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Showing posts with label Bassist. Show all posts
Showing posts with label Bassist. Show all posts

Sunday, October 21, 2012

Green Day Bassist: Billie Joe Armstrong's Rehab Stint 'Killing Everyone'

Mike Dirnt and Billie Joe Armstrong of Green Day perform during the 2012 iHeartRadio Music Festival in Las Vegas.

After Billie Joe Armstrong's onstage tirade and subsequent decision to enter rehab last month, Green Day bassist Mike Dirnt has opened up about how difficult the situation has been for the band, according to MTV via Kerrang!. "Billie doesn't take things lightly and he wouldn't take rehab lightly, either," said Dirnt. "He's in the middle of some really big things, but we're going to pull through. It's killing everyone. Green Day has never been a band that sits still, but sometimes you have to step back and let life go on rather than try to control everything."

The band has pulled out of their October 27th headlining slot at the Voodoo Music and Arts Experience festival in New Orleans, but still plans to release the next album in their trilogy, ¡Dos!, on November 13th.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Green Day Bassist: Billie Joe Armstrong's Rehab Stint 'Killing Everyone'

Mike Dirnt and Billie Joe Armstrong of Green Day perform during the 2012 iHeartRadio Music Festival in Las Vegas.

After Billie Joe Armstrong's onstage tirade and subsequent decision to enter rehab last month, Green Day bassist Mike Dirnt has opened up about how difficult the situation has been for the band, according to MTV via Kerrang!. "Billie doesn't take things lightly and he wouldn't take rehab lightly, either," said Dirnt. "He's in the middle of some really big things, but we're going to pull through. It's killing everyone. Green Day has never been a band that sits still, but sometimes you have to step back and let life go on rather than try to control everything."

The band has pulled out of their October 27th headlining slot at the Voodoo Music and Arts Experience festival in New Orleans, but still plans to release the next album in their trilogy, ¡Dos!, on November 13th.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Thursday, July 19, 2012

Funk Brothers Bassist Bob Babbitt Dead at 74

Uriel Jones, Eddie Willis, and Bob Babbitt of The Funk Brothers Uriel Jones, Eddie Willis, and Bob Babbitt of The Funk Brothers

Bob Babbitt, the Motown studio bassist who played on hits including Smokey Robinson & the Miracles' "Tears of a Clown" and the Temptations' "Ball of Confusion," died yesterday in Nashville after suffering complications from brain cancer, his spokesperson confirmed to Rolling Stone. He was 74.

Born on November 26th, 1937, Babbitt grew up in Pittsburgh before moving to Detroit, where he began playing bass in the late Fifties. He joined Stevie Wonder’s touring band in 1966. One year later, Babbitt was invited to join Motown’s house band the Funk Brothers, after Motown bassist James Jamerson broke his hand. In his new role, Babbitt added thick, funky basslines to hits by the Jackson Five, Stevie Wonder’s "Sign, Sealed, Delivered (I'm Yours)" and "We Can Work it Out," and half of Marvin Gaye's 1971 LP, What's Going On. 

After leaving Motown in 1972, Babbitt recorded with a diverse group of acts, including Bette Midler, Bonnie Raitt and Frank Sinatra. He scored 25 gold and platinum records in his career and played on more than 200 Top 40 hits, ranging from Gladys Knight and the Pips' "Midnight Train to Georgia" to Elton John's Mama Can't Buy You Love."

More recently, Babbitt was presented with a Grammy Lifetime Achievement Award in 2004, and he played on Phil Collins' 2010 album, Going Back.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Funk Brothers Bassist Bob Babbitt Dead at 74

Uriel Jones, Eddie Willis, and Bob Babbitt of The Funk Brothers Uriel Jones, Eddie Willis, and Bob Babbitt of The Funk Brothers

Bob Babbitt, the Motown studio bassist who played on hits including Smokey Robinson & the Miracles' "Tears of a Clown" and the Temptations' "Ball of Confusion," died yesterday in Nashville after suffering complications from brain cancer, his spokesperson confirmed to Rolling Stone. He was 74.

Born on November 26th, 1937, Babbitt grew up in Pittsburgh before moving to Detroit, where he began playing bass in the late Fifties. He joined Stevie Wonder’s touring band in 1966. One year later, Babbitt was invited to join Motown’s house band the Funk Brothers, after Motown bassist James Jamerson broke his hand. In his new role, Babbitt added thick, funky basslines to hits by the Jackson Five, Stevie Wonder’s "Sign, Sealed, Delivered (I'm Yours)" and "We Can Work it Out," and half of Marvin Gaye's 1971 LP, What's Going On. 

After leaving Motown in 1972, Babbitt recorded with a diverse group of acts, including Bette Midler, Bonnie Raitt and Frank Sinatra. He scored 25 gold and platinum records in his career and played on more than 200 Top 40 hits, ranging from Gladys Knight and the Pips' "Midnight Train to Georgia" to Elton John's Mama Can't Buy You Love."

More recently, Babbitt was presented with a Grammy Lifetime Achievement Award in 2004, and he played on Phil Collins' 2010 album, Going Back.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, March 14, 2012

Guns N' Roses Bassist Duff McKagan on the Hall Of Fame: 'I'll Be There With Bells On.'

Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom. Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom.

There's a lot that Duff McKagan is unsure about at the moment. He doesn't know what's going to happen when Guns N' Roses get inducted into the Rock and Roll Hall of Fame next month. He doesn't know when (or if) Velvet Revolver will reform, and he certainly doesn't know who will front the band if that does happen. "I find in my career that I never know what's going to happen in two months," says McKagan.  "I don't know what I'm going to be doing in July, or even June. Anything could happen. I'm cool with anything."

In December Duff shared a stage with ex-bandmate Axl Rose at two gigs in Seattle and Vancouver, and then a month later Velvet Revolver reunited at a Los Angles benefit concert. We recently chatted with McKagan about all of this, as well as the paperback release of his autobiography It's So Easy: and Other Lies, which hits shelves on March 20th. 

What compelled you to write this book?
A few years ago Seattle Weekly offered me a weekly column. I was kind of terrified. Around week three I suddenly realized that I could articulate my thoughts in the written word much better than I ever could talking. I could organize what I was really getting at. A few months after that I was offered a financial column for Playboy. Suddenly I had two weekly columns and two deadlines, so I was writing a ton. I started writing other things that weren't right for my columns. I wrote a letter of gratitude to my older seven siblings. I got to my oldest brother John, and I thanked him for being our patriarch and bringing mom to the hospital. And it stopped me, that sentence right there. Our mom had Parkinson's and it took me into this whole other thing, and I started writing about that. I was dealing with things, wondering what my part was in my life. 

What I found is that we're speeding along through life and in the rearview mirror on the left you see all the bad shit, which is all that other motherfuckers fault. All the good stuff, in the other rearview mirror, is all the good stuff – which you had everything to do with. I'm being simplistic, but you know what I mean. I started delving into all that. How did I get here? What's the real story? I'm a dad and I better get all my shit straight. The writing really helped me with that. I wrote twice as many words than are in the book. Some of it you wouldn't want to read. But a story started to come to the surface when I was writing and I really liked the whole idea of it.

Are there parts of your past that you can't remember, or are just sort of blurry?
Yeah. There's a ton of it. So I didn't write about the stuff that I didn't remember. I kind of experimented with that by trying to remember stuff by writing about it, and I couldn't. I didn't want to guess or grab some dates I found on the Internet and try and write about. That would have felt disingenuous. I wrote about the stuff that I remembered, and I tried to take a reader into the insanity of addiction. Thoughts and days start melting together and you don't know where the fuck you are. I don't know if I succeeded in that, but I tried. 

Do you think that drug addicts would benefit from reading the book because they'd see that there is a way out?
That wasn't my mission statement. But since the book came out, I've noticed there's a lot of that kind of thing. "Well shit, if Duff can do it! Look how bad he was. He has kids and seems to be sane-ish." It's true, man. If I can do it, anyone can do it. I gradually became the worst of the worst.

Memory is always a weird thing. I'm sure if I talked to you and Slash about the same event I'd get a wildly different story. Did you ever deal with that when writing the book?
Yeah. I put a thing at the beginning of the book. I said, "To people that were there, you might remember it differently." That's just human nature, I think. Slash and I were in the seats right next to each other on a lot of that ride. We remember things completely differently sometimes. At times he won't remember a whole thing I remember, or vice versa. That's a whole other discussion why we retain certain things…especially when you're fucked up.

During the writing process did you ever say to yourself, "Oh, I can't write this. I'll piss off Axl or Slash…"
I was careful about that. It's not necessarily their story, so why throw somebody underneath the bus? They didn't ask me to write a story about them, or my ex-wife didn't ask me to write this. My point was to really take responsibility for my shortcomings. I tried to not bring somebody else into it. I kept reading through my passages and trying to make sure there wasn't any passive aggressive tone. At the end of the day, it doesn't read very well.

It's sort of interesting that in the past few months you've played gigs with Axl Rose and Scott Weiland.
Yeah. I'm kind of feeling like a grown-up. I don't have resentments towards anyone I played with, or to the guy who bullied me in the sixth grade. I've worked through it. But the thing I played with Scott was something bigger than all of us. That's a no-brainer. The Axl stuff…man, we shared a lot of great moments together. We grew up together in those formative times, being young men under some pretty extraordinary circumstances. Really only the five guys in the original band know what that was like…even my wife, I can't explain it to her. I couldn't write about it in that book. I'm not that good of a writer. 

Was it strange being asked to open up for Guns N' Roses a few months back?
I didn't really look at it like anything except it was a chance to play some gigs with my old buddy. One was in my hometown Seattle, and the other in Vancouver. It was a feel-good deal. It wasn't like Judas Priest calling [my band] Loaded to open some gigs for them. It felt totally different than that.

You're going to Cleveland next month for the Rock and Roll Hall of Fame. Do you know what's going to happen?
I don't. I know I'm going to go. I can't, at all, speak for anybody else. And won't. I'll be there with bells on. Is the Rock and Roll Hall of Fame that important to me? No. Is it something I've aspired towards? No. It's not sports. You get into the Baseball Hall of Fame, that's bad ass. But that's a competitive sport. You have stats. Look, we were a good band – but there were a lot of good bands. A lot of people liked our band, eventually. And that's kick ass. 

What I found out when we got nominated is that there's just a shit ton of fans around the world who are really psyched. In that case, it's more about them and the people that believed in us and bought our records and came and saw us. Imagine that? All those people believing in our band – a thing we created out of thin air. That part of it is an honor. The Rock and Roll Hall of Fame as an institution? I really don't know much about it.

Do you hope the band is going to reunite and play?
I think it would be killer. Do I hope to? That's a tricky question. It would be awesome. You have those day dreams like, "We'll go up and play 'Nightrain' and 'Brownstone' and throw down the microphone and drop off! That'll be killer!' But I doubt that'll happen.

Why?
There's been no communication about anyone playing. There was probably a day in the mid-1990s where I would have tried to gather the troops, but I'm just not that guy anymore. It's too frustrating to change anyone else…I'm not even sure I'd want to change how anyone else sees a situation. But I'm going.

I've heard that Axl is going. Do you think that Izzy will go?
I don't know. You'd have to ask him. It would be great if Izzy went, but I don't really know. I don't know if he's into that whole kind of thing with cameras and all that stuff. 

What's the deal with Velvet Revolver? Some fans are optimistic that Scott might come back because you guys played that one show.
No. We just did that thing for our friend who passed, for his wife and kids. I'd be surprised…you know what? I don't even want to try and guess anymore. Who knows what's gonna happen? I'm cool with anything, and if it feels right at the time, it'll be the thing to do and we'll talk about it then.

Do you think that Velvet Revolver has a future?
I hope so. We were a good songwriting band and it was a real thing onstage.

Are the rumors true that you talked to Corey Taylor from Slipknot at some point about joining the band?
Yeah. When you're a musician you are around your peers a lot, like Slipknot and Alice In Chains…you name the band. We're all just kind of friends. The Corey thing came up. If you're asking me, I think that Corey is the best singer of his age group, which is about eight years younger than me. He's the best pound-for-pound singer around and I'd like to explore that. And it still might happen one day. That guy is in, like, fifteen bands. But he's bad ass and the real deal and it comes from the right place with him. I have nothing but cool things to say about Corey. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Guns N' Roses Bassist Duff McKagan on the Hall Of Fame: 'I'll Be There With Bells On.'

Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom. Duff McKagan performs during the first day of Download Festival at Donnington Park in Donnington, United Kingdom.

There's a lot that Duff McKagan is unsure about at the moment. He doesn't know what's going to happen when Guns N' Roses get inducted into the Rock and Roll Hall of Fame next month. He doesn't know when (or if) Velvet Revolver will reform, and he certainly doesn't know who will front the band if that does happen. "I find in my career that I never know what's going to happen in two months," says McKagan.  "I don't know what I'm going to be doing in July, or even June. Anything could happen. I'm cool with anything."

In December Duff shared a stage with ex-bandmate Axl Rose at two gigs in Seattle and Vancouver, and then a month later Velvet Revolver reunited at a Los Angles benefit concert. We recently chatted with McKagan about all of this, as well as the paperback release of his autobiography It's So Easy: and Other Lies, which hits shelves on March 20th. 

What compelled you to write this book?
A few years ago Seattle Weekly offered me a weekly column. I was kind of terrified. Around week three I suddenly realized that I could articulate my thoughts in the written word much better than I ever could talking. I could organize what I was really getting at. A few months after that I was offered a financial column for Playboy. Suddenly I had two weekly columns and two deadlines, so I was writing a ton. I started writing other things that weren't right for my columns. I wrote a letter of gratitude to my older seven siblings. I got to my oldest brother John, and I thanked him for being our patriarch and bringing mom to the hospital. And it stopped me, that sentence right there. Our mom had Parkinson's and it took me into this whole other thing, and I started writing about that. I was dealing with things, wondering what my part was in my life. 

What I found is that we're speeding along through life and in the rearview mirror on the left you see all the bad shit, which is all that other motherfuckers fault. All the good stuff, in the other rearview mirror, is all the good stuff – which you had everything to do with. I'm being simplistic, but you know what I mean. I started delving into all that. How did I get here? What's the real story? I'm a dad and I better get all my shit straight. The writing really helped me with that. I wrote twice as many words than are in the book. Some of it you wouldn't want to read. But a story started to come to the surface when I was writing and I really liked the whole idea of it.

Are there parts of your past that you can't remember, or are just sort of blurry?
Yeah. There's a ton of it. So I didn't write about the stuff that I didn't remember. I kind of experimented with that by trying to remember stuff by writing about it, and I couldn't. I didn't want to guess or grab some dates I found on the Internet and try and write about. That would have felt disingenuous. I wrote about the stuff that I remembered, and I tried to take a reader into the insanity of addiction. Thoughts and days start melting together and you don't know where the fuck you are. I don't know if I succeeded in that, but I tried. 

Do you think that drug addicts would benefit from reading the book because they'd see that there is a way out?
That wasn't my mission statement. But since the book came out, I've noticed there's a lot of that kind of thing. "Well shit, if Duff can do it! Look how bad he was. He has kids and seems to be sane-ish." It's true, man. If I can do it, anyone can do it. I gradually became the worst of the worst.

Memory is always a weird thing. I'm sure if I talked to you and Slash about the same event I'd get a wildly different story. Did you ever deal with that when writing the book?
Yeah. I put a thing at the beginning of the book. I said, "To people that were there, you might remember it differently." That's just human nature, I think. Slash and I were in the seats right next to each other on a lot of that ride. We remember things completely differently sometimes. At times he won't remember a whole thing I remember, or vice versa. That's a whole other discussion why we retain certain things…especially when you're fucked up.

During the writing process did you ever say to yourself, "Oh, I can't write this. I'll piss off Axl or Slash…"
I was careful about that. It's not necessarily their story, so why throw somebody underneath the bus? They didn't ask me to write a story about them, or my ex-wife didn't ask me to write this. My point was to really take responsibility for my shortcomings. I tried to not bring somebody else into it. I kept reading through my passages and trying to make sure there wasn't any passive aggressive tone. At the end of the day, it doesn't read very well.

It's sort of interesting that in the past few months you've played gigs with Axl Rose and Scott Weiland.
Yeah. I'm kind of feeling like a grown-up. I don't have resentments towards anyone I played with, or to the guy who bullied me in the sixth grade. I've worked through it. But the thing I played with Scott was something bigger than all of us. That's a no-brainer. The Axl stuff…man, we shared a lot of great moments together. We grew up together in those formative times, being young men under some pretty extraordinary circumstances. Really only the five guys in the original band know what that was like…even my wife, I can't explain it to her. I couldn't write about it in that book. I'm not that good of a writer. 

Was it strange being asked to open up for Guns N' Roses a few months back?
I didn't really look at it like anything except it was a chance to play some gigs with my old buddy. One was in my hometown Seattle, and the other in Vancouver. It was a feel-good deal. It wasn't like Judas Priest calling [my band] Loaded to open some gigs for them. It felt totally different than that.

You're going to Cleveland next month for the Rock and Roll Hall of Fame. Do you know what's going to happen?
I don't. I know I'm going to go. I can't, at all, speak for anybody else. And won't. I'll be there with bells on. Is the Rock and Roll Hall of Fame that important to me? No. Is it something I've aspired towards? No. It's not sports. You get into the Baseball Hall of Fame, that's bad ass. But that's a competitive sport. You have stats. Look, we were a good band – but there were a lot of good bands. A lot of people liked our band, eventually. And that's kick ass. 

What I found out when we got nominated is that there's just a shit ton of fans around the world who are really psyched. In that case, it's more about them and the people that believed in us and bought our records and came and saw us. Imagine that? All those people believing in our band – a thing we created out of thin air. That part of it is an honor. The Rock and Roll Hall of Fame as an institution? I really don't know much about it.

Do you hope the band is going to reunite and play?
I think it would be killer. Do I hope to? That's a tricky question. It would be awesome. You have those day dreams like, "We'll go up and play 'Nightrain' and 'Brownstone' and throw down the microphone and drop off! That'll be killer!' But I doubt that'll happen.

Why?
There's been no communication about anyone playing. There was probably a day in the mid-1990s where I would have tried to gather the troops, but I'm just not that guy anymore. It's too frustrating to change anyone else…I'm not even sure I'd want to change how anyone else sees a situation. But I'm going.

I've heard that Axl is going. Do you think that Izzy will go?
I don't know. You'd have to ask him. It would be great if Izzy went, but I don't really know. I don't know if he's into that whole kind of thing with cameras and all that stuff. 

What's the deal with Velvet Revolver? Some fans are optimistic that Scott might come back because you guys played that one show.
No. We just did that thing for our friend who passed, for his wife and kids. I'd be surprised…you know what? I don't even want to try and guess anymore. Who knows what's gonna happen? I'm cool with anything, and if it feels right at the time, it'll be the thing to do and we'll talk about it then.

Do you think that Velvet Revolver has a future?
I hope so. We were a good songwriting band and it was a real thing onstage.

Are the rumors true that you talked to Corey Taylor from Slipknot at some point about joining the band?
Yeah. When you're a musician you are around your peers a lot, like Slipknot and Alice In Chains…you name the band. We're all just kind of friends. The Corey thing came up. If you're asking me, I think that Corey is the best singer of his age group, which is about eight years younger than me. He's the best pound-for-pound singer around and I'd like to explore that. And it still might happen one day. That guy is in, like, fifteen bands. But he's bad ass and the real deal and it comes from the right place with him. I have nothing but cool things to say about Corey. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, February 28, 2012

Zappa Bassist Convicted for Child Abuse

roy estrada Roy Estrada performs with Frank Zappa and the Mothers of Invention on 'Beat Club.'Petra Niemeier - K & K/Redferns

Former Frank Zappa bassist Roy Estrada has been sentenced to 25 years behind bars for molesting a child younger than 14 over an extended period of time. Estrada, 68, abused a female family member after he was released from a California prison for a felony offense of committing a lewd act with a child.

"The victim's family was unaware that he was a convicted sex offender," Melody McDonald, spokeswoman for the Tarrant County, Texas district attorney's office, told the Fort Worth Star-Telegram. "Estrada was sentenced to 25 years in a plea bargain agreement and is not eligible for parole. He will be 93 years old before he is released from prison."

Photos: Random Notes
Estrada was a member of Frank Zappa's band, the Mothers of Invention, on and off between 1964 and 1975. He also played in some lineups of the reunited, Zappa-less Mothers in the past decade. Estrada was also a founding member of Little Feat.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Monday, February 27, 2012

Zappa Bassist Convicted for Child Abuse

roy estrada Roy Estrada performs with Frank Zappa and the Mothers of Invention on 'Beat Club.'Petra Niemeier - K & K/Redferns

Former Frank Zappa bassist Roy Estrada has been sentenced to 25 years behind bars for molesting a child younger than 14 over an extended period of time. Estrada, 68, abused a female family member after he was released from a California prison for a felony offense of committing a lewd act with a child.

"The victim's family was unaware that he was a convicted sex offender," Melody McDonald, spokeswoman for the Tarrant County, Texas district attorney's office, told the Fort Worth Star-Telegram. "Estrada was sentenced to 25 years in a plea bargain agreement and is not eligible for parole. He will be 93 years old before he is released from prison."

Photos: Random Notes
Estrada was a member of Frank Zappa's band, the Mothers of Invention, on and off between 1964 and 1975. He also played in some lineups of the reunited, Zappa-less Mothers in the past decade. Estrada was also a founding member of Little Feat.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon MP3 Download Center

Thursday, February 23, 2012

MC5 Bassist Michael Davis Dies

michael davis Michael Davis of MC5 performs at the Palace Entertainment Complex in Melbourne, Australia

Michael Davis, the bassist for the politically-charged proto-punk band MC5, died on Friday of liver failure. He was 68.

Davis had been studying fine art at Wayne State University in Michigan when the Detroit-based MC5 recruited him in 1964. He promptly dropped out of art school to join the band. MC5 were soon taken under the wing of poet John Sinclair, whose affiliation with the radical-leftist anti-racist White Panther Party galvanized the band’s political energies. Kick Out the Jams, the first of the band’s three albums, was released by Elektra Records in 1969.

After MC5 split up in 1972, Davis went on to join the band Destroy All Monsters with Ron Asheton of the Stooges. He would later join MC5 again when they reunited for a tour in 2004. Davis also co-founded the non-profit Music is Revolution Foundation, which supports music education in public schools.

Davis died at the Enloe Medical Center in Chico, California after receiving a month-long treatment for liver disease. He is survived by his wife, Angela Davis, as well as three sons and a daughter. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, February 22, 2012

MC5 Bassist Michael Davis Dies

michael davis Michael Davis of MC5 performs at the Palace Entertainment Complex in Melbourne, Australia

Michael Davis, the bassist for the politically-charged proto-punk band MC5, died on Friday of liver failure. He was 68.

Davis had been studying fine art at Wayne State University in Michigan when the Detroit-based MC5 recruited him in 1964. He promptly dropped out of art school to join the band. MC5 were soon taken under the wing of poet John Sinclair, whose affiliation with the radical-leftist anti-racist White Panther Party galvanized the band’s political energies. Kick Out the Jams, the first of the band’s three albums, was released by Elektra Records in 1969.

After MC5 split up in 1972, Davis went on to join the band Destroy All Monsters with Ron Asheton of the Stooges. He would later join MC5 again when they reunited for a tour in 2004. Davis also co-founded the non-profit Music is Revolution Foundation, which supports music education in public schools.

Davis died at the Enloe Medical Center in Chico, California after receiving a month-long treatment for liver disease. He is survived by his wife, Angela Davis, as well as three sons and a daughter. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, February 1, 2012

Peter, Paul and Mary Bassist Dick Kniss Dies

Peter, Paul and Mary Michael Ochs Archives/Getty Images

Dick Kniss, the bass player for Peter, Paul and Mary, died on Wednesday of pulmonary disease in Kingston, NY. He was 74. 

Kniss had joined Peter, Paul and Mary in 1968, after playing jazz with Woody Herman’s band. His upright bass lines provided a distinctive backbone to the trio’s vocal harmonies throughout the group’s decades together.

"He had this capacity to weave countermelodies," Peter, Paul and Mary’s Noel Paul Stookey recently told the New York Times. "He was the master of when to answer. In folk music, we’re telling a story. The guitars would begin it, but Dick was an orchestrator, and his entry often signified a particular turning point in a song."

Kniss later became a member of John Denver’s band in the 1970s, during the period that Peter, Paul and Mary had temporarily disbanded. He co-wrote Denver’s hit "Sunshine on My Shoulders."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, January 31, 2012

Peter, Paul and Mary Bassist Dick Kniss Dies

Peter, Paul and Mary Michael Ochs Archives/Getty Images

Dick Kniss, the bass player for Peter, Paul and Mary, died on Wednesday of pulmonary disease in Kingston, NY. He was 74. 

Kniss had joined Peter, Paul and Mary in 1968, after playing jazz with Woody Herman’s band. His upright bass lines provided a distinctive backbone to the trio’s vocal harmonies throughout the group’s decades together.

"He had this capacity to weave countermelodies," Peter, Paul and Mary’s Noel Paul Stookey recently told the New York Times. "He was the master of when to answer. In folk music, we’re telling a story. The guitars would begin it, but Dick was an orchestrator, and his entry often signified a particular turning point in a song."

Kniss later became a member of John Denver’s band in the 1970s, during the period that Peter, Paul and Mary had temporarily disbanded. He co-wrote Denver’s hit "Sunshine on My Shoulders."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Friday, January 27, 2012

Killers Bassist Mark Stoermer Goes Country Rock with Solo Debut

Mark Stoermer Mark Stoermer, 'Everyone Loves the Girl'

Click to listen to Mark Stoermer's 'Everyone Loves the Girl'

The Killers bassist Mark Stoermer recorded Another Life, his debut solo album, while the band took an extended hiatus in 2009. They had just finished touring in support of their third record, Day and Age.

The album – a set of polished, thoughtful country rock tunes with a touch of his band's new-wave production style – are the first songs Stoermer ever wrote on his own. (You can hear "Everyone Loves the Girl," a highlight from the album, above.) Rolling Stone recently caught up with Stoermer to chat about striking out on his own, as well as the Killers' progress on writing and recording their fourth album, which is expected to be finished sometime this year.

You’ve been playing in the Killers for a decade now – how did that experience inform how you made this solo album?
It was a completely different approach to anything I have been involved in with the creative side with the Killers, because with the Killers I never wrote the lyrics or the vocal melody, and I never sang, obviously. Usually, if I’d come up with something, it was a riff or a chord progression or maybe an instrumental melody that was applied to a collaborative effort. So, this was the first time where I was able to tell stories and have complete control over the whole thing. I never even wrote lyrics or complete songs before the band. If I took anything from being in the band I learned partly how to write songs. I think I learned a lot from being involved in the process. I applied a little bit of that to my writing. But this style is very different, because it’s just me and everything is more storytelling based.

What kind of stories did you want to tell?
It’s a combination of things that are going on in my life, things that I was thinking about. I guess real stories, but in a way that meant something to me and maybe connects with someone else if they hear it. When I was writing these, I didn’t know if I was going to even put these out, it started out just as demos, and I didn’t even know if it was going to actually sing it or anything. It was really an experiment from the beginning, just something I was doing with my time off.

When you started off doing this, were you writing it with the Killers in mind, or did you always intend for this material to exist outside of the band?
Some of it started towards to the end of the Killers touring, like in a hotel room with a laptop or like a Dictaphone. And just getting rough ideas, but I didn’t know where it was going. I think the majority of the songs were written when we finally took off from touring in 2010, the first like three or four months. At first, I guess, that was always a possibility, but it wasn’t my main focus, I was just writing to write. Then it got to the point where I decided to write more lyrics and apply stories to them.

I hear a lot of country influence on this record. Was that something you were going for here?
I grew up with it on the radio, like Waylon Jennings and Willie Nelson and stuff like that. I started listening to more Hank Williams probably the last few years. I don’t know, it’s there. It’s not my main influence as a whole, but there are definitely­­ country artists that were always there in my life probably when I was a kid, just kind of seeping into my brain.

At this point, everyone in your band except for Dave Keuning has made a solo album. Are you guys planning to come back together as a band soon?
Yeah, we’ve been working on a few songs since last May. We did 12 shows last year. We were playing old songs, and we’re in the studio right now writing and recording. We go back and forth – sometimes we're writing, and sometimes we're recording. It’s been kind of a slower process than usual because it’s taken a lot to get back into the swing of things and to try to figure out what we’re about, because we’re all different people now that we had the time off. But it’s coming along.  What we’re doing this year is trying to finish the new record.

How has the experience of writing your own songs from top to bottom influenced the way you work with the band now?
It’s hard to say, it possibly did in subtle ways or like in the back of my mind. But when it’s the band – it’s a "when something’s not broke, you don’t need to fix it" kind of thing.  On one hand, I’ve written songs top to bottom, but I’m trying not to change the approach too much. We all have our roles kind of with what we’ve done before and it’s worked. It’s a true band where we work things out even if someone else wrote the majority of the song sometimes. But I don’t think that’s really changed when the four of us get together too much. That’s probably for the better. I think we all evolve, and you apply what you learn to a point, but at the same time we all have a role in that group anyway.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Wednesday, January 25, 2012

Killers Bassist Mark Stoermer Goes Country Rock with Solo Debut

Mark Stoermer Mark Stoermer, 'Everyone Loves the Girl'

Click to listen to Mark Stoermer's 'Everyone Loves the Girl'

The Killers bassist Mark Stoermer recorded Another Life, his debut solo album, while the band took an extended hiatus in 2009. They had just finished touring in support of their third record, Day and Age.

The album – a set of polished, thoughtful country rock tunes with a touch of his band's new-wave production style – are the first songs Stoermer ever wrote on his own. (You can hear "Everyone Loves the Girl," a highlight from the album, above.) Rolling Stone recently caught up with Stoermer to chat about striking out on his own, as well as the Killers' progress on writing and recording their fourth album, which is expected to be finished sometime this year.

You’ve been playing in the Killers for a decade now – how did that experience inform how you made this solo album?
It was a completely different approach to anything I have been involved in with the creative side with the Killers, because with the Killers I never wrote the lyrics or the vocal melody, and I never sang, obviously. Usually, if I’d come up with something, it was a riff or a chord progression or maybe an instrumental melody that was applied to a collaborative effort. So, this was the first time where I was able to tell stories and have complete control over the whole thing. I never even wrote lyrics or complete songs before the band. If I took anything from being in the band I learned partly how to write songs. I think I learned a lot from being involved in the process. I applied a little bit of that to my writing. But this style is very different, because it’s just me and everything is more storytelling based.

What kind of stories did you want to tell?
It’s a combination of things that are going on in my life, things that I was thinking about. I guess real stories, but in a way that meant something to me and maybe connects with someone else if they hear it. When I was writing these, I didn’t know if I was going to even put these out, it started out just as demos, and I didn’t even know if it was going to actually sing it or anything. It was really an experiment from the beginning, just something I was doing with my time off.

When you started off doing this, were you writing it with the Killers in mind, or did you always intend for this material to exist outside of the band?
Some of it started towards to the end of the Killers touring, like in a hotel room with a laptop or like a Dictaphone. And just getting rough ideas, but I didn’t know where it was going. I think the majority of the songs were written when we finally took off from touring in 2010, the first like three or four months. At first, I guess, that was always a possibility, but it wasn’t my main focus, I was just writing to write. Then it got to the point where I decided to write more lyrics and apply stories to them.

I hear a lot of country influence on this record. Was that something you were going for here?
I grew up with it on the radio, like Waylon Jennings and Willie Nelson and stuff like that. I started listening to more Hank Williams probably the last few years. I don’t know, it’s there. It’s not my main influence as a whole, but there are definitely­­ country artists that were always there in my life probably when I was a kid, just kind of seeping into my brain.

At this point, everyone in your band except for Dave Keuning has made a solo album. Are you guys planning to come back together as a band soon?
Yeah, we’ve been working on a few songs since last May. We did 12 shows last year. We were playing old songs, and we’re in the studio right now writing and recording. We go back and forth – sometimes we're writing, and sometimes we're recording. It’s been kind of a slower process than usual because it’s taken a lot to get back into the swing of things and to try to figure out what we’re about, because we’re all different people now that we had the time off. But it’s coming along.  What we’re doing this year is trying to finish the new record.

How has the experience of writing your own songs from top to bottom influenced the way you work with the band now?
It’s hard to say, it possibly did in subtle ways or like in the back of my mind. But when it’s the band – it’s a "when something’s not broke, you don’t need to fix it" kind of thing.  On one hand, I’ve written songs top to bottom, but I’m trying not to change the approach too much. We all have our roles kind of with what we’ve done before and it’s worked. It’s a true band where we work things out even if someone else wrote the majority of the song sometimes. But I don’t think that’s really changed when the four of us get together too much. That’s probably for the better. I think we all evolve, and you apply what you learn to a point, but at the same time we all have a role in that group anyway.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Tuesday, January 24, 2012

Megadeth Bassist Wants to Be a Lutheran Pastor

 Megadeth Megadeth bassist David Ellefson performs during the Jagermeister Fall Music Tour at the Pearl concert theater at the Palms Casino Resort in Las Vegas.

Megadeth's best-selling album is Countdown to Destruction, but in the meantime at least one of the band's members is making the most of life on earth. According to the St. Louis Post-Dispatch, bassist Dave Ellefson is an online student in the Specific Ministry Program at Concordia Seminary. 

"Most people want to be a rock star," said Jon Bjorgaard, pastor of the Lutheran church in Scottsdale, AZ, where Ellefson and his family are congregants. "David's a rock star who wants to become a pastor."

Ellefson grew up attending Lutheran services in his native Minnesota, but when he moved to L.A. and joined Megadeth, he was lured into the rock & roll lifestyle. At 25, he entered a 12-step recovery program and reconnected with his faith. 

When Bjorgaard asked the rocker to start a contemporary worship service, he began performing for the church. "For a Christmas service, I remixed some classics, not quite in a Megadeth fashion, but in a pretty heavy rock fashion," he said.

Next week Megadeth kicks off a tour with Motorhead in New Jersey. During downtime on the road, Ellefson will hit his homework. "Some peolel want to morph things together into one," he said, "but I have a hand in both worlds. I love praise and worship music, and I love heavy metal."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Sunday, January 22, 2012

Megadeth Bassist Wants to Be a Lutheran Pastor

 Megadeth Megadeth bassist David Ellefson performs during the Jagermeister Fall Music Tour at the Pearl concert theater at the Palms Casino Resort in Las Vegas.

Megadeth's best-selling album is Countdown to Destruction, but in the meantime at least one of the band's members is making the most of life on earth. According to the St. Louis Post-Dispatch, bassist Dave Ellefson is an online student in the Specific Ministry Program at Concordia Seminary. 

"Most people want to be a rock star," said Jon Bjorgaard, pastor of the Lutheran church in Scottsdale, AZ, where Ellefson and his family are congregants. "David's a rock star who wants to become a pastor."

Ellefson grew up attending Lutheran services in his native Minnesota, but when he moved to L.A. and joined Megadeth, he was lured into the rock & roll lifestyle. At 25, he entered a 12-step recovery program and reconnected with his faith. 

When Bjorgaard asked the rocker to start a contemporary worship service, he began performing for the church. "For a Christmas service, I remixed some classics, not quite in a Megadeth fashion, but in a pretty heavy rock fashion," he said.

Next week Megadeth kicks off a tour with Motorhead in New Jersey. During downtime on the road, Ellefson will hit his homework. "Some peolel want to morph things together into one," he said, "but I have a hand in both worlds. I love praise and worship music, and I love heavy metal."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


Amazon Music and MP3 Center

 
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