash about the same event I'd get a wildly different story. Did you ever deal with that when writing the book?
Yeah. I put a thing at the beginning of the book. I said, "To people that were there, you might remember it differently." That's just human nature, I think. Slash and I were in the seats right next to each other on a lot of that ride. We remember things completely differently sometimes. At times he won't remember a whole thing I remember, or vice versa. That's a whole other discussion why we retain certain things…especially when you're fucked up.

During the writing process did you ever say to yourself, "Oh, I can't write this. I'll piss off Axl or Slash…"
I was careful about that. It's not necessarily their story, so why throw somebody underneath the bus? They didn't ask me to write a story about them, or my ex-wife didn't ask me to write this. My point was to really take responsibility for my shortcomings. I tried to not bring somebody else into it. I kept reading through my passages and trying to make sure there wasn't any passive aggressive tone. At the end of the day, it doesn't read very well.

It's sort of interesting that in the past few months you've played gigs with Axl Rose and Scott Weiland.
Yeah. I'm kind of feeling like a grown-up. I don't have resentments towards anyone I played with, or to the guy who bullied me in the sixth grade. I've worked through it. But the thing I played with Scott was something bigger than all of us. That's a no-brainer. The Axl stuff…man, we shared a lot of great moments together. We grew up together in those formative times, being young men under some pretty extraordinary circumstances. Really only the five guys in the original band know what that was like…even my wife, I can't explain it to her. I couldn't write about it in that book. I'm not that good of a writer. 

Was it strange being asked to open up for Guns N' Roses a few months back?
I didn't really look at it like anything except it was a chance to play some gigs with my old buddy. One was in my hometown Seattle, and the other in Vancouver. It was a feel-good deal. It wasn't like Judas Priest calling [my band] Loaded to open some gigs for them. It felt totally different than that.

You're going to Cleveland next month for the Rock and Roll Hall of Fame. Do you know what's going to happen?
I don't. I know I'm going to go. I can't, at all, speak for anybody else. And won't. I'll be there with bells on. Is the Rock and Roll Hall of Fame that important to me? No. Is it something I've aspired towards? No. It's not sports. You get into the Baseball Hall of Fame, that's bad ass. But that's a competitive sport. You have stats. Look, we were a good band – but there were a lot of good bands. A lot of people liked our band, eventually. And that's kick ass. 

What I found out when we got nominated is that there's just a shit ton of fans around the world who are really psyched. In that case, it's more about them and the people that believed in us and bought our records and came and saw us. Imagine that? All those people believing in our band – a thing we created out of thin air. That part of it is an honor. The Rock and Roll Hall of Fame as an institution? I really don't know much about it.

Do you hope the band is going to reunite and play?
I think it would be killer. Do I hope to? That's a tricky question. It would be awesome. You have those day dreams like, "We'll go up and play 'Nightrain' and 'Brownstone' and throw down the microphone and drop off! That'll be killer!' But I doubt that'll happen.

Why?
There's been no communication about anyone playing. There was probably a day in the mid-1990s where I would have tried to gather the troops, but I'm just not that guy anymore. It's too frustrating to change anyone else…I'm not even sure I'd want to change how anyone else sees a situation. But I'm going.

I've heard that Axl is going. Do you think that Izzy will go?
I don't know. You'd have to ask him. It would be great if Izzy went, but I don't really know. I don't know if he's into that whole kind of thing with cameras and all that stuff. 

What's the deal with Velvet Revolver? Some fans are optimistic that Scott might come back because you guys played that one show.
No. We just did that thing for our friend who passed, for his wife and kids. I'd be surprised…you know what? I don't even want to try and guess anymore. Who knows what's gonna happen? I'm cool with anything, and if it feels right at the time, it'll be the thing to do and we'll talk about it then.

Do you think that Velvet Revolver has a future?
I hope so. We were a good songwriting band and it was a real thing onstage.

Are the rumors true that you talked to Corey Taylor from Slipknot at some point about joining the band?
Yeah. When you're a musician you are around your peers a lot, like Slipknot and Alice In Chains…you name the band. We're all just kind of friends. The Corey thing came up. If you're asking me, I think that Corey is the best singer of his age group, which is about eight years younger than me. He's the best pound-for-pound singer around and I'd like to explore that. And it still might happen one day. That guy is in, like, fifteen bands. But he's bad ass and the real deal and it comes from the right place with him. I have nothing but cool things to say about Corey. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, February 15, 2012

Guns N' Roses Kick Off 2012 Tour With Epic New York Club Show

axl rose Axl Rose performing with Gun N' Roses.

It's hard to walk into a Guns N' Roses concert these days without feeling a bit of trepidation. This is not exactly a band that's gone out of their way to be fan-friendly these past two decades. In that time, Axl Rose parted ways with the entire original line-up, released only a single album of new material and routinely started concerts ludicrously late, sometimes not taking the stage until midnight and playing until 3:00 a.m.  In the handful of interviews he's granted recently, he pins the blame for these things almost entirely on other people. With all that in mind, I decided to keep my expectations low for the opening night of the group's 2012 tour.

Kudos to whoever decided to not even open the doors to the Roseland Ballroom until 9:00 p.m., and not having opening band Manitoba (featuring Dictators frontman Handsome Dick Manitoba) take the stage until 10:20.  When the lights turned off at 11:30 and the opening notes of "Welcome To The Jungle" began ringing out across the venue, it actually seemed somewhat early. Even after all these years, it's still a little weird to see a bunch of other guys playing this song - but once Axl opens his mouth and screams "Welcome to the jungle, we got fun and games!" all that is forgotten. He sounded absolutely amazing. Who would have guessed that at age 50 his wild banshee wail would sound largely undiminished? 

He followed it up with two more songs from Appetite For Destruction, "It's So Easy" and "Mr. Brownstone." If you closed your eyes, you could almost imagine you were seeing Guns N' Roses on the Sunset Strip in 1987. Axl sounded that good. Then you open your eyes, and see a 50-year-old Axl in a black cowboy hat and sunglasses singing alongside some guy named Bumblefoot and you're brought right back to reality. For this brief club tour, the arena-sized stage has been drastically scaled down and the pyro completely removed. The video screen remained, often showing incongruous images like dolphins and ballerinas. 

It couldn't be easy being in this band. Every single member must be painfully aware that the vast majority of the audience wish that other people were playing their instruments. That said, they do an incredible job - even if takes three guitarists to do what Slash and Izzy used to do. Who could have ever imagined 20 years ago that Tommy Stinson of the Replacements would wind up in Guns N' Roses? But there is he thumping away on "Rocket Queen," looking like he's having a blast. Weird as it may seem, some of these guys have been in the band far longer than the original line-up. That makes it pretty had to call them a glorified cover band. 

The setlist was pretty consistent with what Axl's been doing for the past decade: lots of Appetite For Destruction, lots of covers and a handful of cuts from Chinese Democracy. For years he steered largely clear of the Use Your Illusion albums with the exception of "November Rain" and "You Could Be Mine." But in the past year he's added "Civil War," "Don't Cry" and even "Estranged" into the regular mix. Each one is an epic, and in many ways the complex songs sound better with this expanded line-up of the band than some of the older material. To make room in the show for them, Axl dropped some cuts from Chinese Democracy. Nobody seemed to mind, though it must be said that "Better" and "Madagascar" are great songs that fit in nicely with the rest of the show. 

Every forty minutes or so, Axl ran off the stage and let the band play an instrumental. They did bits of "Waiting On A Friend," "Another Brick In The Wall: Part 2,"  the DJ Ashba original "Ballad of Death" and even the theme song to the Pink Panther. Each time it robbed the show of momentum, and posed an obvious question: what the hell is Axl doing back there besides putting on a new cowboy hat? Breathing into an oxygen mask? Getting shot up with cortisone? Sticking pins into a Slash voodoo doll? Like most things in the world of Axl Rose, there are more questions than answers.

Towards the end of the night, Axl's longtime personal assistant Beta Lebeis grabbed the mic and had the audience sing Axl "Happy Birthday." (He turned 50 on February 6th.) "I've been in this band now for 25 years," Axl said afterwards. "That's half my life - definitely the better half." As the clock neared 2:00 a.m. and my knees began to throb because I'd been standing in the exact same spot since 9:30 p.m., Axl left the stage again and let Tommy Stinson sing his original tune "Motivation." Some people headed toward the exits and others were anxiously looking at their watches, but those who stayed were rewarded when the roadies handed out acoustic guitars and the group launched into "Patience." In many ways, it's become the theme song for long-suffering Guns N' Roses fans. 

The night ended at 2:15 a.m. with the inevitable "Paradise City," complete with a cannon firing red confetti all over the audience. The band all took a bow and Axl attempted to say something into the mic, but it was turned off. He just shrugged his shoulders and walked off. Now, this isn't the Guns N' Roses line-up that everybody wants to see tour. Chinese Democracy didn't live up to expectations and it's maddening that Axl can't take the stage at a reasonable time - but the show still wildly exceeded my expectations. Say what you will about Axl, when he's onstage he sings his ass off and gives it his all. 

As the crowd inched towards the exit, "My Way" blasted from the P.A. I'm not sure if this was an Axl selection, but it made perfect sense. He's always been a man that has done things his way, regardless of what anyone else thinks. In two months he's getting inducted into the Rock and Roll Hall of Fame. Regardless of what happens at the ceremony regarding a reunion, it'll certainly all go down precisely his way. That's the only way he's ever operated. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Guns N' Roses Kick Off 2012 Tour With Epic New York Club Show

axl rose Axl Rose performing with Gun N' Roses.

It's hard to walk into a Guns N' Roses concert these days without feeling a bit of trepidation. This is not exactly a band that's gone out of their way to be fan-friendly these past two decades. In that time, Axl Rose parted ways with the entire original line-up, released only a single album of new material and routinely started concerts ludicrously late, sometimes not taking the stage until midnight and playing until 3:00 a.m.  In the handful of interviews he's granted recently, he pins the blame for these things almost entirely on other people. With all that in mind, I decided to keep my expectations low for the opening night of the group's 2012 tour.

Kudos to whoever decided to not even open the doors to the Roseland Ballroom until 9:00 p.m., and not having opening band Manitoba (featuring Dictators frontman Handsome Dick Manitoba) take the stage until 10:20.  When the lights turned off at 11:30 and the opening notes of "Welcome To The Jungle" began ringing out across the venue, it actually seemed somewhat early. Even after all these years, it's still a little weird to see a bunch of other guys playing this song - but once Axl opens his mouth and screams "Welcome to the jungle, we got fun and games!" all that is forgotten. He sounded absolutely amazing. Who would have guessed that at age 50 his wild banshee wail would sound largely undiminished? 

He followed it up with two more songs from Appetite For Destruction, "It's So Easy" and "Mr. Brownstone." If you closed your eyes, you could almost imagine you were seeing Guns N' Roses on the Sunset Strip in 1987. Axl sounded that good. Then you open your eyes, and see a 50-year-old Axl in a black cowboy hat and sunglasses singing alongside some guy named Bumblefoot and you're brought right back to reality. For this brief club tour, the arena-sized stage has been drastically scaled down and the pyro completely removed. The video screen remained, often showing incongruous images like dolphins and ballerinas. 

It couldn't be easy being in this band. Every single member must be painfully aware that the vast majority of the audience wish that other people were playing their instruments. That said, they do an incredible job - even if takes three guitarists to do what Slash and Izzy used to do. Who could have ever imagined 20 years ago that Tommy Stinson of the Replacements would wind up in Guns N' Roses? But there is he thumping away on "Rocket Queen," looking like he's having a blast. Weird as it may seem, some of these guys have been in the band far longer than the original line-up. That makes it pretty had to call them a glorified cover band. 

The setlist was pretty consistent with what Axl's been doing for the past decade: lots of Appetite For Destruction, lots of covers and a handful of cuts from Chinese Democracy. For years he steered largely clear of the Use Your Illusion albums with the exception of "November Rain" and "You Could Be Mine." But in the past year he's added "Civil War," "Don't Cry" and even "Estranged" into the regular mix. Each one is an epic, and in many ways the complex songs sound better with this expanded line-up of the band than some of the older material. To make room in the show for them, Axl dropped some cuts from Chinese Democracy. Nobody seemed to mind, though it must be said that "Better" and "Madagascar" are great songs that fit in nicely with the rest of the show. 

Every forty minutes or so, Axl ran off the stage and let the band play an instrumental. They did bits of "Waiting On A Friend," "Another Brick In The Wall: Part 2,"  the DJ Ashba original "Ballad of Death" and even the theme song to the Pink Panther. Each time it robbed the show of momentum, and posed an obvious question: what the hell is Axl doing back there besides putting on a new cowboy hat? Breathing into an oxygen mask? Getting shot up with cortisone? Sticking pins into a Slash voodoo doll? Like most things in the world of Axl Rose, there are more questions than answers.

Towards the end of the night, Axl's longtime personal assistant Beta Lebeis grabbed the mic and had the audience sing Axl "Happy Birthday." (He turned 50 on February 6th.) "I've been in this band now for 25 years," Axl said afterwards. "That's half my life - definitely the better half." As the clock neared 2:00 a.m. and my knees began to throb because I'd been standing in the exact same spot since 9:30 p.m., Axl left the stage again and let Tommy Stinson sing his original tune "Motivation." Some people headed toward the exits and others were anxiously looking at their watches, but those who stayed were rewarded when the roadies handed out acoustic guitars and the group launched into "Patience." In many ways, it's become the theme song for long-suffering Guns N' Roses fans. 

The night ended at 2:15 a.m. with the inevitable "Paradise City," complete with a cannon firing red confetti all over the audience. The band all took a bow and Axl attempted to say something into the mic, but it was turned off. He just shrugged his shoulders and walked off. Now, this isn't the Guns N' Roses line-up that everybody wants to see tour. Chinese Democracy didn't live up to expectations and it's maddening that Axl can't take the stage at a reasonable time - but the show still wildly exceeded my expectations. Say what you will about Axl, when he's onstage he sings his ass off and gives it his all. 

As the crowd inched towards the exit, "My Way" blasted from the P.A. I'm not sure if this was an Axl selection, but it made perfect sense. He's always been a man that has done things his way, regardless of what anyone else thinks. In two months he's getting inducted into the Rock and Roll Hall of Fame. Regardless of what happens at the ceremony regarding a reunion, it'll certainly all go down precisely his way. That's the only way he's ever operated. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

Tuesday, January 31, 2012

Guns N' Roses Announce Six-Date U.S. Club Tour

Guns N' Roses

Guns N' Roses skipped New York City during their extensive 2011 U.S. tour, but they're making up for it this February by playing three clubs around the city. The mini-tour, timed to accompany Fashion Week, will include stops at Roseland Ballroom, Webster Hall and Terminal 5. The club tour will continue in mid-February with stops in Chicago, Atlantic City and Silver Spring, Maryland.

The band last played Webster Hall in 1988 for a historic gig that was taped for MTV. The venue was called the Ritz back then, and to celebrate Guns N' Roses' return, the club will rename itself the Ritz when the band plays on February 15th. In what is probably a typo in the press release, the band is playing a venue called "Terminal 6" on February 12th. Presumably they mean Terminal 5, though it's possible that the venue added an extra number to its name for the night.

Guns N' Roses toured extensively in 2011, and they appear to have similar plans for this year.  The band recently announced an eight-date European tour for this summer. One month before that kicks off, the original lineup of Guns N' Roses will be inducted into the Rock and Roll Hall of Fame at a ceremony in Cleveland, Ohio. Axl Rose has yet to indicate whether or not he plans to perform with his old bandmates for the evening. "I personally just want to finish what I started with those jack-offs," drummer Steven Adler told Rolling Stone last month. "We started off something, let's end the career playing together, at least once. I'd love to do a whole tour of the world. I personally – and I know that Slash and Duff feel the same way – we owe it to the fans to do a tour around the world. We haven't performed for over 20 years and they've stuck by us and believe in us."

Guns N' Roses 2012 U.S. tour dates:

2/10 Roseland Ballroom, New York
2/12 Terminal 5, New York
2/15 The Ritz (Webster Hall), New York
2/19 House of Blues, Chicago
2/23 The Fillmore, Silver Spring, MD
2/24 House of Blues, Atlantic City, NJ

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Guns N' Roses Announce Six-Date U.S. Club Tour

Guns N' Roses

Guns N' Roses skipped New York City during their extensive 2011 U.S. tour, but they're making up for it this February by playing three clubs around the city. The mini-tour, timed to accompany Fashion Week, will include stops at Roseland Ballroom, Webster Hall and Terminal 5. The club tour will continue in mid-February with stops in Chicago, Atlantic City and Silver Spring, Maryland.

The band last played Webster Hall in 1988 for a historic gig that was taped for MTV. The venue was called the Ritz back then, and to celebrate Guns N' Roses' return, the club will rename itself the Ritz when the band plays on February 15th. In what is probably a typo in the press release, the band is playing a venue called "Terminal 6" on February 12th. Presumably they mean Terminal 5, though it's possible that the venue added an extra number to its name for the night.

Guns N' Roses toured extensively in 2011, and they appear to have similar plans for this year.  The band recently announced an eight-date European tour for this summer. One month before that kicks off, the original lineup of Guns N' Roses will be inducted into the Rock and Roll Hall of Fame at a ceremony in Cleveland, Ohio. Axl Rose has yet to indicate whether or not he plans to perform with his old bandmates for the evening. "I personally just want to finish what I started with those jack-offs," drummer Steven Adler told Rolling Stone last month. "We started off something, let's end the career playing together, at least once. I'd love to do a whole tour of the world. I personally – and I know that Slash and Duff feel the same way – we owe it to the fans to do a tour around the world. We haven't performed for over 20 years and they've stuck by us and believe in us."

Guns N' Roses 2012 U.S. tour dates:

2/10 Roseland Ballroom, New York
2/12 Terminal 5, New York
2/15 The Ritz (Webster Hall), New York
2/19 House of Blues, Chicago
2/23 The Fillmore, Silver Spring, MD
2/24 House of Blues, Atlantic City, NJ

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

 
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