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Monday, April 16, 2012

Leonard Cohen's Ex-Manager Found Guilty of Harassment

leonard cohen Leonard Cohen poses during the launch of his new album 'Old Ideas' at Hotel Crillon in Paris.David Wolff - Patrick/WireImage

Leonard Cohen's former manager has been found guilty of harassing the songwriter by a court in Los Angeles, the Los Angeles Times reports. Kelley Lynch has been convicted on five charges of violating protective orders, and for making harassing phone calls and sending thousands of harassing emails.

Lynch worked with Cohen for 17 years, but was fired by the singer in 2004. Cohen sued Lynch in 2005, accusing her of stealing $5 million from his personal accounts and investments. A judge granted Cohen a default judgment, obligating Lynch to pay back $9.5 million. Lynch's systematic and persistent harassment of Cohen began shortly after she was dismissed.

Lynch is being held a detention facility in Lynwood, California in lieu of $25,000 bail. A sentencing hearing will be held sometime next week.

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Kraftwerk Diary Day Three: 1977's Influential 'Trans-Europe Express'

Kraftwerk performs at the Museum of Modern Art in New York.

Night three of "Kraftwerk – Retrospective 1 2 3 4 5 6 7 8"  was devoted (or at least it was supposed to be; more later) to the influential group's album that might have made the most far-reaching impact of all, 1977's Trans-Europe Express. The band opened with the titular suite, where Afrika Bambaataa and Arthur Baker would pilfer the melody they combined with the rhythm pattern of Kraftwerk's "Numbers" to create the pioneering 1982 single "Planet Rock" – the river of rhythm from which electro, and its foster child hip-hop, would soon flow. (Ironic that the Kraftwerk song so essential for helping transport music into the future is about that most cutting-edge technology . . . luxury train travel.)

Bambaataa was among the 450 in attendance at the MoMA, along with members of the Zulu Nation, to see the band he termed "old friends." In a 2009 interview, he recalled his initial encounter with Kraftwerk's music. "I thought, this is some serious stuff for the future," he told me. "The sound, the percussion, the machines clashing with each other – I felt the funk the first time I heard it." Another trailblazer smitten with Trans-Europe Express-era Kraftwerk was David Bowie, who would bring Iggy Pop along for a fanboy meetup with Ralf Hütter and Florian Schneider, an incident that gets name-checked by Hütter in "Trans-Europe Express" (Bowie returned the favor by titling "V-2 Schneider" on "Heroes" after Florian).

Among the album's themes were European cosmopolitanism and sophistication, conveyed both lyrically ("Europe Endless"' boasts of  "elegance and decadence") and visually (the original cover photos of the quartet gussied up like Weimar dandies, a far cry from the bionic body gloves of their current stage wear). Borrowing from the German tradition of sprechgesang, or spoken singing, Hütter's flat, affectless voice – often treated with a vocoder to further dehumanize it – is an odd match for the band's lilting music-box melodies, creating a feeling of detatchment which only amplifies the alienation and disconnection at the heart of "The Hall of Mirrors" and "Showroom Dummies," two of the chilliest evocations of show biz life ever recorded. (If only it had been written 50 years earlier, "Mirrors" would have been perfect material for Marlene Dietrich's cabaret singer to croon in The Blue Angel.) Unfortunately, the overly literal 3D animation projected behind the band during "Dummies" was duncelike enough to distract from the pleasures of the band's rendition.

Alright, since I'm already kvetching, please indulge me for a moment: during the extended "Trans-Europe Express" suite, the band pretty much dispensed with the percussive sparks of "Metal On Metal," then skipped playing "Franz Schubert" altogether, one of their most exquisite instrumentals. Wasn't performing these albums in their entirety the very selling point of Kraftweek and the reason for so much of the pre-series hype? Isn't playing the deep-album cuts that don't get included on greatest hits collections EXACTLY what a weeklong album-by-album retrospective festival is supposed to be for? Does. Not. Compute. Here's hoping that tomorrow's featured record, The Man-Machine, gets a more thorough treatment, or I'll be one sad robot.

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Bruce Springsteen Releases Dates For Fall Stadium Tour, New Video

bruce springsteen Bruce Springsteen performs at Madison Square Garden in New York.Dimitrios Kambouris/Getty Images

Bruce Springsteen has released a video for "Death to My Hometown," and announced dates for an eight-city stadium tour for August and September. The tour kicks off August 18th at Boston's Gillette Stadium and wraps up after a three-night stand at New Jersey's MetLife Stadium on September 22nd. Tickets go on sale later this month.

The Wrecking Ball tour formally kicked off March 18th in Atlanta. "Generally speaking, in the first half of the tour we usually emphasize the new album," E Street Band guitarist Steve Van Zandt recently told Rolling Stone. "The second half of the tour tends to loosen up a bit, get a little bit more spontaneous, a little bit crazier." The group wraps up the first leg of the tour May 2nd in Newark before heading to Europe for most of the summer.

The new video for "Death to My Hometown" features live performances of the song (featuring Rage Against the Machine guitarist Tom Morello) taped at New York's Apollo Theater, South By Southwest and the tour kick-off in Atlanta. It is the second video released from Wrecking Ball, following "We Take Care Of Our Own."

Here are the tour dates for the next North American leg of the Wrecking Ball tour.

 August 18 – Boston, MA – Gillette Stadium (on sale 4.28)

 August 24 – Toronto, ON , Canada– Rogers Centre (on sale 4.20)

 August 26 – Moncton, NB, Canada – Magnetic Hill (on sale 4.21)

 August 29 – Vernon, NY – Vernon Downs Raceway (on sale 4.28)

 September 2 – Philadelphia, PA – Citizens Bank Park (on sale 4.21)

 September 7 – Chicago, IL – Wrigley Field (on sale 4.21)

 September 14 – Washington, DC – Nationals Park (on sale 4.27)

 September 19 – East Rutherford, NJ – MetLife Stadium (on sale 4.20)

 September 21 – East Rutherford, NJ – MetLife Stadium (on sale 4.20)

 September 22 – East Rutherford, NJ – MetLife Stadium (on sale 4.20)

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Amazon to Let Music Fans Trade CDs for Store Credit

CD

Used CDs have just been added to the list of goods accepted by Amazon.com's Trade-In program, Smartmoney reports. On Wednesday, the online retail giant announced that users can mail in used CDs in exchange for store credit. Amazon's trade-in program has previously accepted a variety of media and electronics including books, movies and video games. The site collects eligible used titles from customers and resells them to third-party merchants.

If anything, Amazon's new CD trade-in program underscores impressions of the compact disc format's declining value. According to the site's estimates, a used copy of Madonna's new album, MDNA, will trade for up to $5 – a little more than enough to buy five tracks from the album on Amazon MP3 – while Skrillex's Bangarang nets a measly 65 cents.

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Sunday, April 15, 2012

Red Hot Chili Peppers Catalog Arrives on Spotify

red hot chili peppers Anthony Kiedis of Red Hot Chili Peppers performs in Sunrise, Florida.

The Red Hot Chili Peppers have announced that they're bringing their music to Spotify, making their entire catalog available on the streaming service as of today. All of the band's records will be available, from their early albums Freaky Styley and Mother's Milk on through their blockbuster hits Blood Sugar Sex Magik and Californication to their latest album, I'm With You.

The Chili Peppers signed an exclusive deal with Spotify. The service, which launched last year in the United States, will be the only streaming service worldwide to feature the band's music. 

The announcement comes one day before the Chilis are inducted to the Rock and Roll Hall of Fame by comedian Chris Rock. The band is also set to perform at the ceremony in Cleveland. 

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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M.I.A. Records Music for Julian Assange TV Show

Chris Hyde/Getty Images; Peter Macdiarmid/Getty Images

M.I.A. has collaborated with Julian Assange to create new music for the WikiLeaks founder's new television show, The World Tomorrow, Pitchfork reports. The first episode of the series will air on the English-language Russian network RT on April 17th and be posted as a video online.

The World Tomorrow will feature interviews conducted by Assange from his home in England, where he has been under house arrest. The program promises conversations with the "most interesting and controversial people alive in the world today."

M.I.A., well known for her far-left politics, announced her fandom of the controversial Assange at the beginning of last year with a mixtape called Vicki Leekx. The rapper acknowledged her team-up with Assange earlier today, tweeting "julian assange borrowed my computer last week , im still FREAKING OUT !!!!!"

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Exclusive Stream: Devo's Theme Song for 'Monster Man'

Click to listen to Devo's 'Monsterman'

Devo recorded the theme song for Monster Man, a show on the SyFy network about one of Hollywood's most respected monster prop building workshops. "Devo has always loved retro sci-fi," says Devo founder Gerald Casale. "When the stars of the Monster Man TV show approached us about writing a theme song and performing on the show in a video where we are incinerated by  the fire breath of a monster, I had it written in 15 minutes."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Exclusive Stream: Neon Trees Draw on Eclectic Influences for 'Mad Love'

Exclusive Stream: Neon Trees Draw on Eclectic Influences for 'Mad Love' | Music News | Rolling Stone New IssueArchivesWelcomeAccount SettingsLogoutLog In To RS All AccessNot a member? Click here. . Music Politics Movies Reviews Artist BlogsPhotos Videos Subscribe Now RSSMore:Matt TaibbiPeter TraversRandom NotesRS LiveChartsRS on SpotifyMy Favorite ConcertFestivals Matt TaibbiPeter TraversDavid FrickeRob SheffieldRS Politics DailyTech BlogFashion BlogRS Playlistmore Blogs »AlbumsSongsMovies Exclusive Stream: Neon Trees Draw on Eclectic Influences for 'Mad Love' Preview a song from the band's upcoming album 'Picture Show' $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); Comment 1 By Rolling Stone April 12, 2012 2:00 PM ET neon treesNeon TreesAutumn De Wilde

Neon Trees drew on a wide variety of influences when writing and recording "Mad Love," a highlight from their forthcoming album Picture Show, their second. "This song went from being a fast punk song a la the Descendants or old Weezer to being demoed as something from Tunnel of Love-era Bruce Springsteen," says frontman Tyler Glenn. "I love this song. I was inspired by the Human League and Yaz as much as I was inspired by Roy Orbison when I wrote it. I love its evolution. [Drummer] Elaine [Bradley] has always had such a beautiful voice, but it never seemed to fit into a Neon Trees song before because of its purity. I think that finally this song gave her vocal a platform to work!" Picture Show will be in stores on April 17th, but you can pre-order it today from iTunes.

Mad Love by Neon Trees

RelatedVideo: Neon Trees Live at Rolling Stone Studio $(document).ready(function() { $('.socialActionsBottom .pageActions .email-content').hover( function() { $('.socialActionsBottom .bubble.email').show(); }, function() { $('.socialActionsBottom .bubble.email').hide(); } ); $('.socialActionsBottom .pageActions .print-page').hover( function() { $('.socialActionsBottom .bubble.print').show(); }, function() { $('.socialActionsBottom .bubble.print').hide(); } ); }); | To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here

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Justin Bieber and Taylor Swift to Collaborate on New Song

swift bieber Justin Bieber and Taylor Swift at the Teen Choice Awards in California.Kevin Mazur/TCA 2011/WireImage

Justin Bieber has revealed that his upcoming album Believe, his third, will feature a songwriting collaboration with Taylor Swift. The U.K.'s Capital FM Radio posted audio yesterday from a recent conversation with Bieber on the program Vodafone Big Top 40 in which Bieber announced the country-pop singer-songwriter will join Believe's all-star guest list.

When asked whether the Swift collaboration would have a country flavor, Bieber replied in the affirmative and explained that Believe will reflect a diverse range of styles. "It doesn't stay in a box," he explained. "Everything is so different and that's why I'm so happy with this album."

Other 'Believe' guests include Drake, Kanye West, Timbaland and Diplo. On Monday, Bieber announced on Twitter that the album will also include a duet with Usher. Believe is expected to come out this summer.

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Lil B Hosts Rare Unscripted Lecture at NYU

On Wednesday night, about 500 students in New York University's Kimmel Center began chanting "Thank you, Based God!" before hip-hop folk hero Lil B even stepped on stage. He didn't keep his fans waiting long, and when he emerged from behind a curtain – sporting a neon yellow t-shirt, a green scarf, jeans and a colorful bindi – the students erupted.

"First off, NYU, I just wanna say I love you," Lil B began, setting the tone for the rest of his rare speaking engagement.

Lil B, 22, is a member of the San Francisco rap crew The Pack, who are best known for their 2006 hit "Vans." However, it wasn't until he began his solo career that he really found his niche. He claims to have created more than 3,000 songs, and he releases a constant stream of free music using his various social media accounts.

Lil B represents a unique lifestyle, which he refers to as "Based." Both he and his fans refer to him as the "Based God," which explains his Twitter handle, @LILBTHEBASEDGOD. In the past, he has insinuated that "Based" essentially means that anything goes at any time. Yet last night, at his sold-out lecture, he redefined "Based" to fit the loving nature of the event: "Based means that you have somebody to trust. [...] It's about really caring," he said. He even clarified his role in the philosophy: "I am not the Based God. The Based God is better than me."

With the exception of the recurring subject of love, it is impossible to pin down any main theme of the night. The unscripted lecture, like some of Lil B's mixtapes, rambled on, aimlessly tackling various topics such as politics ("Let's stop fracking! 'Ey, bruh. Stop messin' with the Earth, bruh.") and philosophy ("Do we have any proof what we are?"). Although it was at times seemingly senseless, Lil B would sporadically touch on something thoughtful, causing some to subvert their previously confident assertions of his lunacy.

Towards the end of the lecture, Lil B revealed some exclusive bits of news to the crowd of students, most of whom remained on their feet for the entirety of the 90-minute presentation. First, he hinted at a major collaboration: "I've got a song with pretty much the biggest artist on Earth," he said. Then, he announced that since he has "already made history in rap," he is going to release a rock album, which he described as garage-punk: "This is gonna be for the rebels," he said.

Following the presentation, Lil B took countless pictures and signed autographs for his fans. Then, he went to Twitter to reflect on the lecture: "Lives have been changed and the positive generation is real. The people do love... new york university and all staff. Love ur hearts - Lil B."

Lil B released a mixtape earlier this week called The Basedprint II, the title of which is inspired by Jay-Z's 2002 album, The Blueprint, Vol. 2. The first track on the mixtape is called "NYU" in honor last night's lecture. He has no current plans to host another lecture, but is set to perform at the New Museum tonight at 6:30 p.m.

Listen to Lil B's lecture here:

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Exclusive Download: Blondfire, ' Hide and Seek'

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Click to listen to Blondfire's 'Hide and Seek'

After becoming the first unsigned band to reach Number One on iTunes' Alternative chart, Blondfire – the Brazilian-American sibling duo comprised of Bruce and Erica Driscoll – continue to build buzz for their dreamy, propulsive electro-pop. Their latest single, "Hide and Seek," is a wistful yet hopeful companion piece to last year's effervescent "Where the Kids Are."

Blondfire's forthcoming second album, Win the Game, is due out later this year from Tender Tender Rush. In the meantime, download "Hide and Seek" for free at Rolling Stone.

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Leonard Cohen's Ex-Manager Found Guilty of Harassment

leonard cohen Leonard Cohen poses during the launch of his new album 'Old Ideas' at Hotel Crillon in Paris.David Wolff - Patrick/WireImage

Leonard Cohen's former manager has been found guilty of harassing the songwriter by a court in Los Angeles, the Los Angeles Times reports. Kelley Lynch has been convicted on five charges of violating protective orders, and for making harassing phone calls and sending thousands of harassing emails.

Lynch worked with Cohen for 17 years, but was fired by the singer in 2004. Cohen sued Lynch in 2005, accusing her of stealing $5 million from his personal accounts and investments. A judge granted Cohen a default judgment, obligating Lynch to pay back $9.5 million. Lynch's systematic and persistent harassment of Cohen began shortly after she was dismissed.

Lynch is being held a detention facility in Lynwood, California in lieu of $25,000 bail. A sentencing hearing will be held sometime next week.

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Rod Stewart Too Sick to Attend Rock and Roll Hall of Fame Induction

rod stewart Rod Stewart performs during the launch of his two-year residency at The Colosseum at Caesars Palace in Las Vegas.

Axl Rose won't be the only no-show at tomorrow's Rock and Roll Hall of Fame induction ceremony in Cleveland: Rod Stewart has also declined to attend due to sudden illness. The singer was originally scheduled to reunite on stage with the classic lineup of the Faces, but he announced today that he will have to miss the ceremony.

This afternoon, Stewart and the Rock and Roll Hall of Fame released a joint statement via the singer's publicist:

Unfortunately Rod is battling the flu this week and regrettably he is unable to accept his induction in person in Cleveland.

The Rock and Roll Hall of Fame congratulates Rod on his 2012 Induction and wishes him a speedy recovery.

"I'm absolutely devastated," Stewart said. "Shattered that I'm going to miss my second induction into the Rock & Roll Hall of Fame - and this time alongside my mates."

Faces will play a short set after they are inducted with Simply Red's Mick Hucknall singing vocals. He's a friend of the band and has played with them before. We are thrilled that Mick dropped everything to hop on a plane to be here to play with Faces on Saturday night.

Tomorrow's Hall of Fame induction honors both the influential mod group Small Faces and their harder rock reincarnation, the Faces. Stewart served as vocalist for the latter before leaving to pursue his flourishing solo career. He was inducted into the Rock and Roll Hall of Fame as an individual performer in 1994, in the same class as John Lennon, Elton John and Bob Marley.

Earlier this week, Faces guitarist Ron Wood told Rolling Stone that the group's reunion would include a spin through "Stay With Me” and a possible instrumental. He joked, a bit prophetically, "I'm going to sing 'Ooh La La,' whether Rod likes it or not."

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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'Touch' Recap: The Circle of Life

Martin and a man are held at gunpoint on 'Touch.'

The best TV shows make you think, analyze and ultimately find a deeper meaning. Just the other day I found myself trying to rationalize the existence of a show such as Touch. Could I find something deeper in its construction? I still don’t know the answer to that. But what I did realize is that Touch is like so many before it: it’s following the most commonplace, overused metaphor in literary, cinematic and TV history – the Christ figure. And Martin's son, Jake, the muted know-it-all who endures pain for other's misdeeds, is it. Martin? He who is so desperately trying to connect with his son. Well, he's Christ’s disciple, trying to decode the mystical message. Maybe I’m just trying to find meaning where none exists? I’m giving myself a headache.

Where we left off, Jake, all through his mysterious people-connecting ways, had just miraculously helped save an injured soldier and gave a metal band of Iraqi teenagers a chance to play, a distraught minister a second shot at life and his late mother's friend a sense of closure. As is customary on this show, the opening montage gives us a peek at which random people Jake will be helping "touch" this week. Give it to us! On this week's helping-hand agenda: a Saudi teenager, a pickpocket, a random man on a Montreal subway and a grieving woman in church. Let's do it!

Today is a big day: Jake is being evaluated by child services to see whether Martin should get custody of him or whether he needs to be transferred to a different facility. Martin is going, well, a little bit crazy. "I'm starting to see signs where there aren't any," he tells the crazy-scientist-of-an-old man that is Arthur Teller (Danny Glover). Martin is recounting Jake's latest oddity: that morning at breakfast, Jake arranged packets of sugar in a circle-like shape, and then, a moment later, as he left with Clea (the one worker at Jake's facility who is on Martin's side), he left a hand print on the restaurant's glass of a similar circular shape. "Jake's progressing," Teller says. The circle pattern represents a number, he explains: 22 , which is how many "points" are in the circle. OK, so 22 is our number this episode.

We're now in Saudi Arabia. A teenager name Norah is wearing a burqa. She's frustrated by the social constraints placed upon women in her country. More specifically, she doesn't want to be forced into an arranged marriage that's set to go down with a young man who is currently in Canada. Deciding to rebel, Norah sneaks out of her house and gets in the car – women apparently aren't allowed to drive, so this is a big no-no. Norah hops into her family car and goes to pick up her friend. They joy-ride until they come upon a woman stranded on the side of the road. She's pregnant. And about to burst! They pick her up – she still doesn't know these are women driving her (how, we don't know, considering they aren't wearing their burqas). Their car dies. What now?

In Montreal, the random subway dude works at a hospital. He and his friend talk about this woman he always sees on the subway – he never has the guts to talk to her. Plus, he's set to marry a girl he's never even met back home in Saudi Arabia. (I wonder who that is?) He's going to talk to his crush later tonight on the subway. But his hospital boss needs to stay late to find a bone marrow donor for a sick teenage boy, and he can't leave until he does so.

Back in New York, Martin is on his way to Jake's evaluation. He bends down to tie his shoe, and as he does, the pickpocket from the opening montage steals his laptop. Martin chases him onto a bus, but the man escapes. Martin takes a seat next to a woman, Marisol – the same woman we saw grieving at a church earlier. Marisol jabs Martin in the side with a gun. Huh? Turns out she's planning to kill a guy on the bus who murdered her family years ago in a village raid in El Salvador.

In Saudi Arabia, the pregnant woman is about to deliver her baby. She calls her husband in a panic. He's in New York, and she wants him to come back home to help. Unsurprisingly, he's right near the bus that Martin is on. He runs in front of the bus in an effort to catch a cab. This causes the bus to swerve. Marisol is knocked over and her gun falls. Martin gets up, grab the man she's trying to kill, and runs off the bus. The woman catches up to them and is now holding them at gunpoint. A scuffle breaks out and the man Marisol has targeted escapes. The woman chases him, but then she's hit by a car. Martin helps her and calls 911.

Norah, the Saudi teenager, thinks her brother is coming to help them. Instead, her pissed-off father arrives and starts scolding her. But the pregnant woman is going into labor. Miraculously, the teenage girl is able to help deliver the baby (oddly, she never cuts the umbilical cord. Oh, TV).

Marisol is now at the hospital with Martin. (Side note: Martin has now missed Jake's evaluation . . . uh oh!) Martin goes to talk to the man Marisol wanted to kill. It turns out the man never killed Marisol's young brother: he says the brother is still alive, and lives in Canada! Back at the hospital Martin sees Jake's circle design on a computer monitor, which shows a listing for someone in Montreal from El Salvador who needs a bone marrow transplant. It's Marisol's estranged brother, and she's a match!

Even better, now that a match has been found, the Montreal man can leave the hospital. He goes to the subway and finds the girl he has a crush on. They go on a date and we later find out he has decided to stay with her and not marry the Saudi girl! The Saudi girl's dad has also decided he needs to give her more freedom, and he is letting her go to New York for college.

Wow! Things are crazy complicated. But here's what happened: oppressed Saudi girl is now going to college and isn’t being forced to marry Montreal dude. Montreal dude met girl and also helped arrange a donor match for the estranged brother Marisol didn't know was alive. Martin, well, he just screwed shit up and missed Jake's evaluation. And that pickpocket? Whatever happened to him? Nothing important. He gave the stolen laptop to his daughter. That's about it!

And Touch hasn't relieved my headache.

Last episode: Nine and a Half

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Exclusive Download: Blondfire, ' Hide and Seek'

MP3 Download: Blondfire, ' Hide and Seek' MP3 Download: Blondfire, ' Hide and Seek'

Click to listen to Blondfire's 'Hide and Seek'

After becoming the first unsigned band to reach Number One on iTunes' Alternative chart, Blondfire – the Brazilian-American sibling duo comprised of Bruce and Erica Driscoll – continue to build buzz for their dreamy, propulsive electro-pop. Their latest single, "Hide and Seek," is a wistful yet hopeful companion piece to last year's effervescent "Where the Kids Are."

Blondfire's forthcoming second album, Win the Game, is due out later this year from Tender Tender Rush. In the meantime, download "Hide and Seek" for free at Rolling Stone.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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M.I.A. Records Music for Julian Assange TV Show

Chris Hyde/Getty Images; Peter Macdiarmid/Getty Images

M.I.A. has collaborated with Julian Assange to create new music for the WikiLeaks founder's new television show, The World Tomorrow, Pitchfork reports. The first episode of the series will air on the English-language Russian network RT on April 17th and be posted as a video online.

The World Tomorrow will feature interviews conducted by Assange from his home in England, where he has been under house arrest. The program promises conversations with the "most interesting and controversial people alive in the world today."

M.I.A., well known for her far-left politics, announced her fandom of the controversial Assange at the beginning of last year with a mixtape called Vicki Leekx. The rapper acknowledged her team-up with Assange earlier today, tweeting "julian assange borrowed my computer last week , im still FREAKING OUT !!!!!"

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Exclusive Stream: Neon Trees Draw on Eclectic Influences for 'Mad Love'

Exclusive Stream: Neon Trees Draw on Eclectic Influences for 'Mad Love' | Music News | Rolling Stone New IssueArchivesWelcomeAccount SettingsLogoutLog In To RS All AccessNot a member? Click here. . Music Politics Movies Reviews Artist BlogsPhotos Videos Subscribe Now RSSMore:Matt TaibbiPeter TraversRandom NotesRS LiveChartsRS on SpotifyMy Favorite ConcertFestivals Matt TaibbiPeter TraversDavid FrickeRob SheffieldRS Politics DailyTech BlogFashion BlogRS Playlistmore Blogs »AlbumsSongsMovies Exclusive Stream: Neon Trees Draw on Eclectic Influences for 'Mad Love' Preview a song from the band's upcoming album 'Picture Show' $(document).ready(function() { $('.socialActionsTop .pageActions .email-content').hover( function() { $('.socialActionsTop .bubble.email').show(); }, function() { $('.socialActionsTop .bubble.email').hide(); } ); $('.socialActionsTop .pageActions .print-page').hover( function() { $('.socialActionsTop .bubble.print').show(); }, function() { $('.socialActionsTop .bubble.print').hide(); } ); }); Comment 1 By Rolling Stone April 12, 2012 2:00 PM ET neon treesNeon TreesAutumn De Wilde

Neon Trees drew on a wide variety of influences when writing and recording "Mad Love," a highlight from their forthcoming album Picture Show, their second. "This song went from being a fast punk song a la the Descendants or old Weezer to being demoed as something from Tunnel of Love-era Bruce Springsteen," says frontman Tyler Glenn. "I love this song. I was inspired by the Human League and Yaz as much as I was inspired by Roy Orbison when I wrote it. I love its evolution. [Drummer] Elaine [Bradley] has always had such a beautiful voice, but it never seemed to fit into a Neon Trees song before because of its purity. I think that finally this song gave her vocal a platform to work!" Picture Show will be in stores on April 17th, but you can pre-order it today from iTunes.

Mad Love by Neon Trees

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